Reframing Exoticism in European Literature
Edited by Claudia Dellacasa and Hannah McIntyre
Click cover to enlarge Open access licence: | MHRA Working Papers in the Humanities 14 Modern Humanities Research Association 9 December 2019 Open Access with doi: 10.59860/wph.i697196 European identity and literature have developed on a bedrock of constant confrontation with the 'exotic'. If, in 1978, Said's seminal Orientalism has convincingly demonstrated that the prevailing image of the 'Orient' was a Western construct, generated by a complex set of economic and political concerns, it is equally true that exotic representations have defined the European culture from which they originated. The appropriation and subsequent domestication of the exotic have variously reflected ideological and religious stances over time, and the difficulty of unsettling certain established convictions has intersected cultural mobility and porosity, in a process whose traits are only apparently paradoxical. This process is overwhelmingly embedded in the history of colonialism, and the more recent postcolonial turn in critical thought. Indeed, literature has played a central role in the construction and deconstruction of both colonial power and exoticism as an aesthetic category. This fourteenth issue of MHRA Working Papers in the Humanities seeks to engage with the multifaceted category of the 'exotic' in European literature, art, and culture, with its ever-changing character, and with its position in past and present discourses. We encouraged contributors to interrogate the established discourse in this field. How might recent developments in world literature, comparative, and postcolonial theory challenge and enhance Said's work? To what extent has exoticism – if not exoticisms – changed over time and in different national contexts, according to mutating historical conditions? In what way have narrative, philosophy, and ideology engaged with the shifting parameters of exoticism? How have different traditions dealt with those moments of 'cultural contact' which bring into focus the alienation of self/other? In light of globalisation, have we outrun the usefulness of exoticism as a cultural concept?
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Bibliography entry: Dellacasa, Claudia, and Hannah McIntyre (eds), Reframing Exoticism in European Literature (= MHRA Working Papers in the Humanities, 14 (2019)) <https://www.mhra.org.uk/publications/wph-14> [accessed 28 April 2024] First footnote reference: 35 Reframing Exoticism in European Literature, ed. by Claudia Dellacasa and Hannah McIntyre (= MHRA Working Papers in the Humanities, 14 (2019)) <https://www.mhra.org.uk/publications/wph-14> [accessed 28 April 2024], p. 21. Subsequent footnote reference: 37 Dellacasa and McIntyre, p. 47. (To see how these citations were worked out, follow this link.) Bibliography entry: Dellacasa, Claudia, and Hannah McIntyre (eds). 2019. Reframing Exoticism in European Literature (= MHRA Working Papers in the Humanities, 14) <https://www.mhra.org.uk/publications/wph-14> [accessed 28 April 2024] Example citation: ‘A quotation occurring on page 21 of this work’ (Dellacasa and McIntyre 2019: 21). Example footnote reference: 35 Dellacasa and McIntyre 2019: 21. (To see how these citations were worked out, follow this link.) This title is an online publication by the Modern Humanities Research Association. All rights reserved. Permanent link to this title: www.mhra.org.uk/publications/Reframing-Exoticism-in-European-Literature www.mhra.org.uk/publications/wph-14 | ||||||||||||||||||||||||||||||||||||||||||
