Ros, Xon de, and Daniela Omlor (eds), The Cultural Legacy of María Zambrano, Studies in Hispanic and Lusophone Cultures, 24 (Legenda, 2017)

García, Miguel, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda, 2022)

Boyd, Jade, The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Legenda, 2022)

Espejo, Ramón, The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues, Studies in Hispanic and Lusophone Cultures, 59 (Legenda, 2024)

Smith, Peter D., Metaphor and Materiality: German Literature and the World-View of Science 1780-1955, Studies In Comparative Literature, 4 (Legenda, 2000)

Saint, Nigel, Marguerite Yourcenar: Reading the Visual, Studies In Comparative Literature, 5 (Legenda, 2000)

Held, Phoebe von, Alienation and Theatricality: Diderot after Brecht, Studies In Comparative Literature, 17 (Legenda, 2011)

Whiteley, Giles, Oscar Wilde and the Simulacrum: The Truth of Masks, Studies In Comparative Literature, 35 (Legenda, 2015)

Li, Lin, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda, 2022)

Estraikh, Gennady, and Mikhail Krutikov (eds), Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture, Studies In Yiddish, 8 (Legenda, 2010)

Estraikh, Gennady, Jordan Finkin, Kerstin Hoge, and Mikhail Krutikov (eds), Translating Sholem Aleichem: History, Politics and Art, Studies In Yiddish, 10 (Legenda, 2012)

Quint, Alyssa, and Amanda Miryem-Khaye Seigel (eds), Women on the Yiddish Stage, Studies In Yiddish, 19 (Legenda, 2023)

Jones, Suzanne, The First English Translations of Molière: Drama in Flux 1663-1732, Transcript, 13 (Legenda, 2020)

Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)

Minier, Márta, and Lily Kahn (eds), Hamlet Translations: Prisms of Cultural Encounters across the Globe, Transcript, 16 (Legenda, 2021)

Rayfield, Lucy, Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda, 2022)

Todd, Christopher, Voltaire's Disciple: Jean François de La Harpe, MHRA Texts and Dissertations, 7 (MHRA, 1972)

Subiotto, Arrigo, Bertolt Brecht's Adaptations for the Berliner Ensemble, MHRA Texts and Dissertations, 8 (MHRA, 1975)

Davies, Judith, The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism, MHRA Texts and Dissertations, 13 (MHRA, 1979)

James, Dorothy, Georg Büchner's 'Dantons Tod': A Reappraisal, MHRA Texts and Dissertations, 16 (MHRA, 1982)

Silva, M. Helena Gonçalves da, Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht, MHRA Texts and Dissertations, 21 (MHRA, 1985)

Udall, Joanna, A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662), MHRA Texts and Dissertations, 31 (MHRA, 1991)

London, John, Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (MHRA, 1997)

Henry, Melanie, The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA, 2013)

Bardzińska, Joanna, El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura, MHRA Texts and Dissertations, 91 (MHRA, 2014)