| The Cultural Legacy of María Zambrano
Edited by Xon de Ros and Daniela Omlor
Studies in Hispanic and Lusophone Cultures 24•3 April 2017 |
| Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García
Studies in Hispanic and Lusophone Cultures 49•7 March 2022 |
| The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 54•13 September 2022 |
| The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues
Ramón Espejo 
Studies in Hispanic and Lusophone Cultures 59•19 February 2024 |
| Metaphor and Materiality: German Literature and the World-View of Science 1780-1955
Peter D. Smith
Studies In Comparative Literature 4•1 June 2000 |
| Marguerite Yourcenar: Reading the Visual
Nigel Saint
Studies In Comparative Literature 5•1 November 2000 |
| Alienation and Theatricality: Diderot after Brecht
Phoebe von Held
Studies In Comparative Literature 17•25 March 2011 |
| Oscar Wilde and the Simulacrum: The Truth of Masks
Giles Whiteley
Studies In Comparative Literature 35•1 July 2015 |
| Residual Figuration in Samuel Beckett and Alberto Giacometti
Lin Li
Studies In Comparative Literature 53•7 June 2022 |
| Yiddish in Weimar Berlin: At the Crossroads of Diaspora Politics and Culture
Edited by Gennady Estraikh and Mikhail Krutikov
Studies In Yiddish 8•12 April 2010 |
| Translating Sholem Aleichem: History, Politics and Art
Edited by Gennady Estraikh, Jordan Finkin, Kerstin Hoge and Mikhail Krutikov
Studies In Yiddish 10•1 June 2012 |
| Women on the Yiddish Stage
Edited by Alyssa Quint and Amanda Miryem-Khaye Seigel
Studies In Yiddish 19•31 August 2023 |
| The First English Translations of Molière: Drama in Flux 1663-1732
Suzanne Jones
Transcript 13•28 September 2020 |
| Uruguayan Theatre in Translation: Theory and Practice
Sophie Stevens
Transcript 15•8 October 2022 |
| Hamlet Translations: Prisms of Cultural Encounters across the Globe
Edited by Márta Minier and Lily Kahn
Transcript 16•10 December 2021 |
| Poetics, Performance and Politics in French and Italian Renaissance Comedy
Lucy Rayfield
Transcript 18•23 February 2022 |
| Voltaire's Disciple: Jean François de La Harpe
Christopher Todd
MHRA Texts and Dissertations 7•1 January 1972 |
| Bertolt Brecht's Adaptations for the Berliner Ensemble
Arrigo Subiotto
MHRA Texts and Dissertations 8•1 January 1975 |
| The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism
Judith Davies
MHRA Texts and Dissertations 13•1 January 1979 |
| Georg Büchner's 'Dantons Tod': A Reappraisal
Dorothy James
MHRA Texts and Dissertations 16•1 January 1982 |
| Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht
M. Helena Gonçalves da Silva
MHRA Texts and Dissertations 21•1 January 1985 |
| A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662)
Joanna Udall
MHRA Texts and Dissertations 31•1 January 1991 |
| Reception and Renewal in Modern Spanish Theatre: 1939-1963
John London
MHRA Texts and Dissertations 45•1 January 1997 |
| The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic
Melanie Henry
MHRA Texts and Dissertations 83•1 February 2013 |
| El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura
Joanna Bardzińska
MHRA Texts and Dissertations 91•1 May 2014 |