Rayfield, Lucy, Poetics, Performance and Politics in French and Italian Renaissance Comedy, Transcript, 18 (Legenda, 2022)

Gurr, Andrew (ed.), Politics, Patronage and Literature in England 1558-1658 (= Yearbook of English Studies, 21.1 (1991))

Schofield, Benedict, Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895), Bithell Series of Dissertations, 37 (MHRA, 2012)

García, Miguel, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda, 2022)

Alonso, Cláudia Pazos, and Stephen Parkinson, Reading Literature in Portuguese: Commentaries in Honour of Tom Earle (Legenda, 2013)

Davies, Judith, The Realism of Luigi Capuana: Theory and Practice in the Development of Late Nineteenth-Century Italian Realism, MHRA Texts and Dissertations, 13 (MHRA, 1979)

London, John, Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (MHRA, 1997)

Earle, T. F., and Catarina Fouto (eds), The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance (Legenda, 2015)

Li, Lin, Residual Figuration in Samuel Beckett and Alberto Giacometti, Studies In Comparative Literature, 53 (Legenda, 2022)

Humphrey, Paul, Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits, Studies in Hispanic and Lusophone Cultures, 12 (Legenda, 2019)

Bowie, Malcolm, Selected Essays of Malcolm Bowie II: Song Man (Legenda, 2013)

Henry, Melanie, The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA, 2013)

Phillippo, Susanna, Silent Witness: Racine's Non-Verbal Annotations of Euripides, Research Monographs in French Studies, 14 (Legenda, 2003)

Refini, Eugenio, Staging the Soul: Allegorical Drama as Spiritual Practice in Baroque Italy, Italian Perspectives, 48 (Legenda, 2023)

Dubbelboer, Marieke, The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu, Research Monographs in French Studies, 35 (Legenda, 2012)

Weller, Shane, A Taste for the Negative: Beckett and Nihilism (Legenda, 2005)

Timms, Edward, and Ritchie Robertson (eds), Theatre and Performance in Austria From Mozart to Jelinek (= Austrian Studies, 4 (1993))

Hunter, G. K., and C. J. Rawson (eds), Theatrical Literature (= Yearbook of English Studies, 9.1 (1979))

Poole, William, and Richard Scholar (eds), Thinking with Shakespeare: Comparative and Interdisciplinary Essays (Legenda, 2007)

Wygant, Amy, Towards a Cultural Philology: Phèdre and the Construction of 'Racine', Research Monographs in French Studies, 4 (Legenda, 1999)

Fischer, Donatella (ed.), The Tradition of the Actor-Author in Italian Theatre, Italian Perspectives, 27 (Legenda, 2013)

Estraikh, Gennady, Jordan Finkin, Kerstin Hoge, and Mikhail Krutikov (eds), Translating Sholem Aleichem: History, Politics and Art, Studies In Yiddish, 10 (Legenda, 2012)

Hiscock, Andrew (ed.), Tudor Literature (= Yearbook of English Studies, 38.1 (2008))

Bartel, Heike, and Anne Simon (eds), Unbinding Medea: Interdisciplinary Approaches to a Classical Myth from Antiquity to the 21st Century (Legenda, 2010)

Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)