Series | Extent | Year | Author | Title |
T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
YES 21 | — | 1991 | ed Andrew Gurr | Politics, Patronage and Literature in England 1558-1658 |
BSD 37 TD 81 | — | 2012 | Benedict Schofield | Private Lives and Collective Destinies |
SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
LGS | 294pp | 2013 | Cláudia Pazos Alonso, Stephen Parkinson | Reading Literature in Portuguese |
TD 13 | 180pp | 1979 | Judith Davies | The Realism of Luigi Capuana |
TD 45 | 288pp | 1997 | John London | Reception and Renewal in Modern Spanish Theatre |
LGS | 352pp | 2015 | ed T. F. Earle, Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
LGS vol 2 | 350pp | 2013 | Malcolm Bowie | Selected Essays of Malcolm Bowie II |
TD 83 | — | 2013 | Melanie Henry | The Signifying Self |
RMFS 14 | 230pp | 2003 | Susanna Phillippo | Silent Witness |
IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
LGS | 224pp | 2005 | Shane Weller | A Taste for the Negative |
AS 4 | 218pp | 1993 | ed Edward Timms, Ritchie Robertson | Theatre and Performance in Austria From Mozart to Jelinek |
YES 9 | — | 1979 | ed G. K. Hunter, C. J. Rawson | Theatrical Literature |
LGS | 154pp | 2007 | ed William Poole, Richard Scholar | Thinking with Shakespeare |
RMFS 4 | 172pp | 1999 | Amy Wygant | Towards a Cultural Philology |
IP 27 | 230pp | 2013 | ed Donatella Fischer | The Tradition of the Actor-Author in Italian Theatre |
SIY 10 | 232pp | 2012 | ed Gennady Estraikh, Jordan Finkin, Kerstin Hoge, Mikhail Krutikov | Translating Sholem Aleichem |
YES 38.1/2 | — | 2008 | ed Andrew Hiscock | Tudor Literature |
LGS | 352pp | 2010 | ed Heike Bartel, Anne Simon | Unbinding Medea |
T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |