| Series | Extent | Year | Author | Title |
| P 8 | — | 2015 | ed John Dunkley | Michel-Jean Sedaine: Maillard, ou Paris sauvé et Raimond V, comte de Toulouse |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| CT 57 | — | 2016 | ed Derek Connon | Alexis Piron, Gustave-Wasa |
| NT 11 | — | 2016 | tr Fred Bridgham | Georg Kaiser, After Expressionism |
| CT 61 | — | 2016 | ed Paola Perazzolo | Gabriel-Marie Legouvé, La Mort d'Abel |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| CT 34 | — | 2017 | ed Julia Prest | Les Veuves créoles |
| CT 58 | — | 2017 | ed Jessica Goodman | Commemorating Mirabeau |
| CT 63 | — | 2017 | ed Mark Darlow | Michel-Jean Sedaine: Théâtre de la Révolution |
| GL 15 | — | 2017 | Richard Dove | Foreign Parts |
| LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
| GL 1 | — | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| CT 65 | — | 2019 | ed Joseph Harris | Marmontel and Demoustier, Le Misanthrope corrigé |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| CT 64 | — | 2021 | ed Komla Aggor | Francisco Nieva: Coronada y el toro |
| T 16 | — | 2021 | ed Márta Minier,
Lily Kahn | Hamlet Translations |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |