Series | Extent | Year | Author | Title |
TD 7 | — | 1972 | Christopher Todd | Voltaire's Disciple |
PMHRA 5 | 234pp | 1974 | Edited, translated by D. Enright-Clark Shoukri | Liber Apologeticus de Omni Statu Humanae Naturae: A Defence of Human Nature in Every State (c. 1460) |
TD 8 | — | 1975 | Arrigo Subiotto | Bertolt Brecht's Adaptations for the Berliner Ensemble |
TD 13 | 180pp | 1979 | Judith Davies | The Realism of Luigi Capuana |
YES 9 | — | 1979 | ed G. K. Hunter, C. J. Rawson | Theatrical Literature |
TD 16 | 146pp | 1982 | Dorothy James | Georg Büchner's 'Dantons Tod' |
TD 21 | 156pp | 1985 | M. Helena Gonçalves da Silva | Character, Ideology, and Symbolism in the Plays of Wedekind, Sternheim, Kaiser, Toller, and Brecht |
TD 31 | — | 1991 | Joanna Udall | A Critical, Old-Spelling Edition of the Birth of Merlin (Q1662) |
YES 21 | — | 1991 | ed Andrew Gurr | Politics, Patronage and Literature in England 1558-1658 |
YES 22 | — | 1992 | ed Andrew Gurr | Medieval Narrative |
YES 23 | — | 1993 | ed Andrew Gurr | Early Shakespeare |
AS 4 | 218pp | 1993 | ed Edward Timms, Ritchie Robertson | Theatre and Performance in Austria From Mozart to Jelinek |
TD 45 | 288pp | 1997 | John London | Reception and Renewal in Modern Spanish Theatre |
BSD 23 TD 46 | 294pp | 1998 | Judith Beniston | Welttheater |
AS 9 | 298pp | 1998 | ed John R. P. McKenzie, Lesley Sharpe | The Austrian Comic Tradition |
LGS | 336pp | 1999 | James Simpson | Goethe and Patriarchy |
RMFS 4 | 172pp | 1999 | Amy Wygant | Towards a Cultural Philology |
BSD 24 TD 49 | 282pp | 2000 | Peter Davies | Divided Loyalties |
SICL 4 | 384pp | 2000 | Peter D. Smith | Metaphor and Materiality |
LGS | 546pp | 2000 | ed Letizia Panizza | Women in Italian Renaissance Culture and Society |
SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
LGS | 320pp | 2000 | ed Edith Hall, Fiona Macintosh, Oliver Taplin | Medea in Performance 1500-2000 |
IP 7 | 274pp | 2002 | Maggie Günsberg | Playing with Gender |
LGS | 196pp | 2002 | Linda Renton | Pinter and the Object of Desire |
RMFS 14 | 230pp | 2003 | Susanna Phillippo | Silent Witness |
LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
YES 35 | — | 2005 | ed Ronan McDonald | Irish Writing since 1950 |
LGS | 224pp | 2005 | Shane Weller | A Taste for the Negative |
LGS | — | 2005 | Catherine O'Rawe | Authorial Echoes |
LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
CT 3 | 136pp | 2005 | ed Susanne Kord | Letzte Chancen |
CT 4 | 264pp | 2005 | ed Susanne Kord | Macht des Weibes |
IP 15 | 282pp | 2006 | Lisa Sampson | Pastoral Drama in Early Modern Italy |
CT 10 | — | 2006 | ed John Dunmore | La Peyrouse dans l’Isle de Tahiti, ou le Danger des Présomptions |
CT 8 | — | 2006 | ed Thomas Wynn | François II, roi de France |
LGS | 154pp | 2007 | ed William Poole, Richard Scholar | Thinking with Shakespeare |
LGS | — | 2007 | Derek Connon | Identity and Transformation in the Plays of Alexis Piron |
LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
LGS | 410pp | 2007 | ed Edith Hall, Amanda Wrigley | Aristophanes in Performance 421 BC-AD 2007 |
CT 12 | — | 2007 | Édition présentée, établie, et annotée par Julia Prest | La Devineresse ou les faux enchantemens |
IP 17 | — | 2007 | Donatella Fischer | Il teatro di Eduardo De Filippo |
YES 38.1/2 | — | 2008 | ed Andrew Hiscock | Tudor Literature |
MB 4/1 | — | 2008 | Compiled, annotated,, edited by Michael Robinson | An International Annotated Bibliography of Strindberg Studies 1870–2005 |
MB 4/2 | — | 2008 | Compiled, annotated,, edited by Michael Robinson | An International Annotated Bibliography of Strindberg Studies 1870–2005 |
MB 4/3 | — | 2008 | Compiled, annotated,, edited by Michael Robinson | An International Annotated Bibliography of Strindberg Studies 1870–2005 |
IP 18 | 240pp | 2009 | ed Pierpaolo Antonello, Alan O'Leary | Imagining Terrorism |
RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
SIY 8 | 286pp | 2010 | ed Gennady Estraikh, Mikhail Krutikov | Yiddish in Weimar Berlin |
LGS | — | 2010 | Clare Connors | Force from Nietzsche to Derrida |
LGS | 352pp | 2010 | ed Heike Bartel, Anne Simon | Unbinding Medea |
P 1 | — | 2011 | ed Sophie Marchand | Monvel, Les Victimes cloîtrées |
SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
P 2 | — | 2011 | ed Derek Connon | Alexis Piron, L’Antre de Trophonius et La Robe de dissention, ou le faux-prodige |
P 3 | — | 2011 | ed Thomas Wynn | Delisle de Sales, Théâtre d'amour and Baculard d’Arnaud, L’Art de foutre, ou Paris foutant |
P 4 | — | 2011 | ed Mark Darlow, Yann Robert | Laya, L'Ami des lois |
RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
BSD 37 TD 81 | — | 2012 | Benedict Schofield | Private Lives and Collective Destinies |
SIY 10 | 232pp | 2012 | ed Gennady Estraikh, Jordan Finkin, Kerstin Hoge, Mikhail Krutikov | Translating Sholem Aleichem |
YES 43 | — | 2013 | ed Pamela M. King, Sue Niebrzydowski, Diana Wyatt | Early English Drama |
TD 83 | — | 2013 | Melanie Henry | The Signifying Self |
IP 26 | 252pp | 2013 | ed Paolo Chirumbolo, John Picchione | Edoardo Sanguineti |
CT 31 | — | 2013 | ed Peter William Shoemaker | Les Costeaux, ou les marquis frians, by Jean Donneau de Visé |
P 5 | — | 2013 | ed Jeanne-Marie Hostiou | Baron, Le Rendez-vous des Tuileries, ou Le Coquet trompé |
IP 27 | 230pp | 2013 | ed Donatella Fischer | The Tradition of the Actor-Author in Italian Theatre |
LGS | 294pp | 2013 | Cláudia Pazos Alonso, Stephen Parkinson | Reading Literature in Portuguese |
LGS vol 2 | 350pp | 2013 | Malcolm Bowie | Selected Essays of Malcolm Bowie II |
YES 44 | — | 2014 | ed Rory Loughnane, Andrew J. Power, Peter Sillitoe | Caroline Literature |
TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
RMFS 36 | 175pp | 2014 | Mary Noonan | Echo's Voice |
P 6 | — | 2014 | ed Logan J. Connors | Le Siège de Calais by Pierre-Laurent De Belloy |
IP 29 | — | 2014 | Katrin Wehling-Giorgi | Gadda and Beckett |
AS 22 | — | 2014 | ed Allyson Fiddler, Karen Jürs-Munby | Elfriede Jelinek in the Arena |
P 7 | — | 2015 | ed Vincenzo De Santis | Christophe Colomb par Népomucène Louis Lemercier |
LGS | 352pp | 2015 | ed T. F. Earle, Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
TD 100 | — | 2015 | Amy Fuller | Between Two Worlds |
P 8 | — | 2015 | ed John Dunkley | Michel-Jean Sedaine: Maillard, ou Paris sauvé et Raimond V, comte de Toulouse |
SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
CT 57 | — | 2016 | ed Derek Connon | Alexis Piron, Gustave-Wasa |
NT 11 | — | 2016 | tr Fred Bridgham | Georg Kaiser, After Expressionism |
CT 61 | — | 2016 | ed Paola Perazzolo | Gabriel-Marie Legouvé, La Mort d'Abel |
SHLC 24 | — | 2017 | ed Xon de Ros, Daniela Omlor | The Cultural Legacy of María Zambrano |
CT 34 | — | 2017 | ed Julia Prest | Les Veuves créoles |
CT 58 | — | 2017 | ed Jessica Goodman | Commemorating Mirabeau |
CT 63 | — | 2017 | ed Mark Darlow | Michel-Jean Sedaine: Théâtre de la Révolution |
GL 15 | — | 2017 | Richard Dove | Foreign Parts |
LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
GL 1 | — | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
LGS | — | 2019 | ed Charlie Louth, Patrick McGuinness | Gravity and Grace |
SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
CT 65 | — | 2019 | ed Joseph Harris | Marmontel and Demoustier, Le Misanthrope corrigé |
T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
CT 64 | — | 2021 | ed Komla Aggor | Francisco Nieva: Coronada y el toro |
T 16 | — | 2021 | ed Márta Minier, Lily Kahn | Hamlet Translations |
T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
CT 84 | — | 2022 | ed Derek Connon | Alexis Piron, Le Claperman and L’Âne d’or |
IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
CT 82 | — | 2023 | ed Joseph Harris | Louis-Sébastien Mercier, Le Vieillard et ses trois filles and Timon d’Athènes |
RMFS 50 | — | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
NT 19 | — | 2023 | tr Derek Connon | Le Philosophe sans le savoir, by Michel-Jean Sedaine |
SIY 19 | — | 2023 | ed Alyssa Quint, Amanda Miryem-Khaye Seigel | Women on the Yiddish Stage |
SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
CT 28 | — | 2024 | tr Derek Connon | Alexis Piron, Fernand-Cortés |