| Series | Extent | Year | Author | Title |
| MI 11 | — | 2022 | ed Ben Bollig,
David M. J. Wood | The Poetry-Film Nexus in Latin America |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| MI 14 | — | 2023 | ed Martin Brady,
Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| MI 15 | — | 2024 | Patrick Brian Smith | Spatial Violence and the Documentary Image |
| MI 16 | — | 2024 | ed Damien Pollard,
Edward Bowen | Film Exhibition |
| RMFS 7 | 160pp | 2000 | Emma Wilson | Memory and Survival |
| RMFS 20 | 112pp | 2006 | Sarah Cooper | Selfless Cinema? |
| RMFS 41 | 135pp | 2014 | Cécile Bishop | Postcolonial Criticism and Representations of African Dictatorship |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| SHLC 14 | — | 2016 | ed Dylan Brennan,
Nuala Finnegan | Rethinking Juan Rulfo’s Creative World |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| SICL 58 | — | 2025 | Jacobo de Camps | Walter Benjamin’s Calderón |
| SLS 6 | 34pp | 2003 | Leo Bersani,
Ulysse Dutoit | Forming Couples |
| T 1 | — | 2020 | ed Ann Lewis,
Silke Arnold-de Simine | Adapting the Canon |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |
| T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri,
Matthew Reynolds | Minding Borders |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |