Series | Extent | Year | Author | Title |
AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
IP 12 | 256pp | 2006 | ed Anna Cento Bull, Adalgisa Giorgio | Speaking Out and Silencing |
IP 18 | 240pp | 2009 | ed Pierpaolo Antonello, Alan O'Leary | Imagining Terrorism |
IP 30 | 236pp | 2014 | Laura Rorato | Caravaggio in Film and Literature |
IP 35 | — | 2016 | Emanuela Patti | Pasolini after Dante |
IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
LGS | 320pp | 2000 | ed Edith Hall, Fiona Macintosh, Oliver Taplin | Medea in Performance 1500-2000 |
LGS | 196pp | 2002 | Linda Renton | Pinter and the Object of Desire |
LGS | — | 2009 | Kate Griffiths | Emile Zola and the Artistry of Adaptation |
LGS | 538pp | 2013 | ed Ingo Gildenhard, Andrew Zissos | Transformative Change in Western Thought |
LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight, Judith Still | Women, Genre and Circumstance |
LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |
MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
MI 5 | 234pp | 2014 | ed Lizelle Bisschoff, David Murphy | Africa's Lost Classics |
MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
MI 10 | — | 2024 | Stephan Hilpert, Andrew J. Webber | Screening Work |