| Series | Extent | Year | Author | Title |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| LGS | 538pp | 2013 | ed Ingo Gildenhard, Andrew Zissos | Transformative Change in Western Thought |
| LGS | — | 2009 | Kate Griffiths | Emile Zola and the Artistry of Adaptation |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |
| YES 20 | — | 1990 | ed Andrew Gurr | Literature in the Modern Media |
| YES 25 | — | 1995 | ed Andrew Gurr | Non-Standard Englishes and the New Media |
| LGS | 320pp | 2000 | ed Edith Hall, Fiona Macintosh, Oliver Taplin | Medea in Performance 1500-2000 |
| MI 10 | — | 2024 | Stephan Hilpert, Andrew J. Webber | Screening Work |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight, Judith Still | Women, Genre and Circumstance |
| T 1 | — | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |
| MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
| T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri, Matthew Reynolds | Minding Borders |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| IP 35 | — | 2016 | Emanuela Patti | Pasolini after Dante |
| MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| LGS | 196pp | 2002 | Linda Renton | Pinter and the Object of Desire |
| VC 7 | — | 2024 | ed Annie Ring, Lucy Bollington | Citational Media |
| IP 30 | 236pp | 2014 | Laura Rorato | Caravaggio in Film and Literature |
| MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| MI 15 | — | 2024 | Patrick Brian Smith | Spatial Violence and the Documentary Image |
| MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |