| Series | Extent | Year | Author | Title |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| SE 12 | — | 2020 | Judie Newman | Contemporary Fictions |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| SEER 86.2 | — | 2008 | ed Juliane Fürst, Polly Jones,
Susan Morrissey | The Relaunch of the Soviet Project, 1945-64 |
| SEER 93.1 | — | 2015 | ed Jonathan Oldfield, Julia Lajus,
Denis J. B. Shaw | Conceptualizing and Utilizing the Natural Environment |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| SHLC 16 | — | 2020 | ed Jordi Larios,
Montserrat Lunati | Catalan Narrative 1875-2015 |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| SHLC 23 | — | 2016 | Mark Sabine | José Saramago |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
| SHLC 36 | — | 2019 | Phillip Rothwell | Pepetela and the MPLA |
| SHLC 37 | — | 2019 | Natasha Tanna | Queer Genealogies in Transnational Barcelona |
| SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
| SHLC 41 | — | 2020 | Željko Jovanović | Twentieth-Century Sephardic Authors from the Former Yugoslavia |
| SHLC 45 | — | 2021 | Guillem Colom-Montero | Quim Monzó and Contemporary Catalan Culture (1975–2018) |
| SHLC 46 | — | 2021 | Brigid Lynch | Horizontalism and Historicity in Argentina |
| SHLC 47 | — | 2021 | Emily Jenkins | The Visualization of a Nation |
| SHLC 52 | — | 2023 | Karunika Kardak | Memory, Identity and the Historical Novel in Uruguay |
| SHLC 53 | — | 2022 | Rachel Elizabeth Robinson | Visual and Plastic Poetics |
| SHLC 58 | — | 2022 | Dorothée Boulanger | Fiction as History |
| SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
| SICL 27 | — | 2019 | Joep Leerssen | Comparative Literature in Britain |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| SICL 41 | — | 2018 | Clementina Osti | Utopian Identities |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 44 | — | 2018 | ed Elisa Bizzotto,
Stefano Evangelista | Arthur Symons |
| SIY 15 | — | 2017 | ed Gennady Estraikh,
Mikhail Krutikov | Three Cities of Yiddish |
| T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
| T 14 | — | 2022 | ed Adriana X. Jacobs,
Claire Williams | After Clarice |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| T 19 | — | 2022 | ed Mohamed-Salah Omri,
Philippe Roussin | Literature, Democracy and Transitional Justice |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| T 21 | — | 2021 | Alice Loda | The Translingual Verse |
| T 29 | — | 2023 | ed Alison James, Akihiro Kubo,,
Françoise Lavocat | Can Fiction Change the World? |
| TD 61 | — | 2004 | Parvati Nair | Configuring Community |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| TD 79 | — | 2011 | Christine Angela Knoop | Kundera and the Ambiguity of Authorship |
| TD 86 | — | 2013 | Elena Kravchenko | The Prose of Sasha Sokolov |
| TD 88 | — | 2013 | Jenni M. Lehtinen | Narrative and National Allegory in Rómulo Gallegos's Venezuela |
| TD 89 | — | 2013 | Helen Tattam | Time in the Philosophy of Gabriel Marcel |