Series | Extent | Year | Author | Title |
SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
SHLC 36 | — | 2019 | Phillip Rothwell | Pepetela and the MPLA |
SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
LGS | — | 2019 | ed Oliver Davis, Colin Davis | Freedom and the Subject of Theory |
RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
MI 9 | — | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
IP 39 | — | 2018 | ed Lesley Caldwell, Fabio Camilletti | Rome |
IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |
SICL 41 | — | 2018 | Clementina Osti | Utopian Identities |
GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
SICL 44 | — | 2018 | ed Elisa Bizzotto, Stefano Evangelista | Arthur Symons |
SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
PMHRA 20 | — | 2018 | Arnold McMillin | Breaking with Tradition |
SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
LGS | — | 2017 | ed Patrick McGuinness, Emily McLaughlin | The Made and the Found |
LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,, Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
SIY 15 | — | 2017 | ed Gennady Estraikh, Mikhail Krutikov | Three Cities of Yiddish |
SHLC 24 | — | 2017 | ed Xon de Ros, Daniela Omlor | The Cultural Legacy of María Zambrano |
SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
SHLC 23 | — | 2016 | Mark Sabine | José Saramago |
RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
NT 9 | — | 2016 | tr Duncan Wheeler, with an introduction by Diana Holmes, Duncan Wheeler,, a prologue by Mario Vargas Llosa | Corín Tellado, Thursdays with Leila |
PMHRA 19 | — | 2015 | Arnold McMillin | Spring Shoots |
SEER 93.1 | — | 2015 | ed Jonathan Oldfield, Julia Lajus, Denis J. B. Shaw | Conceptualizing and Utilizing the Natural Environment |
AS 22 | — | 2014 | ed Allyson Fiddler, Karen Jürs-Munby | Elfriede Jelinek in the Arena |
PS 30.2 | — | 2014 | ed Sara Brandellero | João Cabral de Melo Neto (1920-1999) |
TD 99 | — | 2014 | Mariana Casale O'Ryan | The Making of Jorge Luis Borges as an Argentine Cultural Icon |
TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
TD 90 | — | 2014 | Noèlia Díaz Vicedo | Constructing Feminine Poetics in the Works of a Late-20th-Century Catalan Woman Poet |
BSD 41 TD 97 | — | 2013 | Catherine Smale | Phantom Images |
TD 89 | — | 2013 | Helen Tattam | Time in the Philosophy of Gabriel Marcel |
TD 88 | — | 2013 | Jenni M. Lehtinen | Narrative and National Allegory in Rómulo Gallegos's Venezuela |
TD 86 | — | 2013 | Elena Kravchenko | The Prose of Sasha Sokolov |
BSD 39 TD 84 | — | 2012 | Áine McMurtry | Crisis and Form in the Later Writing of Ingeborg Bachmann |
YES 42 | — | 2012 | ed Alice Ferrebe, Tracy Hargreaves | Literature of the 1950s and 1960s |
AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
TD 79 | — | 2011 | Christine Angela Knoop | Kundera and the Ambiguity of Authorship |