Anne Cooke’s Englishing of Bernardino Ochino
Edited by Patricia Demers 
Tudor and Stuart Translations 30•8 August 2023

An Apology or Answer in Defence of The Church Of England: Lady Anne Bacon's Translation of Bishop John Jewel's Apologia Ecclesiae Anglicanae
Edited by Patricia Demers
Tudor and Stuart Translations 22•1 January 2016

  • ‘Lady Anne Bacon’s 'An Apology or Answer in Defence of the Church of England', edited by Patricia Demers for the Modern Humanities Research Association (MHRA) Tudor and Stuart Translations series, has a comprehensive and wonderfully clear introduction describing Bacon’s provocative and blunt style, her commitment to humanist rather than technical translation principles, and her motives for taking on a translation of John Jewel’s flash point 'Apologia Ecclesiae Anglicanae' in the first place.’ — Katherine Eggert, English Literature 57, 2017, 208
  • ‘Patricia Demers’s new edition is an important addition to the MHRA series Tudor and Stuart Translations. In line with the ambitions of the series, the edition makes Anne’s translation more accessible to modern readers, both through its substantial introduction and through the comprehensive footnotes on the text itself... This edition will be welcomed not only by scholars of early modern female translation, but also by those interested in the place held by the Apology in Elizabethan religious debate.’ — Gemma Allen, Renaissance Quarterly 70.1, Spring 2017, 361-62
  • ‘This is an excellent volume and should become the new standard edition of the English translation of the Apologia. The work is available in an affordable paperback edition, making it ideal for classroom use.’ — Greg Peters, Sixteenth Century Journal 48.1, 2017, 242-43
  • ‘Patricia Demers’s beautifully- and painstakingly-edited volume makes an excellent addition to the series... Demers has produced a very fine and full edition of the Bacon/Jewel Apology or Answer in Defence of the Church of England that should be invaluable to scholars and graduate students working in early modern women’s writing, Elizabethan history, and the history and theology of the English Reformation.’ — Patricia Brace, Renaissance and Reformation 40.2, Spring 2017, 169-171
  • ‘This edition is an invaluable resource for both students and scholars for many reasons, such as its structure and features, the excellent background information in the introduction, and the clarity of Demers’s writing... This volume will prove very useful to scholars of the Elizabethan Church, and its glossary and footnotes also make it accessible for students. Considering the centrality of its argument to early Elizabethan religious debate, this new edition is an invaluable addition to modern translations of early modern primary sources.’ — Angela Ranson, Spenser Review 48.2.11, Spring-Summer 2018

Arthur Golding’s A Moral Fabletalk and Other Renaissance Fable Translations
Edited by Liza Blake and Kathryn Vomero Santos
Tudor and Stuart Translations 12•3 January 2017

  • ‘An excellent overview of fable and its literary and educational significance for nearly two centuries, from William Caxton’s edition of 1484 to John Ogilby’s fables, last printed in 1675... this is an important book that every library should have, not only for the texts that it presents but also because it shows the remarkable range of cultural work done by fable during the long Renaissance.’ — Edward Wheatley, Renaissance Quarterly 2018, 70.4, 1652-54
  • ‘Overall, this collection is a significant contribution to the study of English Renaissance translations, an exceptional tool to understand the function of Aesopian fables in the early modern period, and an accessible new source for scholars interested in Golding's work. It would also work well in upper-level undergraduate courses, providing students with a fascinating and illuminating view of the world of Aesopian fables' translation. This magnificent volume will be an excellent addition for any library.’ — Florinda Ruiz, Sixteenth Century Journal XLVIII:3, 2017, 813-15
  • ‘Exhibits the same virtues as Kendal’s edition [of Chapman's Homer, TST 21]. The editors’ inclusion of a variety of Aesopian fables from the late fifteenth through the mid-seventeenth century, together with good reproductions of contemporary engravings and woodcuts, beautifully demonstrates the malleability of the genre.’ — Lowell Gallagher, Studies in English Literature 1500-1900 58.1, Winter 2018, 219-77
  • ‘The collection’s extensive black-and-white woodcut and engraving reproductions, which appear on almost every other page, contribute substantially to its aesthetic appeal, while its large format and sturdy construction make it well worth the reasonable purchase price. Overall, this literally fabulous collection will make a welcome addition and substantial contribution to any scholarly library.’ — Mark Albert Johnston, Renaissance and Reformation 41.1, Winter 2018, 173-75
  • ‘The individual fables are supplemented by an index, a glossary of lesser-known terms, a comprehensive bibliography, and summaries of the publication history of each text, all of which help make the volume invaluable as a reference work.’ — unsigned notice, Forum for Modern Language Studies 54.1, 2018, 115
  • ‘The fables are all illustrated with beautifully clear images taken from old texts. There is a concise and useful introduction covering literary- theoretical and -historical aspects of the fable as a kind of writing, and also the editorial principles used in preparing the texts... The new MHRA edition is justified on the grounds of its greater availability (it costs £35), and also because it contains a lot more material in the form of the fables by other authors. The range of authors and texts offered by the new edition is surely what will make it so valuable (and cheap) an edition to any university library.’ — Mike Pincombe, Spenser Review 48.2.14, Spring-Summer 2018
  • ‘This recent volume from the MHRA’s series Tudor & Stuart Translations offers a fascinating insight into the production, circulation, and consumption of the genre of the fable, often neglected in early modern scholarship. The editors perform a valuable service in recognizing that much research still remains to be executed in this area of English Studies, an area which is all too often overshadowed by better- established traditions of theorization and criticism in other European languages.’ — Andrew Hiscock, Modern Language Review 114.1, January 2019, 113-15 (full text online)

Bertha von Suttner, Lay Down Your Arms: The Autobiography of Martha von Tilling
Edited by Barbara Burns
European Translations 5•15 February 2019

Böece de Confort remanié: Edition critique
Edited by Glynnis M. Cropp
European Translations 1•1 March 2011

  • ‘Glynnis M. Cropp nous offre une édition soignée du Böece de Confort remanié.’ — Béatrice Stumpf, Revue de Linguistique Romane 303-4, 2012, 557-62
  • ‘The Böece de Confort remanié marks the latest step in publishing the rich medieval French tradition of Boethius reception and is a fitting first volume in the MHRA European Translations series of valuable, affordable critical editions.’ — Helen J. Swift, Modern Language Review 108, 2013, 642-43 (full text online)
  • ‘Le plus grand mérite de ce volume réside sans doute dans la précision avec laquelle son auteure a édité le texte [...] Nous voudrions souligner ... l’utilité des Annexes ... qui constitueront des aides précieuses pour les chercheurs qui travailleront sur les différentes versions des traductions et des commentaires médiévaux de Boèce."’ — Andrea Valentini, Medioevo Romanzo XXXVI, 2012, 194-96

Corín Tellado, Thursdays with Leila
Translated by Duncan Wheeler, with an introduction by Diana Holmes and Duncan Wheeler, and a prologue by Mario Vargas Llosa
New Translations 9•15 November 2016

  • ‘La estimable traducción al inglés de Los jueves de Leila, por parte de los profesores Duncan Wheeler y Diana Holmes, uno de los más conocidos relatos de Corín Tellado y que inicia la serie: “Querer es poder”, abre la puerta al género romántico de esta prolí ca escritora asturiana al mundo anglosajón.’ — Estefanía Tocado, Hispania 101.2, June 2018, 344-45
  • ‘Wheeler’s translation of Thursdays with Leila captures the informal, non-demanding style of Tellado’s writing, and this particular novel was a very good choice for translation as it illustrates most of the dominant characteristics of her fiction.’ — Patricia O’Byrne, Bulletin of Spanish Studies 95, 2018, 905-06

Elizabethan Seneca: Three Tragedies
Edited by James Ker and Jessica Winston
Tudor and Stuart Translations 8•1 October 2012

  • ‘This important edition will act as a stimulus for further comparative work: it will help to reconfigure our valuation of Elizabethan Seneca not just in terms of its legacy (important though that is) but as an innovative literary endeavour in its own right.’ — Sarah Dewar-Watson, Times Literary Supplement 5 April 2013, 27
  • ‘It is appropriate and welcome that one of the first volumes in the attractive new MHRA series gives [the translations] the stage to themselves for a while, and an occasion even for those who already more or less know them to look at them afresh.’ — Gordon Braden, Translation and Literature 22, 2013, 274
  • ‘Seneca is enjoying a renaissance of sorts, prompting reevaluations of both his plays and their afterlives. This intelligently conceived and carefully edited volume offers a valuable opportunity to examine the evidence firsthand ... This volume is clear, intelligent, and informed by current scholarship; it will be valuable for scholars with an interest in Seneca, Elizabethan translation, classical reception, academic drama, and/or the development of tragedy.’ — Tanya Pollard, Renaissance Quarterly 66, 2013, 1513-14
  • ‘This edition will be tremendously useful not just to scholars working on classical transmission or early modern drama, but also to those looking at Elizabethan literary culture as a whole. Ker and Winston successfully demonstrate the centrality of Seneca to the Elizabethan literary landscape and open doors for a wide variety of potential areas of enquiry.’ — Kavita Mudan Finn, Sixteenth Century Journal 45, 2014, 474-75
  • ‘An excellent entry-point for students to the contexts both of the Senecan originals and of the Tudor translations.’ — Andrew J. Power, Modern Language Review 110, 2015, 238-39 (full text online)

English Renaissance Translation Theory
Edited by Neil Rhodes with Gordon Kendal and Louise Wilson
Tudor and Stuart Translations 9•1 August 2013

  • ‘Not only is the anthology representative, but it is rich in the diversity of opinions expressed ... Needless to say, this is a must acquisition for those interested in those redoubtable early English translators as artisans and cultural mediators reflecting, after the fact, upon how the instruments of translation do what they do, and according to whose bidding.’ — Donald Beecher, Renaissance and Reformation 37.2, 2014, 187-90
  • ‘The general editors' ambitions ... are brilliantly realized ... This is an invaluable work that will shape future directions in early modern translation studies.’ — Liz Oakley-Brown, Renaissance Quarterly 68, 2015, 383-84
  • ‘Supremely useful ... this volume will be a major spur to translation studies.’ — Barbara Fuchs, Studies in English Literature 1500-1900 55, 2015, 225
  • ‘English Renaissance Translation Theory is an important work – a necessary one, indeed [...] from now on, nobody working on translation in the Tudor and early Stuart periods will wish to be without it.’ — Massimiliano Morini, Translation and Literature 23, 2014, 390-93
  • ‘A substantial and illuminating introduction opens up debates familiar to scholars and translators today, such as whether to privilege word over sense, or to prefer poesy or prose in translation, and situates them firmly in their renaissance context.’ — unsigned notice, Forum for Modern Language Studies 50, 2014, 505
  • ‘This is an important book that will prove an invaluable resource to undergraduates new to translation theory and to the more informed reader alike.’ — Rachel Willie, Modern Language Review 111, 2016, 538 (full text online)
  • ‘The most comprehensive anthology of English Renaissance Translation Theory that has ever been printed, and it will be a trusted companion text for generations of future scholars.’ — Joshua Reid, Spenser Review 45.2.34, Fall 2015

Erasmus in English 1523-1584, Volume II: The Praise of Folly and Other Writings
Edited by Alex Davis, Gordon Kendal and Neil Rhodes
Tudor and Stuart Translations 26/2 of 3•5 January 2023

  • ‘Along with Alex Davis’ General Introduction, appearing in the first volume, [the introductions to each text] are an edifying delight: concise yet comprehensive, capturing the sweep of religious history and the fine grain of philological insight, they exude an infectious enthusiasm for the material while managing to report both basic facts and the latest scholarship.’ — David Currell, Translation and Literature 32, 2023, 237-44 (full text online)

Erasmus in English 1523-1584, Volume I: The Manual of the Christian Soldier and Other Writings
Edited by Alex Davis, Gordon Kendal and Neil Rhodes
Tudor and Stuart Translations 26/1 of 3•5 January 2023

  • ‘Along with Alex Davis’ General Introduction, appearing in the first volume, [the introductions to each text] are an edifying delight: concise yet comprehensive, capturing the sweep of religious history and the fine grain of philological insight, they exude an infectious enthusiasm for the material while managing to report both basic facts and the latest scholarship.’ — David Currell, Translation and Literature 32, 2023, 237-44 (full text online)

Experiment and Metaphysics: Towards a Resolution of the Cosmological Antinomies
Edgar Wind
Legenda (General Series) •1 May 2001

The First English Pastor Fido
Edited by Massimiliano Morini 
Tudor and Stuart Translations 28•16 April 2024

Fougeret de Monbron, Margot la ravaudeuse
Translated by Édouard Langille
New Translations 8•3 August 2015

  • ‘Langille’s edition offers much to satisfy a scholarly readership: his Introduction provides a detailed account of the life and works of Fougeret de Monbron, includes an exhaustive bibliography, and perfectly succeeds in situating the novel within the broader context of European literature, with a special focus on Britain.’ — Ruggiero Sciuto, French Studies 70.4, October 2016, 599-600
  • ‘A valuable addition to the New Translations series, making available to a wider public an interesting and unusual text.’ — Derek Connon, Modern Language Review 112.1, January 2017, 251-52 (full text online)
  • ‘Les traductions anglaises de la littérature libertine du xviiie siècle français se sont enrichies d’un nouvel ouvrage: Margot la ravaudeuse de Fougeret de Monbron. L’heureuse initiative provient d’Édouard Langille qui, avec son introduction et ses notes explicatives, remet à portée de tout lecteur anglophone la verve de Monbron... La richesse et la qualité des notes en fin d’ouvrage sont remarquables. Langille ne laisse aucun nom propre ou expression complexe lui échapper. Tout est expliqué en abondance ce qui fait de cette version anglaise de Margot la ravaudeuse une lecture attrayante pour un lecteur bilingue.’ — Jacqueline Chammas, Eighteenth-Century Fiction 29.4, 2017, 694-97

Gavin Douglas, The Aeneid (1513): Part One: Introduction, Books I-VIII
Edited by Gordon Kendal
Tudor and Stuart Translations 7/1 of 2•1 September 2011

  • ‘This edition is most welcome. No lover of Douglas or of Virgil has any excuse for not buying it.’ — Alastair Fowler, Times Literary Supplement 27 April 2012, 5
  • ‘Kendal’s edition accomplishes what the series sets out to do: here is a version of Douglas’ translation that will allow a non-specialist audience to read it more fluently and enjoy it. A broader audience and a teaching function might also be promoted by the text’s digital availability. As Douglas wished his translation to ‘be repute a needful work’ for Virgil, so this edition should become for those who would present Douglas’ translation effectively to a broader modern audience.’ — Sheldon Brammall, Translation and Literature 21, 2012, 241

Gavin Douglas, The Aeneid (1513): Part Two: Books IX – XIII, Appendices, Glossary, Index
Edited by Gordon Kendal
Tudor and Stuart Translations 7/2 of 2•1 September 2011

  • ‘This edition is most welcome. No lover of Douglas or of Virgil has any excuse for not buying it.’ — Alastair Fowler, Times Literary Supplement 27 April 2012, 5
  • ‘Kendal’s edition accomplishes what the series sets out to do: here is a version of Douglas’ translation that will allow a non-specialist audience to read it more fluently and enjoy it. A broader audience and a teaching function might also be promoted by the text’s digital availability. As Douglas wished his translation to ‘be repute a needful work’ for Virgil, so this edition should become for those who would present Douglas’ translation effectively to a broader modern audience.’ — Sheldon Brammall, Translation and Literature 21, 2012, 241

Georg Kaiser, After Expressionism: Five Plays
Translated by Fred Bridgham
New Translations 11•1 May 2016

  • ‘This volume is a valuable addition to world literature libraries, and of great interest to scholars of theatre... Scholars can be grateful to Bridgham for his efforts in placing these works before a broader public.’ — Carole J. Lambert, Translation and Literature 27, 2019, 100-07 (full text online)

George Chapman: Homer's Iliad
Edited by Robert S. Miola
Tudor and Stuart Translations 20•11 September 2017

  • ‘The MHRA edition vastly improves our ability to appreciate Chapman’s Homer as English poetry. The new edition presents a far more accessible text of Chapman’s Homer than any previous edition... The new MHRA editions undoubtedly surpass previous editions for classroom use. They make it practical, perhaps for the first time, to incorporate Chapman into courses on Jacobean poetry, on classical reception and the history of translation, on the materiality of the early modern book.’ — Sarah Van der Laan, Spenser Review 48.2.15, Spring-Summer 2018
  • ‘For the significantly improved access to Chapman’s Homer and for the rich collection of pointers in the footnotes, both of these volumes are worthy additions to the MHRA series. Miola and Kendal also allow their affection for Chapman to energize their editions, which provides the reader with some extra motivation to tackle these challenging texts.’ — Sheldon Brammall, Translation and Literature 27, 2018, 223–31
  • ‘This expertly edited volume, suitable for scholars, students, and general readers alike, significantly expands what we know about the cultural transmission of classical texts in early modern Europe. Presenting new insights regarding the reception and dissemination of Homeric epic in early modern England, it also helpfully illuminates Chapman’s specific contributions as versifier, wordsmith, and critic.’ — Melinda J. Gough, Renaissance and Reformation 42.4, Autumn 2019, 208-10
  • ‘Miola’s edition at last makes available the riches of this enormously influential translation for early modern Britain in a highly accessible and affordable publication. It constitutes an invaluable companion to the earlier publication in the series of Chapman’s Odyssey.’ — Andrew Hiscock, Modern Language Review 115.2, 2020, 445-47 (full text online)

George Chapman: Homer's Odyssey
Edited by Gordon Kendal
Tudor and Stuart Translations 21•16 September 2016

  • ‘Kendal states that Chapman sought “to bring Homer’s translucence within the reader’s grasp” (29) and this edition (recently joined by an edition of Chapman’s Iliad, ed. Robert Miola) does something similar for Chapman’s work, endowing a multifaceted, challenging, and important early modern poem with a new level of accessibility.’ — Katherine Heavey, Renaissance Quarterly 71.1, 2018, 224-25
  • ‘George Chapman’s Homer’s Odyssey, edited by Gordon Kendal, performs an inestimable service by giving students and scholars an easily readable text of Chapman’s landmark 1616 translation of the Odyssey, with modernized spelling and punctuation and a helpful marginal glossary as well as a very fine introductory essay that places Chapman’s achievement in its literary and cultural context.’ — Lowell Gallagher, Studies in English Literature 1500-1900 58.1, Winter 2018, 219-77
  • ‘The MHRA edition vastly improves our ability to appreciate Chapman’s Homer as English poetry. The new edition presents a far more accessible text of Chapman’s Homer than any previous edition... The new MHRA editions undoubtedly surpass previous editions for classroom use. They make it practical, perhaps for the first time, to incorporate Chapman into courses on Jacobean poetry, on classical reception and the history of translation, on the materiality of the early modern book.’ — Sarah Van der Laan, Spenser Review 48.2.15, Spring-Summer 2018
  • ‘A clear, inexpensive critical edition of Chapman's Odyssey is a welcome addition to the Modern Humanities Research Association's series, as it puts into print a work of significant influence on and reflective of early modern literature and culture... The text itself is extensively footnoted and well glossed, giving the novice reader of early modern English a solid guide to the more difficult elements of vocabulary and allusion without interfering unduly with a smooth reading of the poem.’ — Natalie Grinnell, Sixteenth Century Journal 49.3, 2018, 884-85
  • ‘We should certainly be grateful for Kendal’s careful, learned, and illuminating scholarship, which guides us through the twists and turns of the translated text to a fuller understanding and enjoyment of Chapman’s English Odyssey.’ — Marie-Alice Belle, Renaissance and Reformation 41.2, Spring 2018, 164-66
  • ‘For the significantly improved access to Chapman’s Homer and for the rich collection of pointers in the footnotes, both of these volumes are worthy additions to the MHRA series. Miola and Kendal also allow their affection for Chapman to energize their editions, which provides the reader with some extra motivation to tackle these challenging texts.’ — Sheldon Brammall, Translation and Literature 27, 2018, 223–31
  • ‘This recent addition to the MHRA’s ‘Tudor & Stuart Translations’ series is quite simply a joy to read... one of the great achievements of this volume is that it accomplishes the difficult task of both guiding the novice (perhaps student) reader through Chapman’s complex undertaking and offering researchers an excellent platform on which to conduct their own studies... Catering so broadly to the needs of a diverse readership, the volume is much to be commended.’ — Andrew Hiscock, Modern Language Review 113.4, October 2018, 855-56 (full text online)

Goethe, The Natural Daughter; Schiller, The Bride of Messina
Translated by F. J. Lamport
New Translations 13•4 May 2018

  • ‘Lamport produces a convincing translation of both texts which recognizes their common themes, and diligently reflects how their textures help form their meanings. This is not surprising, but it is still highly commendable.’ — Alex Mortimore, Translation and Literature 27, 2019, 107-15 (full text online)

Hugo von Hofmannsthal, The Incorruptible Servant
Translated by Alexander Stillmark
New Translations 17•24 December 2021

Hugo von Hofmannsthal, An Impossible Man
Translated by Alexander Stillmark
New Translations 12•1 August 2016

  • ‘This MHRA edition is a useful reference work for Anglophone readers and students of Hofmannsthal and provides an authoritative translation of Der Schwierige that will be welcomed by literary and theatre historians alike.’ — Edward Saunders, Austrian Studies 2017, 25, 253-54 (full text online)

Humphrey Llwyd, The Breviary of Britain with selections from The History of Cambria
Edited by Philip Schwyzer
Tudor and Stuart Translations 5•1 September 2011

  • ‘These are complex texts, the further study of which will be facilitated, and should be encouraged, by this edition.’ — David N. Parsons, Translation and Literature 21, 2012, 246
  • ‘This modern edition of Humphrey Llwyd is a welcome addition to the scholarship ... Schwyzer's work presents a compelling case for a greater recognition of Llwyd's contributions.’ — Ronald H. Fritze, Sixteenth Century Journal XLIV, 2013, 200

In Defence of Women
Translated by Joanna M. Barker
New Translations 14•13 August 2018

  • ‘With this edition, Barker provides a detailed account of an intellectual debate in eighteenth-century Spain that holds great relevance for contemporary scholarship in women's studies, European history and literary studies, among other fields.’ — Leslie J. Harkema, Bulletin of Spanish Studies 96, 2019, 1715-16

James Mabbe, The Spanish Bawd
Edited by José María Pérez Fernández
Tudor and Stuart Translations 10•1 October 2013

  • ‘This edited volume is a valuable contribution to early modern translation studies; it opens this neglected tragicomedy to new audiences, offers an erudite consideration of Mabbe’s text and its place within a complex web of literary and cultural exchange, and lays a solid foundation for future scholarship on La Celestina and The Spanish Bawd.’ — Edel Semple, Renaissance Quarterly 68, 2015, 1488-89
  • ‘Required reading for anyone with an interest in Mabbe and early Stuart Hispanism ... Pérez’s edition of The Spanish Bawd is the authoritative edition, the one I think scholars of the period will most want to have on their bookshelves.’ — John R. Yamamoto-Wilson, Translation and Literature 24, 2015, 99-103
  • ‘This MHRA edition, modernized for accessibility, offers an excellent point of entry to both early modern Spanish literature and renaissance translation.’ — unsigned notice, Forum for Modern Language Studies 51, 2015, 231

Liber Apologeticus de Omni Statu Humanae Naturae: A Defence of Human Nature in Every State (c. 1460): A Moral Play by Thomas Chaundler
Edited and translated by D. Enright-Clark Shoukri
Publications of the Modern Humanities Research Association 5•1 January 1974