| Series | Extent | Year | Author | Title |
| CT 64 | — | 2021 | ed Komla Aggor | Francisco Nieva: Coronada y el toro |
| TD 91 | — | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
| SHLC 54 | 136pp | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| LGS | 352pp | 2015 | ed T. F. Earle, Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
| SHLC 49 | 188pp | 2022 | Miguel García | Queering Lorca’s Duende |
| TD 83 | — | 2013 | Melanie Henry | The Signifying Self |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| TD 45 | 288pp | 1997 | John London | Reception and Renewal in Modern Spanish Theatre |
| ET 8 | — | 2025 | ed Noelia Pousada-Lobeira | El pastor fido by Isabel Correa |
| SHLC 24 | 232pp | 2017 | ed Xon de Ros, Daniela Omlor | The Cultural Legacy of María Zambrano |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |