Aggor, Komla (ed.), Francisco Nieva: Coronada y el toro, Critical Texts, 64 (MHRA, 2021)

Bardzińska, Joanna, El camino inverso: del cine al teatro: La vida en un hilo, de Edgar Neville y Mi adorado Juan, de Miguel Mihura, MHRA Texts and Dissertations, 91 (MHRA, 2014)

Bonaddio, Federico, and Xon de Ros (eds), Crossing Fields in Modern Spanish Culture (Legenda, 2003)

Boyd, Jade, The Experience of Colour in Lorca's Theatre, Studies in Hispanic and Lusophone Cultures, 54 (Legenda, 2022)

Earle, T. F., and Catarina Fouto (eds), The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance (Legenda, 2015)

García, Miguel, Queering Lorca’s Duende: Desire, Death, Intermediality, Studies in Hispanic and Lusophone Cultures, 49 (Legenda, 2022)

Henry, Melanie, The Signifying Self: Cervantine Drama as Counter-Perspective Aesthetic, MHRA Texts and Dissertations, 83 (MHRA, 2013)

Humphrey, Paul, Santería, Vodou and Resistance in Caribbean Literature: Daughters of the Spirits, Studies in Hispanic and Lusophone Cultures, 12 (Legenda, 2019)

London, John, Reception and Renewal in Modern Spanish Theatre: 1939-1963, MHRA Texts and Dissertations, 45 (MHRA, 1997)

Pousada-Lobeira, Noelia (ed.), El pastor fido by Isabel Correa, European Translations, 8 (MHRA, 2025)

Ros, Xon de, and Daniela Omlor (eds), The Cultural Legacy of María Zambrano, Studies in Hispanic and Lusophone Cultures, 24 (Legenda, 2017)

Stevens, Sophie, Uruguayan Theatre in Translation: Theory and Practice, Transcript, 15 (Legenda, 2022)