| Women, Emancipation and the German Novel 1871-1910: Protest Fiction in its Cultural Context
Charlotte Woodford
Germanic Literatures 6•1 November 2014 |
| Fontane and Cultural Mediation: Translation and Reception in Nineteenth-Century German Literature
Edited by Ritchie Robertson and Michael White
Germanic Literatures 8•11 September 2015 |
| Isak Dinesen Reading Søren Kierkegaard: On Christianity, Seduction, Gender, and Repetition
Mads Bunch
Germanic Literatures 13•3 April 2017 |
| Yvan Goll: The Thwarted Pursuit of the Whole
Robert Vilain 
Germanic Literatures 14 |
| Foreign Parts: German and Austrian Actors on the British Stage 1933-1960
Richard Dove
Germanic Literatures 15•29 September 2017 |
| Paul Celan’s Unfinished Poetics: Readings in the Sous-Oeuvre
Thomas C. Connolly
Germanic Literatures 16•26 February 2018 |
| Encounters with Albion: Britain and the British in Texts by Jewish Refugees from Nazism
Anthony Grenville
Germanic Literatures 17•22 August 2018 |
| Georg Hermann: A Writer’s Life
John Craig-Sharples
Germanic Literatures 19•28 August 2019 |
| Alfred Döblin: Monsters, Cyborgs and Berliners 1900-1933
Robert Craig
Germanic Literatures 20•10 September 2021 |
| Childhood, Memory, and the Nation: Young Lives under Nazism in Contemporary German Culture
Alexandra Lloyd
Germanic Literatures 23•28 September 2020 |
| Stefan George: The Homosexual Imaginary
Peter Morgan 
Germanic Literatures 30•29 January 2024 |
| Elio Vittorini: The Writer and the Written
Guido Bonsaver
Italian Perspectives 4•1 November 2000 |
| Origin and Identity: Essays on Svevo and Trieste
Elizabeth Schächter
Italian Perspectives 5•1 November 2000 |
| The Printed Media in Fin-de-siècle Italy: Publishers, Writers, and Readers
Edited by Ann Hallamore Caesar, Gabriella Romani, and Jennifer Burns
Italian Perspectives 21•6 July 2011 |
| Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda
Deborah Amberson
Italian Perspectives 22•30 January 2012 |
| Disrupted Narratives: Illness, Silence and Identity in Svevo, Pressburger and Morandini
Emma Bond
Italian Perspectives 24•10 October 2012 |
| Gadda and Beckett: Storytelling, Subjectivity and Fracture
Katrin Wehling-Giorgi
Italian Perspectives 29•1 November 2014 |
| Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius
Laura Rorato
Italian Perspectives 30•1 November 2014 |
| Rome Eternal: The City As Fatherland
Guy Lanoue
Italian Perspectives 32•8 June 2015 |
| The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature
Simone Brioni
Italian Perspectives 33•11 September 2015 |
| Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda
Alberto Godioli
Italian Perspectives 34•9 October 2015 |
| Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation
Emanuela Patti
Italian Perspectives 35•1 September 2016 |
| Futurism: A Microhistory
Edited by Sascha Bru, Luca Somigli, and Bart Van den Bossche
Italian Perspectives 36•29 September 2017 |
| Rome: Modernity, Postmodernity and Beyond
Edited by Lesley Caldwell and Fabio Camilletti
Italian Perspectives 39•30 September 2018 |
| A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40•30 September 2018 |