Woodford, Charlotte. 2014. Women, Emancipation and the German Novel 1871-1910: Protest Fiction in its Cultural Context, Germanic Literatures, 6 (Legenda)

Robertson, Ritchie, and Michael White (eds). 2015. Fontane and Cultural Mediation: Translation and Reception in Nineteenth-Century German Literature, Germanic Literatures, 8 (Legenda)

Bunch, Mads. 2017. Isak Dinesen Reading Søren Kierkegaard: On Christianity, Seduction, Gender, and Repetition, Germanic Literatures, 13 (Legenda)

Vilain, Robert. 3000. Yvan Goll: The Thwarted Pursuit of the Whole, Germanic Literatures, 14 (Legenda)

Dove, Richard. 2017. Foreign Parts: German and Austrian Actors on the British Stage 1933-1960, Germanic Literatures, 15 (Legenda)

Connolly, Thomas C.. 2018. Paul Celan’s Unfinished Poetics: Readings in the Sous-Oeuvre, Germanic Literatures, 16 (Legenda)

Grenville, Anthony. 2018. Encounters with Albion: Britain and the British in Texts by Jewish Refugees from Nazism, Germanic Literatures, 17 (Legenda)

Craig-Sharples, John. 2019. Georg Hermann: A Writer’s Life, Germanic Literatures, 19 (Legenda)

Craig, Robert. 2021. Alfred Döblin: Monsters, Cyborgs and Berliners 1900-1933, Germanic Literatures, 20 (Legenda)

Lloyd, Alexandra. 2020. Childhood, Memory, and the Nation: Young Lives under Nazism in Contemporary German Culture, Germanic Literatures, 23 (Legenda)

Morgan, Peter. 2024. Stefan George: The Homosexual Imaginary, Germanic Literatures, 30 (Legenda)

Bonsaver, Guido. 2000. Elio Vittorini: The Writer and the Written, Italian Perspectives, 4 (Legenda)

Schächter, Elizabeth. 2000. Origin and Identity: Essays on Svevo and Trieste, Italian Perspectives, 5 (Legenda)

Caesar, Ann Hallamore, Gabriella Romani, and Jennifer Burns (eds). 2011. The Printed Media in Fin-de-siècle Italy: Publishers, Writers, and Readers, Italian Perspectives, 21 (Legenda)

Amberson, Deborah. 2012. Giraffes in the Garden of Italian Literature: Modernist Embodiment in Italo Svevo, Federigo Tozzi and Carlo Emilio Gadda, Italian Perspectives, 22 (Legenda)

Bond, Emma. 2012. Disrupted Narratives: Illness, Silence and Identity in Svevo, Pressburger and Morandini, Italian Perspectives, 24 (Legenda)

Wehling-Giorgi, Katrin. 2014. Gadda and Beckett: Storytelling, Subjectivity and Fracture, Italian Perspectives, 29 (Legenda)

Rorato, Laura. 2014. Caravaggio in Film and Literature: Popular Culture's Appropriation of a Baroque Genius, Italian Perspectives, 30 (Legenda)

Lanoue, Guy. 2015. Rome Eternal: The City As Fatherland, Italian Perspectives, 32 (Legenda)

Brioni, Simone. 2015. The Somali Within: Language, Race and Belonging in ‘Minor’ Italian Literature, Italian Perspectives, 33 (Legenda)

Godioli, Alberto. 2015. Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda, Italian Perspectives, 34 (Legenda)

Patti, Emanuela. 2016. Pasolini after Dante: The 'Divine Mimesis' and the Politics of Representation, Italian Perspectives, 35 (Legenda)

Bru, Sascha, Luca Somigli, and Bart Van den Bossche (eds). 2017. Futurism: A Microhistory, Italian Perspectives, 36 (Legenda)

Caldwell, Lesley, and Fabio Camilletti (eds). 2018. Rome: Modernity, Postmodernity and Beyond, Italian Perspectives, 39 (Legenda)

Francisci, Enza De. 2018. A 'New' Woman in Verga and Pirandello: From Page to Stage, Italian Perspectives, 40 (Legenda)