| Series | Extent | Year | Author | Title |
| MI 9 | 184pp | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SHLC 18 | 240pp | 2021 | Mar Diestro-Dópido | Film Festivals |
| MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
| MI 11 | 248pp | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
| MI 12 | 206pp | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| MI 14 | 244pp | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| MI 15 | 176pp | 2024 | Patrick Brian Smith | Spatial Violence and the Documentary Image |
| VC 7 | — | 2024 | ed Annie Ring, Lucy Bollington | Citational Media |
| MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |
| MI 10 | — | 2024 | Stephan Hilpert, Andrew J. Webber | Screening Work |
| MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |