| Series | Extent | Year | Author | Title |
| YES 20 | — | 1990 | ed Andrew Gurr | Literature in the Modern Media |
| YES 25 | — | 1995 | ed Andrew Gurr | Non-Standard Englishes and the New Media |
| RMFS 7 | 160pp | 2000 | Emma Wilson | Memory and Survival |
| LGS | 196pp | 2002 | Linda Renton | Pinter and the Object of Desire |
| LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
| SLS 6 | 34pp | 2003 | Leo Bersani, Ulysse Dutoit | Forming Couples |
| LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| IP 12 | 256pp | 2006 | ed Anna Cento Bull, Adalgisa Giorgio | Speaking Out and Silencing |
| RMFS 20 | 112pp | 2006 | Sarah Cooper | Selfless Cinema? |
| IP 18 | 240pp | 2009 | ed Pierpaolo Antonello, Alan O'Leary | Imagining Terrorism |
| TD 77 | 180pp | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| AS 19 | — | 2011 | ed Allyson Fiddler, Jon Hughes, Florian Krobb | The Austrian Noughties |
| LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight, Judith Still | Women, Genre and Circumstance |
| MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |
| MI 2 | 188pp | 2012 | Laura McMahon | Cinema and Contact |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| TD 91 | 372pp | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| RMFS 41 | 135pp | 2014 | Cécile Bishop | Postcolonial Criticism and Representations of African Dictatorship |
| MI 5 | 234pp | 2014 | ed Lizelle Bisschoff, David Murphy | Africa's Lost Classics |
| IP 35 | 186pp | 2016 | Emanuela Patti | Pasolini after Dante |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
| MI 6 | 224pp | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| SHLC 13 | 186pp | 2017 | Benedict Hoff | Reprojecting the City |
| MI 8 | 198pp | 2017 | Calum Watt | Blanchot and the Moving Image |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| MI 9 | 184pp | 2019 | ed Marion Schmid, Emma Wilson | Chantal Akerman |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| SHLC 18 | 240pp | 2021 | Mar Diestro-Dópido | Film Festivals |
| MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
| MI 11 | 248pp | 2022 | ed Ben Bollig, David M. J. Wood | The Poetry-Film Nexus in Latin America |
| MI 12 | 206pp | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| MI 14 | 244pp | 2023 | ed Martin Brady, Helen Hughes | The Cinema of Danièle Huillet and Jean-Marie Straub |
| MI 15 | 176pp | 2024 | Patrick Brian Smith | Spatial Violence and the Documentary Image |
| VC 7 | — | 2024 | ed Annie Ring, Lucy Bollington | Citational Media |
| MI 16 | — | 2024 | ed Damien Pollard, Edward Bowen | Film Exhibition |
| MI 10 | — | 2024 | Stephan Hilpert, Andrew J. Webber | Screening Work |
| MI 3 | — | 3000 | Georgina Evans | Cinema's Inter-Sensory Encounters |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |