| Series | Extent | Year | Author | Title |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope,
Pauline Souleau | Performing Medieval Text |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| LGS | 284pp | 2000 | Ian James | Pierre Klossowski |
| LGS | 140pp | 2017 | Marco Faini | Pietro Bembo |
| SICL 52 | — | 2021 | Julian J. I. Koch | A Poetics of the Image |
| GL 22 | — | 2020 | Franz R. Kempf | Poetry, Painting, Park |
| LGS | 406pp | 2011 | ed Steffen Dix,
Jerónimo Pizarro | Portuguese Modernisms |
| SICL 25 | 206pp | 2013 | Caroline Corbeau-Parsons | Prometheus in the Nineteenth Century |
| LGS | 222pp | 2011 | Áine Larkin | Proust Writing Photography |
| LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| TD 77 | — | 2011 | Paul Melo e Castro | Shades of Grey: 1960s Lisbon in Novel, Film and Photobook |
| SIY 2 | 190pp | 2000 | ed Gennady Estraikh,
Mikhail Krutikov | The Shtetl |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| LGS | 216pp | 2007 | James Kearns | Théophile Gautier, Orator to the Artists |
| LGS | 538pp | 2013 | ed Ingo Gildenhard,
Andrew Zissos | Transformative Change in Western Thought |
| SHLC 11 | 176pp | 2015 | Maite Usoz de la Fuente | Urban Space, Identity and Postmodernity in 1980s Spain |
| IP 50 | — | 2021 | Ronnie Ferguson | Venetian Inscriptions |
| SHLC 47 | — | 2021 | Emily Jenkins | The Visualization of a Nation |
| LGS | 546pp | 2000 | ed Letizia Panizza | Women in Italian Renaissance Culture and Society |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |