 | 👤 Luigi Pirandello (1867-1936), Italian playwright |
Published February 2005
Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Catherine O'Rawe
Legenda (General Series)
- ‘A short review cannot do justice to this arresting critical work. A combination of bold ideas with a meticulous attention to detail and a broad theoretical foundation characterizes O'Rawe's critical approach. Insights are always well substantiated with abundant evidence... Both a major contribution to Pirandello scholarship and a seminal challenge to narrative criticism.’ — Jennifer Lorch, Modern Language Review 103.4, October 2008, 1140-41 (full text online)
Published October 2015
Laughter from Realism to Modernism: Misfits and Humorists in Pirandello, Svevo, Palazzeschi, and Gadda
Alberto Godioli
Italian Perspectives 34
Published September 2018
A 'New' Woman in Verga and Pirandello: From Page to Stage
Enza De Francisci
Italian Perspectives 40
- ‘Effectively demonstrates that the two Sicilian writers, conventionally thought of as patriarchal figures, have, in their dramatic works, an affinity with the emerging ‘new woman’.’ — Mary Ann Frese Witt, Modern Language Review 115.2, 2020, 470-71 (full text online)