Les Veuves créoles
Edited by Julia Prest
Critical Texts 34•11 April 2017
- ‘In compiling this edition, Prest aims to reveal how the play could be ‘of considerable interest today in the context of renewed and ongoing research into the story of French colonialism and, increasingly, in colonial and créole drama’ (p. 5). This edition of Les Veuves créoles is a concise and riveting introduction to these research areas, and would in addition provide an ideal teaching tool.’ — Vanessa Lee, Bulletin of Francophone Postcolonial Studies 8.2, Autumn 2017, 26-27
Evariste-Désiré de Parny, Le Paradis perdu
Edited by Ritchie Robertson and Catriona Seth
Critical Texts 20•30 June 2009
- ‘Robertson’s authorship of a volume on mock epic, including Parny’s, and Seth’s extensive work on the poet make them an ideal editorial team for this volume.’ — Derek Connon, Modern Language Review 105.4, 2010, 1159-60 (full text online)
- ‘it is particularly interesting to have this careful, commentated and annotated edition of Parny's ironical, erotic and witty version of the Fall.’ — Angus Martin, New Zealand Journal of French Studies 31.1, 2010, 46-47
Lodovico Dolce, Dialogo della instituzion delle donne secondo li tre stati che cadono nella vita umana (1545)
Edited by Helena Sanson
Critical Texts 30•1 June 2015
Isabella Sori, Ammaestramenti e ricordi
Edited by Helena Sanson
Critical Texts 48•31 October 2018
Le Gouvernement présent, ou éloge de son Eminence, satyre ou la Miliade
Edited by Paul Scott
Critical Texts 14•1 October 2010
- ‘Paul Scott’s edition is both meticulous and erudite ... [the] astute analysis of the political and literary significance of the poem will be of broad interest to scholars who work on the political and cultural history of early modern France.’ — Peter Shoemaker, Modern Language Review 107.2, 2012, 618-20 (full text online)
- ‘The editor convincingly argues that the Miliade deserves our attention today as not only the first significant satire since the years of the Catholic League in the 1580s, but also the pamphlet that, in an increasingly centralized and controlled public sphere, made an audacious claim for the possibility of resistance ... This erudite edition will interest students of seventeenth-century history, literature, and all those interested in the history of political dissent.’ — Antonia Szabari, Renaissance Quarterly 67, 2014, 565-66
- ‘Après 90 pages de riche présentation, l’édition elle-même occupe 30 pages complétées de d’autant de notes (32 pages) qui en permettent la plus exacte compréhension ... [une] excellente édition.’ — Françoise Hildesheimer, Dix-septième siècle 258, 2013, 171-72
- ‘In this impeccably researched new edition, editor Paul Scott shows exactly why this pamphlet should be taken seriously ... I have no doubt that this edition will be essential reading for all scholars of the period.’ — Nicholas Hammond, Seventeenth Century XXVII, 2012, 246-47
Les Costeaux, ou les marquis frians, by Jean Donneau de Visé
Edited by Peter William Shoemaker
Critical Texts 31•1 June 2013
- ‘Complemented with a plethora of detailed endnotes providing much detail about areas such as culinary practice (from wild-duck recipes to the oenophilic topography of France), this edition has much to offer scholars of, and all those interested in, the early modern period.’ — Paul Scott, French Studies 69, 2015, 527
Eliza Haywood, The Fortunate Foundlings
Edited by Carol Stewart
Critical Texts 59•31 May 2018
- ‘This volume is a worthwhile read and is highly recommended.’ — unsigned notice, Forum for Modern Language Studies 55.2, April 2019, 245 (full text online)
- ‘Carol Stewart’s new edition is of exceptional value. The volume is consistently and expertly footnoted. Historical personages are briefly identified, and likely references are offered. More importantly, Stewart’s introduction provides a brief but clear historical summary, a useful contextualization of the text in Haywood’s oeuvre, and a thoughtful analysis of the novel’s key features.’ — Matthew J. Rigilano, Eighteenth-Century Fiction 33.1, 2020, 168-71
- ‘A key addition to Haywood scholarship, doing much to show her adroit handling of different genres as well as offering a new perspective on an author about whom there is still much to discover.’ — Jennifer Buckley, Modern Language Review 115.4, October 2020, 902-03 (full text online)
Aza ou le Nègre
Edited by Loïc Thommeret
Critical Texts 27•1 March 2011
- ‘Aza ou le Nègre, an unknown French literary fiction unearthed and introduced to us by Loïc Thommeret, certainly highlights what can be considered to be a revolution in the genre of eighteenth-century French colonial fiction advocating the abolition of slavery.’ — Christian Kittery, Modern Language Notes 127, 2012, 947-48
- ‘On ne peut que remercier Loïc Thommeret d’avoir retrouvé ce roman et de l’avoir publié ... Ce petit livre est appelé à devenir un grand classique.’ — Marie-Hélène Huet, Eighteenth-Century Fiction 25.2, 2013, 480
- ‘This is a most welcome addition to the growing number of previously little-known and largely inaccessible texts representing Blacks republished in recent years. ... Aza ou le Nègre would make an excellent text for undergraduate study.’ — Roger Little, Modern Language Review 107, 2012, 624-25 (full text online)
Dante Alighieri: Four Political Letters
Translated and with a commentary by Claire E. Honess
Critical Texts 6•1 October 2007
Stéphanie de Genlis, ‘Histoire de la duchesse de C***’
Edited by Mary S. Trouille
Critical Texts 21•1 October 2010
- ‘This fine edition would be a welcome addition to undergraduate and graduate courses on the Gothic novel, alongside now more familiar English authors ... Trouille has done those of us who focus on women’s writing in the pre-Revolutionary period a great service.’ — Gillian Dow, Modern Language Review 107.3, 2012, 944-45 (full text online)
Nicolas Edme Rétif de la Bretonne's Ingénue Saxancour
Edited by Mary S. Trouille
Critical Texts 33•1 May 2014
- ‘Mary S. Trouille’s critical edition ... represents an invaluable tool to discover and understand Rétif de la Bretonne. It is the first edition of this novel since Pierre Testud’s and Daniel Baruch’s own editions of the text (now out of print). This new MHRA volume therefore fills in a lacuna, and it does so authoritatively. This beautiful edition of Ingénue Saxancour is adorned by 27 figures: portraits of Rétif and his relatives or friends, illustrations from his works, and engravings of eighteenth-century Paris. The volume is indeed not only an introduction to a novel but also an invitation to Rétif's universe."’ — unsigned notice, Forum for Modern Language Studies 51, 2015, 87
- ‘Trouille presents a novel that remains as unsettling for the modern reader as it was when it was first published. It offers a valuable entry point for scholars and students alike into the dark Restivian world.’ — Gemma Tidman, Modern Language Review 112.1, January 2017, 252-53 (full text online)
Casimir Britannicus: English Translations, Paraphrases, and Emulations of the Poetry of Maciej Kazimierz Sarbiewski
Edited by Piotr Urbański and Krzysztof Fordoński
Critical Texts 11•1 May 2008
Casimir Britannicus: English Translations, Paraphrases, and Emulations of the Poetry of Maciej Kazimierz Sarbiewski
Edited by Piotr Urbański and Krzysztof Fordoński
Critical Texts 25•15 October 2010
- ‘The anthology is a sound philological achievement which illustrates an important link between the mostly Protestant English and Scottish poets and their most famous Polish Catholic counterpart, a continuous poetic interest from the mid-seventeenth to the nineteenth century. ‘Casimir Britannicus’ thus becomes for us Sarbiewski rediscovered.’ — George Gömöri, Modern Language Review 107.3, July 2012, 1007-09 (full text online)
- ‘In the well written and well-structured introduction to the volume ... Krzysztof Fordoński and Piotr Urbański identify six waves of Sarbiewski’s long-lasting popularity ... The editors did an excellent job in assembling this carefully thought out critical edition.’ — Robert Maryks, Archivum Historicum Societatis Iesu July-December 2011, 758-59
- ‘These days, enthusiasts of Neo-Latin poetry in general, and Maciej Kazimierz Sarbiewski (Sarbievius) in particular, are few and far between. Perhaps only they will recognize the great importance of this new anthology, but all who do take cognizance of it will receive it with gratitude.’ — Charles S. Kraszewski, Polish Review Fall 2008
- ‘Casimir Britannicus is a landmark publication.’ — Anne Barbeau Gardiner, Sarmatian Review 30.1, January 2010, 1469-71
Henry Crabb Robinson, Essays on Kant, Schelling, and German Aesthetics
Edited by James Vigus
Critical Texts 18•15 October 2010
- ‘Robinson's expertise in German philosophy can now be studied in significant detail in the well-documented edition prepared by James Vigus ... Vigus has not only brought together for the first time a full collection of Robinson's essays on German Philosophy, he has made these bold forays into the complexities of Kant and Schelling readily accessible in his general Introduction ... and his notes on the origin and provenance of each of the manuscripts. His volume is a valuable resource ... Scholars of the reception of German Philosophy in the British Romantic period will find it worthwhile to put Robinson alongside of Coleridge at the top of their reading list ... [A] remarkable achievement.’ — Frederick Burwick, The Wordsworth Circle XLI.4, 2010, 244-47
- ‘Vigus' [edition] bears impressive witness to Robinson's expertise and fills a void [...] the corpus of published and manuscript material remains a fascinating guide to the dynamic intellectual and literary culture of Germany at the beginning of the nineteenth century. [...] Vigus' authoritative, scholarly edition of Robinson's Essays is an essential text for anyone interested in late Enlightenment and early Romantic thought in Germany and in what Robinson did to disseminate that thought beyond the borders of the German-speaking world.’ — Eugene Stelzig, New Books On Literature 19, 28 June 2011
- ‘This volume will be of interest to scholars elucidating the state of Rational Dissent around 1800; to Kant specialists who deal with the early responses to Kant in Great Britain, especially given that Robinson's reception of Kant was superior to that of most of his British contemporaries; to Schelling specialists focussing on the development of Schelling's philosophy between 1800 and 1805; to Staël specialists investigating the background of her work on Germany De l'Allemagne [...] and perhaps most interestingly, Robinson's attempt to understand German philosophy will be relevant to those historians of philosophy and of ideas who believe that much can be learned from comparing radically different philosophical movements [...]. The introduction provides a fine overview and the editor's notes are helpful.’ — Vilem Mudroch, Enlightenment and Dissent 27, 2011, 188-91
- ‘James Vigus's excellent edition of Crabb Robinson's writings marks a new appreciation of his life and work. Crabb Robinson emerges from this volume as a writer and intellectual of considerable significance in his own right, and as one whose ideas contributed to the genesis and development of European Romanticism.’ — Stephen Burley, The Charles Lamb Bulletin n.s. 154, Autumn 2011, 161-63
- ‘As a pioneer of intercultural exchange, Robinson remains too little known today. James Vigus’s edition of his philosophical writings provides a valuable adjunct to the ongoing Crabb Robinson Project of the Dr Williams Centre for Dissenting Studies.’ — H. B. Nisbet, Modern Language Review 107.3, 2012, 970-71 (full text online)
- ‘This collection is a most welcome addition to the slowly growing number of editions of writings by one of Romanticism's most fascinating literary figures. [...] The resultant picture, perspicuously outlined in Vigus's introduction, is of 'a complex process of cultural transfer by which the metaphysics and aesthetics topical in Jena and Weimar around 1800 spread to Europe'. [...] [T]he texts presented in this volume [...] enable us to appreciate [Robinson's] own intellectual achievements more fully and justly than ever before.’ — Nicholas Halmi, The Coleridge Bulletin n.s. 39, Summer 2012, 100-02
Richard Robinson, The Rewarde of Wickednesse
Edited by Allyna E. Ward
Critical Texts 17•6 July 2009
Narcisse Berchère, Le Désert de Suez: cinq mois dans l'Isthme
Edited by Barbara Wright
Critical Texts 24•1 October 2010
- ‘Scholars in a variety of fields might profitably engage with Narcisse Berchère’s rich discursive and pictorial account of the Suez Canal’s construction, one which Wright’s impeccable scholarship has now made available to us.’ — Wendelin Guentner, Nineteenth-Century French Studies 41, 2013, 152-55
- ‘This re-edition and informative introduction by Barbara Wright thus puts back into circulation a text that self-consciously promotes the notion that ‘canaliser’ is a synonym of ‘coloniser’. ... This re-edition is invaluable, since the twenty illustrations from Le Tour du monde of 1863, presented in the appendix, are the sole survivors of the commission, a welcome glimpse of Berchère’s oeuvre, lost in Versailles during the Commune."’ — Peter Dunwoodie, Modern Language Review 107, 2012, 625-26 (full text online)
Albert Aubert, Du Spiritualisme et de quelques-unes de ses conséquences
Edited by Barbara Wright
Critical Texts 44•1 February 2014
François II, roi de France
Edited by Thomas Wynn
Critical Texts 8•3 November 2006
- ‘This is a welcome edition and a particularly timely one in the context of the current reappraisal of the minores and consequent refinement of our picture of the French Enlightenment, and of the problematization of dramatic reception.’ — John Dunkley, Modern Language Review 104.4, 2009, 1145 (full text online)
Walter Pater: Imaginary Portraits
Edited by Lene Østermark-Johansen
Critical Texts 35 / Jewelled Tortoise 1•1 April 2014
- ‘Long out of print, Imaginary Portraits has finally found a worthy home in print, thanks to what Pater might have characterized as Østermark-Johansen’s ‘minute and scrupulous’ lapidary care.’ — Kit Andrews, Modern Language Review 111.3, 2016, 861-63 (full text online)
- ‘It makes the portraits accessible through the lucid, highly original, and perceptive critical introductions and the useful, often necessary annotations. This is an essential text for students of Pater and Aestheticism.’ — David Riede, Pater Newsletter 65, 2014, 92
- ‘"[Østermark-Johansen] combines an encyclopedic knowledge of Pater's influences and allusions, and an astute understanding of his works and life, with enviable lightness of touch."’ — Kate Hext, Times Literary Supplement 8 August 2014, 11
- ‘The annotations are perhaps the most significant contribution this collection will make, as Pater’s highly allusive prose poses difficulties even to trained scholars – there is nothing close to its combination of comprehensiveness and critical apparatus on the market right now.’ — Matthew Potolsky, Journal of Pre-Raphaelite Studies 24, 2015, 112
- ‘Lene Østermark-Johansen’s magisterial new edition ... offering incisive critical and historical contexts for the individual texts.’ — James Eli Adams, English Literature in Transition 1880-1920 59, 2016, 105-08
- ‘Remarkable value and puts the exorbitant prices charged by some other publishers of textual editions to shame.’ — William Baker, The Year's Work in English Studies 95.1, 2016, 1472
- ‘This invaluable edition will hopefully bring some hitherto neglected texts of the Pater canon to a wider readership including undergraduates, especially as it comes for a very reasonable price. A definite "must-buy".’ — Bénédicte Coste, Cahiers victoriens et édouardiens 82, 2015
La Devineresse ou les faux enchantemens
Édition présentée, établie, et annotée par Julia Prest
Critical Texts 12•1 November 2007