Series | Extent | Year | Author | Title |
GL 9 | — | 2016 | Tara Beaney | Metamorphosis in Modern German Literature |
GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
GL 11 | — | 2016 | Joanna Neilly | E.T.A. Hoffmann’s Orient |
GL 12 | — | 2016 | Judit Gera | Structures of Subjugation in Dutch Literature |
GL 13 | — | 2017 | Mads Bunch | Isak Dinesen Reading Søren Kierkegaard |
GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
GL 19 | — | 2019 | John Craig-Sharples | Georg Hermann |
GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts, Olivier Couder | Confrontational Readings |
GL 23 | — | 2020 | Alexandra Lloyd | Childhood, Memory, and the Nation |
GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |
IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
IP 45 | — | 2021 | Marzia Beltrami | Spatial Plots |
LGS | — | 2019 | Christie Margrave | Writing the Landscape |
LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,, Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
LGS | — | 2018 | Claire Whitehead | The Poetics of Early Russian Crime Fiction 1860-1917 |
LGS | — | 2017 | Philippa Lewis | Intimacy and Distance |
LGS | — | 2018 | Kate Rees | The Journalist in the French Fin-de-siècle Novel |
LGS | — | 2019 | ed Oliver Davis, Colin Davis | Freedom and the Subject of Theory |
LGS | — | 2021 | Margarita Vaysman | Self-Conscious Realism |
RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |