Published February 2019

Photographing the Unseen Mexico: Maya Goded’s Socially Engaged Documentaries
Dominika Gasiorowski
Studies in Hispanic and Lusophone Cultures 21

  • ‘By employing innovative, subaltern questioning, Dominika Gasiorowski makes an exceptionally strong case for engaging with this socially committed Mexican documentary filmmaker and photographer and has produced an extremely thorough and impactful study of Maya Goded’s work.’ — Erica Segre, Bulletin of Spanish Visual Studies 5.1, 2021, 186-87 (full text online)

Published April 2019

Chantal Akerman: Afterlives
Edited by Marion Schmid and Emma Wilson
Moving Image 9

  • ‘What I like in Schmid and Wilson’s book is the breadth of content it offers. It is not a book about the “usual” subjects we speak about in the context of Akerman’s cinema. There is work on the director’s installations; there is work on, yes, ageing and smoking; there is work on what Albertine Fox calls “vocal landscapes”; and there is also work on Akerman’s use of light in Cyril Béghin’s excellent chapter Light out of Joint.’ — Nadin Mai, The Art(s) of Slow Cinema 5 July 2019
  • ‘Afterlives is an array of incredibly rich, beautiful, creative, and often deeply emotional responses to filmmaker, writer and artist Chantal Akerman's later works, looking with much needed detail attention to the final two decades of Akerman's creative output.’ — Ros Murray, Modern and Contemporary France 28.1, 2019, 175-76 (full text online)
  • ‘Together these essays resonate as similar tropes, films, and installations recur in new configurations. It is a testament to the artist, and to the editors, that new thought continues to illuminate Akerman’s oeuvre.’ — Ivone Margulies, H-France 20, May 2018, no. 66
  • ‘The diverse theoretical frameworks utilized in the essays allow for interdisciplinary discussions of Akerman’s oeuvre and propose new approaches for film studies. Elegantly written, this publication will interest scholars of European cinema, documentaries, multimedia art, cinematic adaptations of nineteenth-century literature, cultural memory, and the Holocaust.’ — Tessa Nunn, French Review 94.4, May 2021, 274-75 (full text online)

I Suffer, Therefore I Am: Engaging with Empathy in Contemporary French Women’s Writing
Kathryn Robson
Research Monographs in French Studies 56

  • ‘In this concise, fascinating book, Kathryn Robson explores text/reader relationships in a range of contemporary French women’s writing, including memoirs, fictional, and autofictional texts that relate to narratives of suffering--in particular, anorexia (chapter one), the death of a child (chapter two), and maternal filicide (chapter three), with chapter four focusing on autofictional narratives... Robson shows that it is all too easy to assume empathy, and that empathy can itselfdo damage to the other. Her study is important because it deals with why readers may feel uncomfortable towards narratives of suffering and, in interrogating empathy, offers some pointers towards newly negotiated ethical empathetic responses. We should read these narratives and try to approach others’ suffering, but we need to interrogate our responses to them and take responsibility for our readings. This is a wonderful, sensitive book, beautifully and thoughtfully written, and I whole-heartedly recommend it to anyone who wants to t’ — Gill Rye, H-France 20.34, January 2020
  • ‘A stimulating, innovative, and insightful discussion of empathy and the reading process in relation to narratives of suffering. Furthermore, as well as considering the limits of empathy, Robson also challenges the limits of the reader by compelling him/her to engage with and reflect on difficult narrative themes such as parental grief and filicide. This study will appeal to a wide range of readers and researchers from diverse areas such as French Studies, Women’s Writing, Affect Studies, Trauma Writing, and Feminist Theory.’ — Julie Rodgers, Modern Language Review 115.3, July 2020, 734-35 (full text online)
  • ‘In this outstanding analysis on the representations of pain and suffering in contemporary French women's writing, Robson challenges the notion of empathy as a way of putting oneself in someone else's shoes, destabilizing at the same time the reader's fixed positions. In doing so, she invites us to rethink empathy as a possibility for creating alternative approaches and challenges our ways of approaching others' pain.’ — Didem Alkan, Women in French Studies 28, 2020, 149-150 (full text online)
  • ‘This fascinating book provides a thoughtful and incisive reflection on empathetic engagement in narratives of suffering in contemporary women’s writing in French. Kathryn Robson’s brilliant analysis assembles an impressive range of contemporary authors around a selection of themes that have been startlingly prominent in recent years — anorexia, child loss, and infanticide —, offering patient, nuanced, and original readings.’ — Amaleena Damlé, French Studies 74.3, July 2020, 489–490 (full text online)

Freedom and the Subject of Theory: Essays in Honour of Christina Howells
Edited by Oliver Davis and Colin Davis
Legenda (General Series)

The Novels of Carmen Laforet: An Aesthetics of Relief
Caragh Wells
Studies in Hispanic and Lusophone Cultures 29

  • ‘Caragh Wells's seminal exploration of the psychological and aesthetic underpinning of Laforet’s novels is a must-read for anyone interested in such aspects of literature, Hispanic and global.’ — Lilit Žekulin Thwaites, Journal of Iberian and Latin American Research March 2020 (full text online)
  • ‘A required tome for any serious scholar or student of Carmen Laforet. It is a carefully researched and thoughtfully written study that should place Caragh Wells among the elite Laforetian scholars of the day.’ — Mark P. Del Mastro, Bulletin of Spanish Studies 97.3, March 2020, 444-45

Pepetela and the MPLA: The Ethical Evolution of a Revolutionary Writer
Phillip Rothwell
Studies in Hispanic and Lusophone Cultures 36

  • ‘The result is a deft, nuanced and accomplished analysis not only of Pepetela and his most important works, but of contemporary Angola and the way that the MPLA has wielded its power... It is a landmark work of scholarship from one of the field’s most accomplished critics, and essential reading for scholars of Lusophone African cultures, Angolan social history and Luso-Brazilian and African literatures.’ — Lanie Millar, Bulletin of Spanish Studies 97.6, 2020, 1069-1070

Published September 2019

Spanish Culture from Romanticism to the Present: Structures of Feeling
Jo Labanyi
Selected Essays 11

  • ‘There is much in this book to celebrate—multiple topics, angles, issues and theories addressed in order to focus us on ‘ways of thinking about Spanish culture’, where ‘culture’ means literature, cinema, painting and photography, with (perhaps) history, historical memory, feminism, gender, race, nation formation, modernity and politics added to the mix.... Some of these essays are already classic studies that have influenced the way we think about certain literary periods or texts. Labanyi combines theory with specificity, details from the works studied inserted (or viewed through) various theoretical constructs. She claims to search for ‘moments of contradiction or incoherence’ in literature that often point to ‘something important’ (6), a claim fully realized in this book.’ — David T. Gies, Bulletin of Spanish Studies 98.3, 2021, 485-87
  • ‘The essays in Spanish Culture from Romanticism to the Present are suggestive in their individual approaches; the book as a whole is nevertheless unique as a window into the thought of one of the most influential scholars of Spanish culture in recent decades. Whether or not one always agrees with Labanyi, it is impossible not to be in awe of her mind and method, and how she has carried the profession forward.’ — Wadda C. Rios-Font, Studies in XXth and XXIst Century Literature 46.1, 2022
  • ‘Las páginas que abren el volumen son un brillante ejercicio de egohistoria donde Labanyi reflexiona tam- bién sobre la labor de re-archivo que acomete para este proyecto... Como Labanyi asevera desde las primeras páginas de Spanish Culture from Ro- manticism to the Present, lo que realmente cuenta son los momentos no esperados, de tensión, que el crítico logra desentrañar en el artefacto cultural objeto de estudio, “the contradictions and incoherence that, perhaps even more than areas of consensus, put us in touch with the pulse of the time” (4). Quizá sea este crucial precepto metodológico, aplicado de manera consistente a esta variedad de estudios realizados desde mediados de los noventa, adoptando diversos ángulos críticos y considerando distintos medios, lo que trasluce con mayor fuerza en Spanish Culture from Romanticism to the Present. Structures of Feeling: la tentativa generosa de motivarnos a releer a contracorriente para deshacer, o cuando menos problematizar, asunciones culturales que también atrav’ — Patricia López-Gay, Arizona Journal of Hispanic Cultural Studies 25, 2021, 310-12
  • ‘A key contribution to Spanish Cultural and Literary Studies. Running through the collection is the author’s attention to ‘structures of feeling’, drawing on Raymond Williams’s notion, as a driver and explanatory resource for the comprehension of a diverse array of cultural production primarily from the nineteenth and twentieth centuries.’ — Richard Cleminson, Modern Language Review 118.2, 2023, 269-71 (full text online)

(Un)veiling Bodies: A Trajectory of Chilean Post-Dictatorship Documentary
Elizabeth Ramírez-Soto
Studies in Hispanic and Lusophone Cultures 20

  • ‘Estas reflexiones finales apuntan a que nos en-contramos ante una obra que no solo está llama-da a convertirse en lugar de paso obligado para investigaciones posteriores sobre el documental chileno contemporáneo inserto en el devenir de las políticas del pasado y la memoria, sino que ofrece intersticios para lecturas productivas en otros ámbitos y periodos.’ — María Luisa Ortega, Secuencias 51, 2020, 178-80
  • ‘Impeccably documented and researched... the book works with over 100 films (an impressive corpus) and includes a filmography that will undoubtedly serve as an important resource for students and scholars... The book also rescues for/from the archive a vast group of nearly forgotten directors and films that open the reader’s mind to appreciate the breadth of what Chilean documentary film both has been and is. This is an especially important gesture for international readers... Pushes the conversation on documentary far beyond the stale, though classic debates about objectivity and subjectivity; it shows that documentary film is not only a medium capable of capturing memories but also of actively creating and triggering them through sensory experience.’ — Michael Lazzara, A Contracorriente 18.2, 2021, 271-78
  • ‘Más allá de esto, no cabe duda que (Un)veiling Bodies. A Trajectory of Chilean Post-dictatorship documentary, se trata de un libro importante para futuros estudios sobre cine documental chileno, estableciendo un verdadero “piso” investigativo, que habrá que considerar al momento de acercarse a él.’ — Iván Pinto Veas, Imagofagia 24, 2021, 689-96
  • ‘En la intersección de diversos ámbitos teóricos, la obra de Ramírez-Soto forma parte, al fin, de una tendencia fecunda que busca establecer puentes entre la historia, la ética y los estudios de la imagen. Desmarcándose prudentemente de los trauma studies y prefiriendo situar su reflexión bajo el signo del “giro afectivo”, (Un)veiling Bodies logra dar cuenta exitosamente de un periodo sensible de la producción documental en Chile, otorgando una nueva visibilidad a un corpus a menudo ignorado por los investigadores.’ — Ignacio Albornoz Fariña, Cinémas d'Amérique Latine 28, 2020, 170-71 (full text online)

Comparative Literature in Britain: National Identities, Transnational Dynamics 1800-2000
Joep Leerssen
Studies In Comparative Literature 27

  • ‘This is a study of the rare kind of which it can truthfully be said that it is definitive: the description fits Leerssen’s book perfectly. To those still living who launched comparative literature in the new universities some 50 years ago it will come as a happy reminder of an exciting time of innovation and change which they were fortunate to have been part of. To those of a later generation it will reveal that what happened in the 1960s did not emerge from nowhere: a long and honourable history, ably explored by Professor Leerssen, led up to it.’ — John Fletcher, Journal of European Studies 50.3, 2020, 302-321 (full text online)
  • ‘The publication of [this book] is welcome news... The entire section on the nineteenth century is a treasure house of insights into cross-national and comparative ways of approaching knowledge... This is, all in all, a book to be heartily recommended for a wide variety of readers interested in comparative studies in the humanities and social sciences, while being of particular interest to those wishing to understand the evolution of literary and cultural studies.’ — Barnita Bagchi, History of Humanities Fall 2020, 554-56

Published December 2019

Italy and the USA: Cultural Change Through Language and Narrative
Edited by Guido Bonsaver, Alessandro Carlucci and Matthew Reza
Italian Perspectives 44

  • ‘A very holistic assessment of cultural change, even going beyond the disciplinary points of reference of language and narrative to the larger fields of politics and economics.’ — Anna Chichi, Modern Language Review 117.2, 2022, 303-04 (full text online)

Cortázar and Music
Nicholas Roberts
Studies in Hispanic and Lusophone Cultures 25

  • ‘Alongside literature and politics, music is an inescapable presence in the work of Julio Cortázar. In this thorough and wide-ranging study, Nicholas Roberts provides a detailed analysis of the myriad ways in which music appears in the novels, short stories, and critical work of the Argentine. In the process, he reveals that music was no mere leitmotiv, but rather provided the structural tools for key works.’ — Ben Bollig, Modern Language Review 116.4, October 2021, 671-72 (full text online)
  • ‘Es un libro que invita a sus lectores a reencontrarse con las obras de Cortázar, pero al mismo tiempo nos inspira a perseguir una serie de preguntas más generales sobre la presencia de la música en la literatura moderna.’ — Matt Johnson, Revista Iberoamericana 87.276, July-September 2021, 952-54

Queer Genealogies in Transnational Barcelona: Maria-Mercè Marçal, Cristina Peri Rossi, and Flavia Company
Natasha Tanna
Studies in Hispanic and Lusophone Cultures 37

Published September 2020

Confrontational Readings: Literary Neo-Avant-Gardes in Dutch and German
Edited by Inge Arteel, Lars Bernaerts and Olivier Couder
Germanic Literatures 21

Jean-François Vilar: Theatres Of Crime
Margaret Atack
Research Monographs in French Studies 51

  • ‘Deeply knowledgeable, lucid and clearly written, ably teasing out narrative complexities, philosophical challenges and socio-political controversies, Atack’s study illuminates and explains the importance of Vilar’s writing not just for aficionados of noir fiction, but for anyone seeking insights into the history and culture of modern France.’ — David H. Walker, Journal of European Studies 51.3–4, November 2021, 368-69
  • ‘A thoroughly researched and critically insightful assessment of Vilar’s noir fiction. Critics and theorists of crime literature will find much to mine in Atack’s interpretations, geared more for scholars than the generally curious... a superb, largely celebratory monograph on Vilar’s writings, reanimating him from the shadows and introducing him to an English reading audience.’ — Robin Walz, H-France 22.17, January 2022
  • ‘In Jean-François Vilar: Theatres of Crime, Margaret Atack undertakes an exploration of Vilar’s crime novels, short stories, and non-fictional writings on cities with a view towards ‘elucidat[ing] the coherence of the political, thematic, generic, and textual dimensions’ of his writing and contributing towards larger debates about ‘fiction, politics and history; philosophy, narrative and art; text and image’... The monograph is beautifully written and, on the whole, achieves its aims. As Atack notes in the introduction, this is the first full-length study of Vilar’s work—an excellent contribution to literary scholarship, in its own right.’ — Julie M. Powell, Modern and Contemporary France published online, 2022 (full text online)

Ying Chen’s Fiction: An Aesthetics of Non-Belonging
Rosalind Silvester
Research Monographs in French Studies 57

  • ‘A refreshingly original and in-depth contribution that should be enthusiastically welcomed not only by scholars working in the specialist field of Franco-Chinese studies, but also by those who are more broadly interested in contemporary Québec literature, Chinese diasporic literature, migrant writings, and transcultural studies... A strong, lucid, and convincing line of enquiry.’ — Shuangyi Li, Bulletin of Francophone Postcolonial Studies 12.1, Summer 2021, 16-17

Louis-René des Forêts and Inner Autobiography
Ian Maclachlan
Research Monographs in French Studies 60

  • ‘As well as providing an essential and indeed unique landmark in studies of des Forêts, Maclachlan’s volume succeeds in combining close attention to the power of the negative as it affects the task of writing and to the poignancies of a life lived in its orbit.’ — Patrick ffrench, French Studies 76.1, January 2022, 132 (full text online)
  • ‘In emphasizing the convergence between Des Forêts’s enterprise and the late work of Derrida... Maclachlan is able to demonstrate the singular excess of language over its own avowed deficiencies, and provide affirmative evidence, not of the possibility of autobiography, but of its far-reaching, never-ending impossibility.’ — Leslie Hill, Modern and Contemporary France 30.4, 2022, 539-40 (full text online)

Brute Meaning: Essays in Materialist Criticism from Dickens to Hitchcock
David Trotter
Selected Essays 9

  • ‘Not a single essay here but is interesting in its own way. Many, as with ‘Dickens and Frith’ (Essay 4) take a minor topic and make something special from it. The essay on Middlemarch (Essay 5) seems a major contribution... All the essays are likeable and thoughtful, exhibiting an astonishingly wide reading.’ — Jeremy Tambling, Modern Language Review 117.3, July 2022, 474-76 (full text online)

Contemporary Fictions: Essays on American and Postcolonial Narratives
Judie Newman
Selected Essays 12

  • ‘Even without the witty, warm introduction in which Prof Newman considers her career with a wry and appealing sense of distance, the consistency of concern across these widely diverse essays is remarkable. As with any art form, a retrospective of critical thinking offers scope to identify perhaps unsuspected threads of continuity in a body of work covering almost half a century, and this is one of the great pleasures of Contemporary Fictions.’ — Clare Hayes-Brady, Review of English Studies advance publication online (full text online)

Catalan Narrative 1875-2015
Edited by Jordi Larios and Montserrat Lunati
Studies in Hispanic and Lusophone Cultures 16

  • ‘Two attractive features of the volume are its richness and the way it brings to life the wide variety of works analysed. Critical theory figures strongly in a number of the articles, but it is employed carefully and sometimes subtly as a framework that enhances rather than obscures the narrative texts under discussion. Finally, the editors’ succinct Introduction intelligently, clearly, and deftly ties together the diverse strands of the book’s eclectic content, inviting the casual reader to explore further.’ — David George, Modern Language Review 117.3, July 2022, 514-15 (full text online)

Contemporary Galician Women Writers
Catherine Barbour
Studies in Hispanic and Lusophone Cultures 39

  • ‘Contemporary Galician Women Writers is an engaging and informative study of Galician literature and identity and, especially, a valuable contribution to the scholarship on Galician narrative fiction by women.’ — Silvia Oliveira, Hispania 105.2, June 2022, 303-04 (full text online)
  • ‘A valuable contribution that presents a thorough picture of the Galician cultural landscape; at the same time, it stresses the need for academia to enquire beyond the national understanding of literary systems.’ — Lucia Cernadas, Bulletin of Spanish Studies 94.2, 2022, 379-80 (full text online)
  • ‘Presents a compelling, well-written textual analysis of six novels that adds substantially to our knowledge about three commercially successful writers who, except for Moure (the Galician-language writer), are yet to receive sustained attention. The book convincingly shows that much is learnt about the literary representation of Galician identities when the works under study are by authors who are located outside Galician national literature. The book will be of interest to scholars working on Hispanic Peninsular, particularly Galician, Literary Studies, but it also has much to offer to other literary scholars, especially those working on women’s writing.’ — María Liñeira, Galicia 21 2023, 124-27

Twentieth-Century Sephardic Authors from the Former Yugoslavia: A Judeo-Spanish Tradition
Željko Jovanović
Studies in Hispanic and Lusophone Cultures 41

  • ‘La investigación que presenta Željko Jovanović en su monografía Twentieth-Century Sephardic Authors from the Former Yugoslavia. A Judeo-Spanish Tradition era, yo creo, necesaria. El autor ofrece, en los tres capítulos que forman la parte palpitante del volumen, una reflexión muy finamente detallada de la evolución de la literatura oral en el ámbito de las comunidades sefardíes de la antigua Yugoslavia... Finalmente, sería injusto terminar esta reseña sin subrayar la riqueza de las notas que acompañan cada capítulo y que no son una simple añadidura, sino que aportan información útil e interesante; además,el gusto de esta monografía está enriquecido por las fotografías esparcidas en el volumen y que restituyen, a través del poderdela imagen, la vivacidad de los protagonistas que Željko Jovanović ha logrado retratar con inteligente maestría.’ — Paola Bellomi, Meldar 2, 2021, 61-64 (full text online)
  • ‘En su exposición, Jovanović aúna siempre el rigor positivista con la sutileza interpretativa: la riqueza de la información, el respeto a los hechos e incluso la atención a los mínimos detalles textuales no excluyen otras formas de análisis que, manejadas con cautela, permiten al autor construir un libro sólido y brillante, que arroja luz sobre muchas cuestiones: la oralidad y su relación con la escritura, la historia de las mujeres y de las minorías y, naturalmente, la pervivencia del legado hispánico más allá de los límites de la Península.’ — Álvaro Alonso, Boletín de literatura oral 11, 2021, 321-23 (full text online)
  • ‘This is a valuable book, well thought out, with an extensive bibliography (including many items in Serbo-Croat), illustrations and useful indices.’ — Bulletin of Spanish Studies February 2022 (full text online)
  • ‘Unburdened by jargon and meticulously researched, Jovanović’s study is a welcome resource for those working on the literary heritage of the Sephardim. The text will also be of interest to those writing on Spanish–Yugoslav relations, cultural history, transnational literary transmission and translation, and linguistic varia- tions of Ladino across the twentieth century.’ — Alma Prelec, Modern Language Review 118.2, 2023, 271-72 (full text online)
  • ‘El libro es una aportación importante al estudio de la cultura de los sefardíes de Serbia y Bosnia, al conocimiento de la cultura sefardí en general y su evolución en época contemporánea y, más ampliamente, a los estudios sobre las relaciones entre cultura popular y creación literaria culta y al análisis de la construcción de relatos sobre la identidad cultural y la memorialización del pasado de una minoría, tomando como base una tradición folklórica en proceso de desaparición.’ — Paloma Díaz-Mas, MEAH 70, 2022, 257-62

The Foreign Connection: Writings on Poetry, Art and Translation
Jamie McKendrick
Transcript 17

  • ‘This book might have been written for my pleasure. Many readers of this journal will surely feel the same.’ — Chris Miller, PN Review 28.3, January/February 2022
  • ‘There is a natural clemency at work, throughout the entire volume, which has nothing to do with fuzzy-mindedness – quite the contrary, but it means that McKendrick will never deliver the frenzied hatchet-job some poets (whom he admires) can execute, apparently with sangfroid. This intelligence – by definition an ironic intelligence in that it can simultaneously entertain different positions – is what makes him such a trustworthy guide. One feels also that humour, that saving resource, is always within reach... His astute use of quotation to illustrate a point is a fiduciary of sound judgement. Above all, Jamie McKendrick reminds us that there is no substitute for patient looking and listening. This close attention, this authentic love of the art, is rare in our day. These writings are to be prized.’ — Stephen Romer, The London Magazine February/March 2022, 77-84
  • ‘A welcome marker to remind us, if we needed reminding, of how much human beings need, and gain from, dialogue with other cultures and languages. The apparently foreign, as Jamie McKendrick demonstrates so well here, in fact shows us a threshold, a door.’ — Hilary Davies, Times Literary Supplement 19 May 2023, p. 8
  • ‘What Jamie McKendrick so finely details about Tom Lubbock’s English Graphic is an entirely apt description for his own collection of brief reviews, introductions, and essays, on literature and art: ‘The constraints of the form proved exceptionally viable and liberating for his procedures. Providing a “wiry outline”, the form itself allowed for wit, aperçu, mental calisthenics, provocation, aphorism, meditation and surprisingly sustained argument’.’ — George Kalogeris, Essays in Criticism 73.1, 2023, 130-31 (full text online)

Published May 2021

Film Festivals: Cinema and Cultural Exchange
Mar Diestro-Dópido
Studies in Hispanic and Lusophone Cultures 18

  • ‘A detailed account of the myriad aspects of film festivals and their cultural import both within and beyond the field of film studies. The book will be of interest to scholars and students of film, film festivals, film cultures, with specific relevance to those working in the fields of Basque, Spanish, Argentine, and British film and these related contexts.’ — Fiona Noble, Bulletin of Spanish Visual Studies 7.1, 141-42 (full text online)
  • ‘The key strength of Diestro-Dópido’s book lies in her ability to critically address the intricacies that shape film festivals by focusing on ‘the point of view of the communities that constitute the festival cosmos: organizers, funders, filmmakers, producers, critics, directors, programmers, guests, educational bodies, and more’. This book will be, therefore, an essential text for students and scholars of film festivals, as well as for those involved in running film festivals. It makes a unique contribution to the fields of Spanish screen studies and film festival studies alike due Diestro-Dópido’s original methodological and theoretical approach, close access to the main practitioners in the field and its focus on overlooked film festivals.’ — Jara Fernández Meneses, Studies in Spanish and Latin American Cinemas 19, June 2022, 264-66 (full text online)

Published July 2021

Affective Spaces: Migration in Scandinavian and German Transnational Narratives
Anja Tröger
Germanic Literatures 24

  • ‘Anja Tröger’s 2021 monograph Affective Spaces: Migration in Scandinavian and German Transnational Narratives examines twelve novels whose fairly recent publication dates are bookended by Vigdis Hjorth’s Snakk til meg (2011) and Zeshan Shakar’s Tante Ulrikkes vei (2017)... twelve very compelling transnational narratives that are well worth the engagement.’ — Thomas Herold, German Studies Review 46.2, May 2023, 328-30

Spatial Plots: Virtuality and the Embodied Mind in Baricco, Camilleri and Calvino
Marzia Beltrami
Italian Perspectives 45