| Series | Extent | Year | Author | Title |
| SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| SICL 48 | — | 2020 | Cristiano Turbil | Samuel Butler and the Science of the Mind |
| RMFS 55 | — | 2019 | Victoria Turner | Theorizing Medieval Race |
| LGS | — | 2021 | Margarita Vaysman | Self-Conscious Realism |
| SICL 47 | — | 2019 | Olga G. Voronina | Depicting the Divine |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| LGS | — | 2018 | Claire Whitehead | The Poetics of Early Russian Crime Fiction 1860-1917 |
| IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
| RMFS 62 | — | 2020 | Steven Wilson | The Language of Disease |
| SICL 42 | — | 2019 | ed Lynn L. Wolff | A Modernist in Exile |
| SICL 39 | — | 2016 | Vladimir Zorić | The Rhetoric of Exile |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |