| Series | Extent | Year | Author | Title |
| SHLC 45 | — | 2021 | Guillem Colom-Montero | Quim Monzó and Contemporary Catalan Culture (1975–2018) |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| IP 45 | — | 2021 | Marzia Beltrami | Spatial Plots |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| SHLC 18 | — | 2021 | Mar Diestro-Dópido | Film Festivals |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| SHLC 41 | — | 2020 | Željko Jovanović | Twentieth-Century Sephardic Authors from the Former Yugoslavia |
| SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
| SHLC 16 | — | 2020 | ed Jordi Larios,
Montserrat Lunati | Catalan Narrative 1875-2015 |
| SE 12 | — | 2020 | Judie Newman | Contemporary Fictions |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| RMFS 60 | — | 2020 | Ian Maclachlan | Louis-René des Forêts and Inner Autobiography |
| RMFS 57 | — | 2020 | Rosalind Silvester | Ying Chen’s Fiction |
| RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
| GL 21 | — | 2020 | ed Inge Arteel, Lars Bernaerts,
Olivier Couder | Confrontational Readings |
| SHLC 37 | — | 2019 | Natasha Tanna | Queer Genealogies in Transnational Barcelona |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci,
Matthew Reza | Italy and the USA |
| SICL 27 | — | 2019 | Joep Leerssen | Comparative Literature in Britain |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| SHLC 36 | — | 2019 | Phillip Rothwell | Pepetela and the MPLA |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| LGS | — | 2019 | ed Oliver Davis,
Colin Davis | Freedom and the Subject of Theory |
| RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
| SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
| IP 39 | — | 2018 | ed Lesley Caldwell,
Fabio Camilletti | Rome |
| IP 38 | — | 2018 | Marianna Deganutti | Fulvio Tomizza |
| SICL 41 | — | 2018 | Clementina Osti | Utopian Identities |
| GL 17 | — | 2018 | Anthony Grenville | Encounters with Albion |
| SICL 44 | — | 2018 | ed Elisa Bizzotto,
Stefano Evangelista | Arthur Symons |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
| LGS | — | 2017 | ed Patrick McGuinness,
Emily McLaughlin | The Made and the Found |
| LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,,
Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| SIY 15 | — | 2017 | ed Gennady Estraikh,
Mikhail Krutikov | Three Cities of Yiddish |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 13 | — | 2017 | Benedict Hoff | Reprojecting the City |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
| SHLC 23 | — | 2016 | Mark Sabine | José Saramago |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
| GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |