| Series | Extent | Year | Author | Title |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| LGS | — | 2018 | Kate Rees | The Journalist in the French Fin-de-siècle Novel |
| T 10 | — | 2020 | ed Matthew Reynolds | Prismatic Translation |
| LGS | — | 2017 | ed Guido Bonsaver, Brian Richardson,,
Giuseppe Stellardi | Cultural Reception, Translation and Transformation from Medieval to Modern Italy |
| SHLC 25 | — | 2019 | Nicholas Roberts | Cortázar and Music |
| SE 1 | — | 2017 | Ritchie Robertson | Enlightenment and Religion in German and Austrian Literature |
| RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 36 | — | 2019 | Phillip Rothwell | Pepetela and the MPLA |
| SHLC 34 | — | 2019 | Rocío Rødtjer | Women and Nationhood in Restoration Spain 1874-1931 |
| SHLC 23 | — | 2016 | Mark Sabine | José Saramago |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| RMFS 57 | — | 2020 | Rosalind Silvester | Ying Chen’s Fiction |
| SE 3 | — | 2019 | Alison Sinclair | Putting it About |
| IP 36 | — | 2017 | ed Sascha Bru, Luca Somigli,,
Bart Van den Bossche | Futurism |
| LGS | — | 2019 | Rocío G. Sumillera | Invention |
| SICL 46 | — | 2017 | Antal Szerb | Reflections in the Library |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| SHLC 37 | — | 2019 | Natasha Tanna | Queer Genealogies in Transnational Barcelona |
| SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| GL 24 | — | 2021 | Anja Tröger | Affective Spaces |
| SICL 48 | — | 2020 | Cristiano Turbil | Samuel Butler and the Science of the Mind |
| RMFS 55 | — | 2019 | Victoria Turner | Theorizing Medieval Race |
| LGS | — | 2021 | Margarita Vaysman | Self-Conscious Realism |
| SICL 47 | — | 2019 | Olga G. Voronina | Depicting the Divine |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| LGS | — | 2018 | Claire Whitehead | The Poetics of Early Russian Crime Fiction 1860-1917 |
| IP 42 | — | 2019 | Kate Elizabeth Willman | Unidentified Narrative Objects and the New Italian Epic |
| RMFS 62 | — | 2020 | Steven Wilson | The Language of Disease |
| SICL 42 | — | 2019 | ed Lynn L. Wolff | A Modernist in Exile |
| SICL 39 | — | 2016 | Vladimir Zorić | The Rhetoric of Exile |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |