| Series | Extent | Year | Author | Title |
| SICL 36 | — | 2018 | Michael Charlesworth | The Modern Culture of Reginald Farrer |
| MLR 113.1 | — | 2018 | | Modern Language Review 113.1 |
| MLR 113.2 | — | 2018 | | Modern Language Review 113.2 |
| MLR 113.3 | — | 2018 | | Modern Language Review 113.3 |
| MLR 113.4 | — | 2018 | | Modern Language Review 113.4 |
| SHLC 28 | — | 2018 | ed Stuart Davis,
Maite Usoz de la Fuente | The Modern Spanish Canon |
| SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
| GL 16 | — | 2018 | Thomas C. Connolly | Paul Celan’s Unfinished Poetics |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| LGS | — | 2018 | Claire Whitehead | The Poetics of Early Russian Crime Fiction 1860-1917 |
| PS 34.1 | — | 2018 | ed Sebastián Royo | Portugal, Forty-Four Years after the Revolution |
| IP 39 | — | 2018 | ed Lesley Caldwell,
Fabio Camilletti | Rome |
| WPH 13 | — | 2018 | ed Daisy Gudmunsen,
Claudia Dellacasa | The Sacred in the Secular in European Literature |
| WPH 12 | — | 2018 | ed Eleanor Dobson,
Daisy Gudmunsen | Scrutinizing Beauty |
| SEER 96.2 | — | 2018 | | Slavonic and East European Review 96.2 |
| SEER 96.3 | — | 2018 | | Slavonic and East European Review 96.3 |
| SEER 96.4 | — | 2018 | | Slavonic and East European Review 96.4 |
| SHLC 19 | — | 2018 | ed Terence O'Reilly, Colin Thompson,
Lesley Twomey | St Teresa of Ávila |
| LGS | — | 2018 | L. M. Kilbride | Swinburne’s Style |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| TST 24 | — | 2018 | ed David Carlson | Thomas Elyot, The Image of Governance and Other Dialogues of Counsel (1533–1541) |
| ET 6 | — | 2018 | ed Glynnis M. Cropp in association with John Keith Atkinson | Un Dit moral contre Fortune |
| SICL 41 | — | 2018 | Clementina Osti | Utopian Identities |
| SEER 96.1 | — | 2018 | ed Polly Jones | Writing Russian Lives |
| YES 48 | — | 2018 | ed Maureen McCue, Rebecca Butler,
Anne-Marie Millim | Writing in the Age of William IV |