Rustico Filippi, The Art of Insult
Translated by Fabian Alfie
New Translations 518 November 2014

Un Dit moral contre Fortune: A critical edition of MS Paris, BnF, fr. 25 418
Edited by Glynnis M. Cropp in association with John Keith Atkinson
European Translations 631 August 2018

  • ‘Une bonne contribution à une meilleure connaissance de la diffusion des traductions françaises de la Consolation de Boèce.’ — Gilles Roques, Revue de Linguistique Romane 83.1, janvier-juin 2019, 278-83
  • ‘This edition by Glynnis M. Cropp and John Keith Atkinson of Un dit moral contre Fortune, BnF, MS fr. 25418, is an important addition to the study of the medieval French versions of Boethius’s most popular work.’ — Tracy Adams, French Studies 74.1, January 2020, 106-07 (full text online)
  • ‘In the long and complex history of the Consolatio Philosophiae's transmission and interpretation, Cropp and Atkinson's volume presents a 'last link in a chain of translations' and is thus an important and necessary addition to studies in the field.’ — Jenny Davis Barrett, Parergon 37.2, 2020, 200-01

In Defence of Women
Translated by Joanna M. Barker
New Translations 1413 August 2018

  • ‘With this edition, Barker provides a detailed account of an intellectual debate in eighteenth-century Spain that holds great relevance for contemporary scholarship in women's studies, European history and literary studies, among other fields.’ — Leslie J. Harkema, Bulletin of Spanish Studies 96, 2019, 1715-16

Flesh, by Júlio Ribeiro
Translated by William Barne
New Translations 222 August 2011

Robert Garnier in Elizabethan England: Mary Sidney Herbert’s Antonius and Thomas Kyd’s Cornelia
Edited by Marie-Alice Belle and Line Cottegnies
Tudor and Stuart Translations 1611 September 2017

  • ‘By editing the plays as translations, the edition’s attention to intertextuality and early modern commonplacing renews our sense of these plays’ significance in their own right, as well as in relation to the Sidney Circle, to contemporary women’s writing, and to fully theatrical dramas like Shakespeare’s Antony and Cleopatra and Kyd’s Spanish Tragedy.’ — Peter Auger, Translation and Literature 27, 2019, 353-60 (full text online)
  • ‘Altogether, this volume is an excellent critical edition: solidly researched, sensibly organized, and practical to use. It contains a comprehensive bibliography of the most up-to-date research in both French and English and draws upon this foundation abundantly in its critical commentary. It thereby provides readers with all the background necessary to understand and appreciate the plays, highlights the wide array of questions and studies they have already inspired, and provides an excellent starting point for anyone wishing to explore them in greater depth.’ — Luke Arnason, Renaissance and Reformation 41.4, Autumn 2018, 206-208

Arthur Golding’s A Moral Fabletalk and Other Renaissance Fable Translations
Edited by Liza Blake and Kathryn Vomero Santos
Tudor and Stuart Translations 123 January 2017

  • ‘An excellent overview of fable and its literary and educational significance for nearly two centuries, from William Caxton’s edition of 1484 to John Ogilby’s fables, last printed in 1675... this is an important book that every library should have, not only for the texts that it presents but also because it shows the remarkable range of cultural work done by fable during the long Renaissance.’ — Edward Wheatley, Renaissance Quarterly 2018, 70.4, 1652-54
  • ‘Overall, this collection is a significant contribution to the study of English Renaissance translations, an exceptional tool to understand the function of Aesopian fables in the early modern period, and an accessible new source for scholars interested in Golding's work. It would also work well in upper-level undergraduate courses, providing students with a fascinating and illuminating view of the world of Aesopian fables' translation. This magnificent volume will be an excellent addition for any library.’ — Florinda Ruiz, Sixteenth Century Journal XLVIII:3, 2017, 813-15
  • ‘Exhibits the same virtues as Kendal’s edition [of Chapman's Homer, TST 21]. The editors’ inclusion of a variety of Aesopian fables from the late fifteenth through the mid-seventeenth century, together with good reproductions of contemporary engravings and woodcuts, beautifully demonstrates the malleability of the genre.’ — Lowell Gallagher, Studies in English Literature 1500-1900 58.1, Winter 2018, 219-77
  • ‘The collection’s extensive black-and-white woodcut and engraving reproductions, which appear on almost every other page, contribute substantially to its aesthetic appeal, while its large format and sturdy construction make it well worth the reasonable purchase price. Overall, this literally fabulous collection will make a welcome addition and substantial contribution to any scholarly library.’ — Mark Albert Johnston, Renaissance and Reformation 41.1, Winter 2018, 173-75
  • ‘The individual fables are supplemented by an index, a glossary of lesser-known terms, a comprehensive bibliography, and summaries of the publication history of each text, all of which help make the volume invaluable as a reference work.’ — unsigned notice, Forum for Modern Language Studies 54.1, 2018, 115
  • ‘The fables are all illustrated with beautifully clear images taken from old texts. There is a concise and useful introduction covering literary- theoretical and -historical aspects of the fable as a kind of writing, and also the editorial principles used in preparing the texts... The new MHRA edition is justified on the grounds of its greater availability (it costs £35), and also because it contains a lot more material in the form of the fables by other authors. The range of authors and texts offered by the new edition is surely what will make it so valuable (and cheap) an edition to any university library.’ — Mike Pincombe, Spenser Review 48.2.14, Spring-Summer 2018
  • ‘This recent volume from the MHRA’s series Tudor & Stuart Translations offers a fascinating insight into the production, circulation, and consumption of the genre of the fable, often neglected in early modern scholarship. The editors perform a valuable service in recognizing that much research still remains to be executed in this area of English Studies, an area which is all too often overshadowed by better- established traditions of theorization and criticism in other European languages.’ — Andrew Hiscock, Modern Language Review 114.1, January 2019, 113-15 (full text online)

Margaret Tyler, Mirror of Princely Deeds and Knighthood
Edited by Joyce Boro
Tudor and Stuart Translations 111 July 2014

  • ‘Boro’s judicious use of textual notes, the glossary, and her explanatory introduction, make this edition accessible to a wide audience and suitable for introducing new readers to Early Modern chivalric romance.’ — unsigned notice, Forum for Modern Language Studies 51, 2015, 237
  • ‘[This] very complete edition, with a useful introduction, is particularly welcome given the recent critical interest in Tyler's prologue to her Mirror.’ — Barbara Fuchs, Studies in English Literature 1500-1900 55, 2015, 226
  • ‘Her discussion of the proto-feminist implications of Tyler’s translation, as well as its preface, is a model of careful and thorough linguistic analysis. Attractively priced, her edition should do much to extend the readership of The Mirror of Princely Deeds and Knighthood, and is a welcome addition to this excellent MHRA series.’ — Gillian Wright, Translation and Literature 24, 2015, 254-55
  • ‘Boro's expertly annotated edition ... a useful tool for students and scholars of early modern exchange.’ — Hannah Leah Crummé, Times Literary Supplement 23 January 2015, 26
  • ‘This edition makes a substantial contribution to Elizabethan studies.’ — H. Gaston Hall, Cahiers Élisabéthains 87, 2015
  • ‘Boro’s introduction does a fine job of summarizing the previous fifteen years of intense scholarly interest on Tyler’s work, and clearly articulates avenues for further investigation and inquiry.’ — Aaron Taylor Miedema, Renaissance and Reformation 39.3, Summer 2016, 217-18

Georg Kaiser, After Expressionism: Five Plays
Translated by Fred Bridgham
New Translations 111 May 2016

  • ‘This volume is a valuable addition to world literature libraries, and of great interest to scholars of theatre... Scholars can be grateful to Bridgham for his efforts in placing these works before a broader public.’ — Carole J. Lambert, Translation and Literature 27, 2019, 100-07 (full text online)

Memoirs of Mademoiselle de Montpensier (La Grande Mademoiselle)
Translated by P. J. Yarrow with the collaboration of William Brooks
New Translations 120 December 2010

  • ‘This new version of Mademoiselle’s memoirs is particularly well-suited to undergraduate teaching as it highlights the Fronde, court life and manners, and the life of noble women in the seventeenth century. It also constitutes a valuable contribution to the history of sentiments and emotions.’ — Elise M. Dermineur, French History 30, 2016, 429-30
  • ‘This volume is the first in an exciting series of new editions of classic works translated into English published by the Modern Humanities Research Association ... [T]his is a highly readable translation of an eminently readable memoir ... [It] provides an efficient, clean, easy to read and well-presented edition that will be quite useful for undergraduate teaching.’ — Jonathan Spangler, H-France 11, August 2011
  • ‘This remarkable volume will appeal to a range of readers—amateurs d’histoire, undergraduates, or anglophone researchers seeking a vivid aperçu of courtly life in seventeenth-century France. It bodes well for the MHRA New Translations series, of which this is the first and as such sets a high standard indeed.’ — Juliette Cherbuliez, Modern Language Review 107, 2012, 1253-54 (full text online)

Luise Gottsched, Der Lockenraub/Alexander Pope, The Rape of the Lock
Edited by Hilary Brown
European Translations 21 September 2014

  • ‘Her edition also shows the way forward for Translation Studies by returning to a detailed comparison of a translation with the original source text.’ — John Guthrie, Modern Language Review 111, 2016, 578 (full text online)

Ovid in English, 1480-1625: Part One: Metamorphoses
Edited by Sarah Annes Brown and Andrew Taylor
Tudor and Stuart Translations 4/1 of 21 October 2013

  • ‘This volume is particularly useful for those interested in translation and adaptation culture in early modern England and could be especially valuable for scholars working on the specific myths highlighted.’ — unsigned notice, Forum for Modern Language Studies 50, 2014, 503
  • ‘This is a beautifully presented edition of a selection of early modern translations of Ovid’s Metamorphoses, which manages to be both student-friendly and a provocative resource to stimulate further research.’ — Tamsin Badcoe, Modern Language Review 110, 2015, 1110-11 (full text online)
  • ‘The comprehensibility, and thus accessibility, of each item is incomparably enhanced by the editors’ modernization of texts, by their full annotation (both in the form of marginal glosses and extensive on-the-page commentary), and by their lengthy and learned Introduction which sets each piece in context and points out its potential interest for students of both English and classical literature.’ — David Hopkins, Translation and Literature 23, 2014, 402-04
  • ‘Brown and Taylor provide a real service to the student not only of the reception of the Metamorphoses in the English Renaissance but also of the pervasive Ovidianism in Tudor and Stuart literary culture. This attractively produced volume should spur new interest in the Ovidian vogue in early modern England.’ — Alison Keith, Renaissance and Reformation 39, 2016, 214-17

Thomas May, Lucan's Pharsalia (1627)
Edited by Emma Buckley and Edward Paleit
Tudor and Stuart Translations 187 December 2020

  • ‘This edition of Thomas May’s translation of Lucan’s Pharsalia forms a very welcome addition to the excellent MHRA series of Tudor and Stuart Translations... this admirably well-conceived edition certainly opens up May’s version – and Lucan himself – for today’s readers.’ — David Norbrook, Translation and Literature 31, 2022, 92-94 (full text online)

Wilhelm Meinhold, 'The Amber Witch': Translated by Lady Duff Gordon
Edited by Barbara Burns
European Translations 41 April 2016

  • ‘The modest success the novel enjoyed in nineteenth-century Germany was far outstripped by its popularity in Britain. Writing with verve and clarity, Barbara Burns explores the reasons for this in her meticulously researched introduction. Meinhold was fortunate in his English translator... When Duff- Gordon decided to translate this work she selected something that arguably deserved to become a German classic but did not, and turned it into a minor classic in English in its day... It is easy to imagine it finding a further afterlife as a graphic novel or a movie.’ — Helen Chambers, Translation and Literature 26, 2017, 100-08

Bertha von Suttner, Lay Down Your Arms: The Autobiography of Martha von Tilling
Edited by Barbara Burns
European Translations 515 February 2019

Thomas Elyot, The Image of Governance and Other Dialogues of Counsel (1533–1541)
Edited by David Carlson
Tudor and Stuart Translations 2412 November 2018

  • ‘This edition will be highly useful to scholars and ought to find its way onto a number of university reading lists.’ — J. S. Crown, Sixteenth Century Journal 50, 2019, 1271

Le Philosophe sans le savoir, by Michel-Jean Sedaine
Translated by Derek Connon 
New Translations 1926 June 2023

Böece de Confort remanié: Edition critique
Edited by Glynnis M. Cropp
European Translations 11 March 2011

  • ‘Glynnis M. Cropp nous offre une édition soignée du Böece de Confort remanié.’ — Béatrice Stumpf, Revue de Linguistique Romane 303-4, 2012, 557-62
  • ‘The Böece de Confort remanié marks the latest step in publishing the rich medieval French tradition of Boethius reception and is a fitting first volume in the MHRA European Translations series of valuable, affordable critical editions.’ — Helen J. Swift, Modern Language Review 108, 2013, 642-43 (full text online)
  • ‘Le plus grand mérite de ce volume réside sans doute dans la précision avec laquelle son auteure a édité le texte [...] Nous voudrions souligner ... l’utilité des Annexes ... qui constitueront des aides précieuses pour les chercheurs qui travailleront sur les différentes versions des traductions et des commentaires médiévaux de Boèce."’ — Andrea Valentini, Medioevo Romanzo XXXVI, 2012, 194-96

Erasmus in English 1523-1584, Volume I: The Manual of the Christian Soldier and Other Writings
Edited by Alex Davis, Gordon Kendal and Neil Rhodes
Tudor and Stuart Translations 26/1 of 35 January 2023

  • ‘Along with Alex Davis’ General Introduction, appearing in the first volume, [the introductions to each text] are an edifying delight: concise yet comprehensive, capturing the sweep of religious history and the fine grain of philological insight, they exude an infectious enthusiasm for the material while managing to report both basic facts and the latest scholarship.’ — David Currell, Translation and Literature 32, 2023, 237-44 (full text online)

Erasmus in English 1523-1584, Volume II: The Praise of Folly and Other Writings
Edited by Alex Davis, Gordon Kendal and Neil Rhodes
Tudor and Stuart Translations 26/2 of 35 January 2023

  • ‘Along with Alex Davis’ General Introduction, appearing in the first volume, [the introductions to each text] are an edifying delight: concise yet comprehensive, capturing the sweep of religious history and the fine grain of philological insight, they exude an infectious enthusiasm for the material while managing to report both basic facts and the latest scholarship.’ — David Currell, Translation and Literature 32, 2023, 237-44 (full text online)

An Apology or Answer in Defence of The Church Of England: Lady Anne Bacon's Translation of Bishop John Jewel's Apologia Ecclesiae Anglicanae
Edited by Patricia Demers
Tudor and Stuart Translations 221 January 2016

  • ‘Lady Anne Bacon’s 'An Apology or Answer in Defence of the Church of England', edited by Patricia Demers for the Modern Humanities Research Association (MHRA) Tudor and Stuart Translations series, has a comprehensive and wonderfully clear introduction describing Bacon’s provocative and blunt style, her commitment to humanist rather than technical translation principles, and her motives for taking on a translation of John Jewel’s flash point 'Apologia Ecclesiae Anglicanae' in the first place.’ — Katherine Eggert, English Literature 57, 2017, 208
  • ‘Patricia Demers’s new edition is an important addition to the MHRA series Tudor and Stuart Translations. In line with the ambitions of the series, the edition makes Anne’s translation more accessible to modern readers, both through its substantial introduction and through the comprehensive footnotes on the text itself... This edition will be welcomed not only by scholars of early modern female translation, but also by those interested in the place held by the Apology in Elizabethan religious debate.’ — Gemma Allen, Renaissance Quarterly 70.1, Spring 2017, 361-62
  • ‘This is an excellent volume and should become the new standard edition of the English translation of the Apologia. The work is available in an affordable paperback edition, making it ideal for classroom use.’ — Greg Peters, Sixteenth Century Journal 48.1, 2017, 242-43
  • ‘Patricia Demers’s beautifully- and painstakingly-edited volume makes an excellent addition to the series... Demers has produced a very fine and full edition of the Bacon/Jewel Apology or Answer in Defence of the Church of England that should be invaluable to scholars and graduate students working in early modern women’s writing, Elizabethan history, and the history and theology of the English Reformation.’ — Patricia Brace, Renaissance and Reformation 40.2, Spring 2017, 169-171
  • ‘This edition is an invaluable resource for both students and scholars for many reasons, such as its structure and features, the excellent background information in the introduction, and the clarity of Demers’s writing... This volume will prove very useful to scholars of the Elizabethan Church, and its glossary and footnotes also make it accessible for students. Considering the centrality of its argument to early Elizabethan religious debate, this new edition is an invaluable addition to modern translations of early modern primary sources.’ — Angela Ranson, Spenser Review 48.2.11, Spring-Summer 2018

Anne Cooke’s Englishing of Bernardino Ochino
Edited by Patricia Demers 
Tudor and Stuart Translations 308 August 2023

James Mabbe, The Spanish Bawd
Edited by José María Pérez Fernández
Tudor and Stuart Translations 101 October 2013

  • ‘This edited volume is a valuable contribution to early modern translation studies; it opens this neglected tragicomedy to new audiences, offers an erudite consideration of Mabbe’s text and its place within a complex web of literary and cultural exchange, and lays a solid foundation for future scholarship on La Celestina and The Spanish Bawd.’ — Edel Semple, Renaissance Quarterly 68, 2015, 1488-89
  • ‘Required reading for anyone with an interest in Mabbe and early Stuart Hispanism ... Pérez’s edition of The Spanish Bawd is the authoritative edition, the one I think scholars of the period will most want to have on their bookshelves.’ — John R. Yamamoto-Wilson, Translation and Literature 24, 2015, 99-103
  • ‘This MHRA edition, modernized for accessibility, offers an excellent point of entry to both early modern Spanish literature and renaissance translation.’ — unsigned notice, Forum for Modern Language Studies 51, 2015, 231

William Barker, Xenophon's 'Cyropædia'
Edited by Jane Grogan
Tudor and Stuart Translations 1320 March 2020

  • ‘Barker’s Cyropaedia can further our understanding of Xenophon, as well as its own literary and cultural moment. Grogan’s exemplary edition, marrying rigorous scholarship to a user-friendly text, will facilitate both.’ — Carla Suthren, Translation and Literature 30, 2021, 231-37 (full text online)

Gavin Douglas, The Aeneid (1513): Part One: Introduction, Books I-VIII
Edited by Gordon Kendal
Tudor and Stuart Translations 7/1 of 21 September 2011

  • ‘This edition is most welcome. No lover of Douglas or of Virgil has any excuse for not buying it.’ — Alastair Fowler, Times Literary Supplement 27 April 2012, 5
  • ‘Kendal’s edition accomplishes what the series sets out to do: here is a version of Douglas’ translation that will allow a non-specialist audience to read it more fluently and enjoy it. A broader audience and a teaching function might also be promoted by the text’s digital availability. As Douglas wished his translation to ‘be repute a needful work’ for Virgil, so this edition should become for those who would present Douglas’ translation effectively to a broader modern audience.’ — Sheldon Brammall, Translation and Literature 21, 2012, 241

Gavin Douglas, The Aeneid (1513): Part Two: Books IX – XIII, Appendices, Glossary, Index
Edited by Gordon Kendal
Tudor and Stuart Translations 7/2 of 21 September 2011

  • ‘This edition is most welcome. No lover of Douglas or of Virgil has any excuse for not buying it.’ — Alastair Fowler, Times Literary Supplement 27 April 2012, 5
  • ‘Kendal’s edition accomplishes what the series sets out to do: here is a version of Douglas’ translation that will allow a non-specialist audience to read it more fluently and enjoy it. A broader audience and a teaching function might also be promoted by the text’s digital availability. As Douglas wished his translation to ‘be repute a needful work’ for Virgil, so this edition should become for those who would present Douglas’ translation effectively to a broader modern audience.’ — Sheldon Brammall, Translation and Literature 21, 2012, 241