A Selection of Early Welsh Saga Poems
Edited by Jenny Rowland
MHRA Library of Medieval Welsh Literature •1 September 2014

  • ‘A Selection of Early Welsh Saga Poems is a timely introduction to this fascinating genre, and is recommended reading for all beginning and advanced students of early Welsh poetry.’ — Alderik H. Blum, Modern Language Review 111.4, October 2016, 1132-33 (full text online)

The Poetry-Film Nexus in Latin America: Exploring Intermediality on Page and Screen
Edited by Ben Bollig and David M. J. Wood
Moving Image 11•23 February 2022

Rustico Filippi, The Art of Insult
Translated by Fabian Alfie
New Translations 5•18 November 2014

Spring Shoots: Young Belarusian Poets in the Early Twenty-First Century
Arnold McMillin
Publications of the Modern Humanities Research Association 19•1 October 2015

  • ‘Spring Shoots is a highly engaging and stimulating book written by a scholar with an infectious enthusiasm for his subject.’ — Jim Dingley, Slavonic and East European Review 94, 2016, 527 (full text online)
  • ‘This collection illustrates a meticulous approach, significant effort, dedication and passion for Belarusian verse. By bringing together the work of Belarusian poets, which is not always easy to find, especially for specialists from abroad, McMillin has produced a unique volume within post-Soviet literature which should inspire readers to read more works by these young poets, who are convincingly carving a distinct niche in future Belarusian poetic culture.’ — Galina Miazhevich, Slavic Review 75.4, Winter 2016, 1020-21

Pessoa: The Future of the "Arcas"
Edited by Jerónimo Pizarro and Steffen Dix
Portuguese Studies 24.2•1 November 2008

João Cabral de Melo Neto (1920-1999)
Edited by Sara Brandellero
Portuguese Studies 30.2•1 September 2014

In Medieval Mode: Collected Essays in Honour of Stephen Parkinson on his Retirement
Cláudia Pazos Alonso and Claire Williams
Portuguese Studies 31.2•30 October 2015

Modern Portuguese Poetry
Edited by Paulo de Medeiros and Rosa Maria Martelo
Portuguese Studies 36.2•4 November 2020

Accent, Rhythm and Meaning in French Verse
Roger Pensom
Research Monographs in French Studies 44•30 September 2018

  • ‘With his passing, we have lost an indispensable and challenging voice in the ongoing dispute about the nature of French metricity, a voice that has restored to the debate, with impressive scholarship, the claims of the pre-modern and early modern periods, a voice that has tirelessly made the very necessary case for accent, and tellingly revealed the shortcomings of too purist a version of isosyllabism.’ — Clive Scott, Modern Language Review 114.4, October 2019, 875-76 (full text online)
  • ‘This highly detailed, technically demanding book is not one that undergraduates will be expected to read, but its findings should unquestionably be one’s starting point in introducing them to French verse.’ — unsigned notice, Forum for Modern Language Studies 55.4, October 2019, 497 (full text online)
  • ‘The legacy of this book, and of its author’s life’s work, does not have to be, indeed, does not deserve to be, relegated to the lone furrow which he sometimes suggests he is ploughing. There is ample proof here to suggest that the accentual has a vital role to play within the metrical, that the peculiar tensions and hesitations of verse rhythm are produced, precisely, by the interplay between the two... Pensom’s work makes a welcome and valuable contribution.’ — David Evans, H-France 19.239, November 2019

Saints and Monsters in Medieval French and Occitan Literature: Sublime and Abject Bodies
Huw Grange
Research Monographs in French Studies 53•17 May 2017

  • ‘The author moves with an impressive lightness of touch across a huge range of versions of four saints’ lives — those of Margaret, George, Honorat, and Enimia — covering verse and prose, and Latin, French, and Occitan, in mostly unpublished manuscript versions... a considerable accomplishment.’ — Luke Sunderland, French Studies 72.3, July 2018, 428-29
  • ‘This well-crafted book captures the goodwill of its audience from page one. Its author, Huw Grange, makes a simple inversion that rights a chronological wrong: saints are not the comic-book superheroes of the Middle Ages; rather today’s superheroes continue in the medieval saints’ tradition of extraordinary corporality... Saints and Monsters is what one would hope for a book of its kind insofar as its sophisticated engagement with theory is everywhere also an engagement with the literary object.’ — Brian J. Reilly, H-France 18.175, August 2018
  • ‘Grange’s final words affirm that the lives he’s described “want to live,” and in that want lies his book’s central thesis; but it is just possible that these saints are, thanks in part to Grange’s efforts at telling their stories, still living; and it is just possible that so are we.’ — Cary Howie, Speculum 95.1, January 2020, 249-50

Laforgue, Philosophy, and Ideas of Otherness
Sam Bootle
Research Monographs in French Studies 54•25 May 2018

  • ‘This is the first full-length study of Laforgue to be published in English since Anne Holmes’s Jules Laforgue and Poetic Innovation (Oxford: Clarendon Press, 1993). For all that anglophone scholarship has contributed in the intervening twenty-five years to the critical picture of a poet best known for his pioneering vers libre, it has lacked the sustained depth and breadth of attention that Sam Bootle’s excellent monograph offers... Through its own openness to Laforgue’s intellectual eclecticism, this book offers a necessary and compelling account of a poet far more widely recognized for his formal experimentation than for his very particular brand of culture critique.’ — Claire White, French Studies 73.3, July 2019, 471-72 (full text online)
  • ‘Ecco qui la monografia di un giovane ricercatore incentrata sulla presenza della filosofia tedesca e orientale nella produ- zione di Jules Laforgue. Lo studio è così convincente che un suo capitolo, volto in lingua francese, è entrato a far parte di un recentissimo numero (2, 2017) della “Revue d’Histoire littéraire de la France” coordinato da Henri Scepi e dedicato a Laforgue, Poésie et Philosophie. A fine volume, l’indice dei nomi, concetti e titoli evi- denzia che, in questo luogo, l’indagine è di più ampio spettro, coinvolgendo sia l’opera in versi che l’opera in prosa di Jules Laforgue.’ — Alessandra Marangoni, Studi francesi 188, 2020, 383
  • ‘Bootle’s fine monograph brings us fresh and valuable perspec- tives on Laforgue’s infinitely intriguing poetry, prose, and, above all, philosophical engagement with the world.’ — Alexandra K. Wettlaufer, Modern Language Review 115.3, July 2020, 726-27 (full text online)

The Poetry of Céline Arnauld: From Dada to Ultra-Modern
Ruth Hemus
Research Monographs in French Studies 58•28 September 2020

The Philomena of Chrétien the Jew: The Semiotics of Evil
Peter Haidu, edited by Matilda Tomaryn Bruckner
Research Monographs in French Studies 59•28 September 2020

The Living Death of Modernity: Balzac, Baudelaire, Zola
Dorothy Kelly
Research Monographs in French Studies 63•22 July 2021

Contemporary French Poetry: Towards a Minor Poetics
Daisy Sainsbury
Research Monographs in French Studies 65•26 July 2021

  • ‘Sainsbury has opened up a hospitable space for further reflection and critical engagement. This is a sure-handed, accessible and very knowledgeable study of what is challenging, and critically important, work.’ — Michael G. Kelly, Modern Language Review 119.2, 2024, 273-74 (full text online)

Essay as Enabler in Yves Bonnefoy: Creating the Good Reader
Layla Roesler
Research Monographs in French Studies 67•10 December 2022

Enlightenment and Religion in German and Austrian Literature
Ritchie Robertson
Selected Essays 1•25 May 2017

  • ‘A tour de force in the study of German-speaking cultures with a range and depth that takes readers from the Classical period in the eighteenth century to twentieth-century Modernism... Here we are confronted with, or rather treated to [...] erudition, insight and unerring logic.’ — Carol Tully, Times Literary Supplement 23 January 2018
  • ‘Any ambitious colleagues wishing to uncover the secret behind Robertson’s talent for producing the appropriate formulation are again referred to his introductory remarks, in which he recalls having learnt to use a typewriter whose roller would only turn in one direction, making it impossible to go back and emend what had been written. The present volume of essays suggests that there could be no better method of training future scholars than by providing them with similarly challenging, character-building implements.’ — Osman Durrani, Modern Language Review 113.2, April 2018, 433-35 (full text online)

Perpetual Motion: Studies in French Poetry from Surrealism to the Postmodern
Michael Sheringham
Selected Essays 2•25 May 2017

  • ‘Sheringham s’y révèle un maître de l’art du compte rendu... Ce livre si riche en intuitions, détours, élucidations et remarquables traductions, se lira aussi comme l’art poétique d’un grand critique.’ — Jean Khalfa, French Studies 73.1, 145 (full text online)
  • ‘Here is a reader finely attuned to the myriad ways in which poetry seeks out new encounters with reality through endless linguistic experimentation and play... it is his ability to unlock the detail of what poetry accordingly helps concretize and crystallize, mentally, spiritually and emotionally, that will stimulate and delight those guided from essay to essay on an adventure ever in the making.’ — Michael Brophy, Irish Journal of French Studies 18, 2018, 229-30
  • ‘Poignant and richly rewarding... [Sheringham] offers an authoritative view of current academic study of a vast number of authors, major and minor, writing on almost the entire Surrealist and post-Surrealist constellation.’ — unsigned notice, Forum for Modern Language Studies 55.3, July 2019, 356-57
  • ‘Questa scelta, in parte postuma, di scritti conferma in definitiva, per la varietà e ricchezza degli argomenti trattati e per l’acuità dello sguardo del suo A., la qualità di una ricerca che ha sempre rifuggito troppo facili schematismi per affrontare dimensioni assai diverse del poetico come quella oracolare, mistica o linguisticamente trasgressiva con eguale curiosità intellettuale e finezza d’analisi.’ — Fabio Scotto, Studi francesi 188, 2020, 396

Perspectives on Culture and Politics in the French Antilles
Celia Britton
Selected Essays 4•25 May 2018

  • ‘Engagingly written and meticulously argued at every turn, Britton’s essays reveal unexpected dimensions in her primary archives and offer challenging arguments on the relationship between politics and aesthetics in the French Caribbean... Although Britton has an abiding passion for Glissant’s work, she never lets this interest overshadow the singularities of her other authors. This careful sensitivity is characteristic of the masterful readings Britton provides in her provocative new collection.’ — Justin Izzo, French Studies 73.2, April 2019, 329-30 (full text online)
  • ‘Les analyses abordées sont très attentives et riches en éléments qui peuvent constituer le point de départ d’autres études.’ — Emanuela Cacchioli, Studi francesi 189, 2019, 616-17

Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality
Zygmunt G. Barański
Selected Essays 6•17 February 2020

  • ‘Many will be familiar with Barański’s work, his distinctive voice and ability to interrogate some of the thorniest issues relating to Dante, medieval poetics and doctrine; but to have this voice sustained in one single volume is to witness a quite remarkable academic career and distinctive engagement with Dante.’ — Daragh O’Connell, Annali d'Italianistica 39, 2021, 414

For the Love of Art
Peter Dayan
Selected Essays 10•20 October 2022

  • ‘Rich and powerful discussions, bursting with invention and life. This is a formidably clever sequence of essays in which major writers and musicians are set in contrast and dialogue with each other.’ — John Batchelor, Modern Language Review 119.2, 2024, 181-88 (full text online)

The Rise of Spanish American Poetry 1500-1700: Literary and Cultural Transmission in the New World
Edited by Rodrigo Cacho Casal and Imogen Choi
Studies in Hispanic and Lusophone Cultures 22•23 April 2019

  • ‘En conjunto, The Rise of Spanish American Poetry supone una extraordinaria selección de aportaciones al estudio de los textos coloniales y sus relaciones culturales en un contexto transatlántico.’ — Víctor Sierra Matute, Bulletin of Spanish Studies 97.6, 2020, 1070-1071
  • ‘La publicación no sólo resulta novedosa por la articulación multidisciplinaria de sus aproximaciones, sino por incorporar nuevas e interesantes interpretaciones... Sin duda, esta publicación constituye una aportación para el hispanismo que establece nuevas vías de interpretación dignas de ser atendidas y continuadas. Valga mencionar la hermosa factura del volumen y la esmerada edición, en la que el puñado de erratas detectadas no minimiza sus enormes aportaciones.’ — Andrés Iñigo Silva, Creneida 8, 2020, 394-400
  • ‘Some of the strongest essays draw attention to authors, texts or topics that have for the most part received limited attention from scholars. The range of subjects covered is noteworthy and the editors and contributors deserve praise for their ability to bring into the realm of poetic signification issues as diverse as exploration, evangelization, natural disasters, ideological debates, literacy, humanism, print culture, theology, music theory, humor, Jesuit edu- cation, historiography, mourning, astrology, piracy or racialized discourses.’ — Emiro Martínez-Osorio, Colonial Latin American Review 29.4, 2020, 662-64 (full text online)
  • ‘La proposition portée par Rodrigo Cacho, Imogen Choi et les onze contributeurs du volume présente, en définitive, de multiples mérites. Dans son approche de la poésie moderne, d’abord, elle promeut une lecture historique des corpus qui cherche et met en valeur les mécanismes d’hybridité depuis un regard résolument comparatiste entre les études hispanistes et les études américanistes. Dès lors, elle tire parti de la variété et de la variabilité idéologique et de positionnement politique des poètes et des poèmes plutôt que de l’ignorer en la réduisant à l’une ou l’autre des positions antagonistes. Le volume resitue aussi avec soin et de façon systématique les corpus abordés dans le contexte social et pragmatique de leur composition, dans leur lien avec ce que l’on pourrait appeler les usages de la poésie – y compris le véhicule musical, si rarement abordé dans les travaux des philologues. Ainsi la poésie peut-elle servir tout à la fois à édifier, à louer ou à décrédibiliser l’action des contemporains. L’ensembl’ — Aude Plagnard, Bulletin Hispanique 124.1, 2022, 365-69

The Modern Spanish Canon: Visibility, Cultural Capital and the Academy
Edited by Stuart Davis and Maite Usoz de la Fuente
Studies in Hispanic and Lusophone Cultures 28•22 August 2018

  • ‘This volume showcases the work of early-career scholars working in modern peninsular Spanish studies as they seek a breakthrough into the institutional realm of the contemporary academy. It comprises ten essays ordered and presented by the editors, who, in a spirited Introduction, identify fundamental questions and issues ranging from nomenclature (Spanish Studies? Iberian Studies?) and the politics of the discipline, to ownership and the constitution of the canon.’ — Robin Fiddian, Hispanic Research Journal 20.4, 2019, 416-17 (full text online)
  • ‘A welcome and handsome contribution to debates on the limits, possibilities and opportunities for current and future research on the modern Spanish cultural canon... An excellent vision of the vibrant health of early-career Hispanism and a thought-provoking challenge to established critical paradigms... this volume is testament to a very bright and innovative future for our discipline.’ — Alison Ribeiro de Menezes, Bulletin of Spanish Studies 96.9, 2019, 1557-58

Gómez Manrique, Statesman and Poet: The Practice of Poetry in Fifteenth-Century Spain
Gisèle Earle
Studies in Hispanic and Lusophone Cultures 31•26 February 2018

  • ‘In this comprehensive study of how Manrique practised poetry, which also includes his prose, Earle offers both detailed textual analysis of individual works and an interpretation of Manrique’s literary corpus. Through this dual focus, Earle emphasizes the evolution of Manrique’s rhetorical style through figurative language and the political thrust of Manrique’s writing, including works that have traditionally been studied separately, such as elegy and devotional texts. As a result, this study makes a valuable contribution to existing scholarship through its new perspective on Manrique’s textual production, which also opens doors for future investigation.’ — Holly Sims, Bulletin of Spanish Studies 96.8, 2019, 1343-65 (full text online)

Queer Genealogies in Transnational Barcelona: Maria-Mercè Marçal, Cristina Peri Rossi, and Flavia Company
Natasha Tanna
Studies in Hispanic and Lusophone Cultures 37•30 December 2019

Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana
Luis Castellví Laukamp
Studies in Hispanic and Lusophone Cultures 38•7 January 2020

  • ‘Con este volumen, Castellví Laukamp presenta una nueva manera de estudiar la poesía del virreinato [...] Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana crea un museo de papel compuesto por poemas y por imágenes de la temprana edad moderna.’ — Conxita Domènech, Revista Iberoamericana 87.274, Spring 2021, 360-62
  • ‘Hispanic Baroque Ekphrasis […] es una obra excelente por el profundo y original estudio que ofrece sobre las posibilidades expresivas de la écfrasis, el sobresaliente conocimiento de la obra de los autores estudiados, la adecuada estructuración, la riqueza de fuentes y la claridad expositiva.’ — Lizbeth Souza-Fuertes, Hispania 104.1, March 2021, 125-126 (full text online)
  • ‘Castellví's book is extensively documented in the critical bibliography and is eruditely positioned between literature and art [...] The documentary and pictorial apparatus supports this work, which undoubtedly aims to position itself as a landmark on the subject.’ — Laura Yadira Munguía Ochoa, Hipogrifo 9.1, 2021, 1369-72 (full text online)
  • ‘The attention to detail and the bibliographical scope of this book is noteworthy. so is the ability to develop cogent arguments that gain momentum towards the final section of each chapter... this is a well-contextualized, generous book that proves how early modern poets in spanish, and the poetics they adhered to, were not hampered by geographical borders and cannot be by academic ones.’ — Antonio J. Arraiza-Rivera, Bulletin of the Comediantes 72.2, 2020, 163-65
  • ‘Hispanic Baroque Ekphrasis de Castellví Laukamp constituye una aportación de primer orden en el ámbito de la poesía barroca hispánica del que podrán disfrutar especialistas y aficionados. Su dimensión transatlántica y su diseño transgenérico [...] permiten al autor ofrecer una mirada fresca y erudita a un tiempo sobre los grandes poemas que analiza.’ — Martín Zulaica López, Rilce 37.2, 2021, 885-91
  • ‘Hispanic Baroque Ekphrasis is an exquisitely written and illustrated book […] Turning to a transatlantic vision of the baroque, this book clearly shows that Gongorism in Viceregal Latin America was an instrument to think and to create with liberty. Written with subtlety and enargeia, this thoughtful volume provides important new insights into Góngora, Camargo and Sor Juana.’ — Frederick de Armas, Revista Canadiense de Estudios Hispánicos 44.3, 2022, 784-87 (full text online)
  • ‘Hispanic Baroque Ekphrasis constitutes an outstanding contribution to the interpretation of the three poems it studies. Castellví Laukamp’s command of art history, visual studies, early modern poetics, and the classical tradition enable him to craft astute and compelling readings. He is a widely read, learned, and clear writer’ — Felipe Valencia, Colonial Latin American Review 31.3, 463-65 (full text online)
  • ‘A complex but rewarding study, Hispanic Baroque Ekphrasis recognizes Camargo and Sor Juana as both followers of Góngora and poetic innovators in their own right.’ — Elizabeth Blakemore, Forum for Modern Language Studies 58.3, 2022, 406 (full text online)

Contemporary Galician Women Writers
Catherine Barbour
Studies in Hispanic and Lusophone Cultures 39•28 September 2020

  • ‘Contemporary Galician Women Writers is an engaging and informative study of Galician literature and identity and, especially, a valuable contribution to the scholarship on Galician narrative fiction by women.’ — Silvia Oliveira, Hispania 105.2, June 2022, 303-04 (full text online)
  • ‘A valuable contribution that presents a thorough picture of the Galician cultural landscape; at the same time, it stresses the need for academia to enquire beyond the national understanding of literary systems.’ — Lucia Cernadas, Bulletin of Spanish Studies 94.2, 2022, 379-80 (full text online)
  • ‘Presents a compelling, well-written textual analysis of six novels that adds substantially to our knowledge about three commercially successful writers who, except for Moure (the Galician-language writer), are yet to receive sustained attention. The book convincingly shows that much is learnt about the literary representation of Galician identities when the works under study are by authors who are located outside Galician national literature. The book will be of interest to scholars working on Hispanic Peninsular, particularly Galician, Literary Studies, but it also has much to offer to other literary scholars, especially those working on women’s writing.’ — María Liñeira, Galicia 21 2023, 124-27

Memory and Utopia: The Poetry of José Ángel Valente
Manus O’Dwyer
Studies in Hispanic and Lusophone Cultures 44•28 September 2020

  • ‘El título del trabajo de Manus O’Dwyer si breve y conciso da cierto vértigo por la amplitud de los temas críticos seleccionados y porque, como el autor reconoce en una elegante y brillante introducción, la crítica en torno al poeta español es prolija. La facilidad con que O’Dwyer soluciona dichas complicaciones en las primeras páginas para focalizar su labor en la cuestión social y política de la poesía de José Ángel Valente es tan encomiable como lapropia edición del libro... Una cuidada publicación de tremenda utilidad tanto para hispanistas como para comparatistas, que por añadido es disfrutable.’ — Juan Blázquez Cuena, Bulletin of Spanish Studies 98.10, 2021, 1733-34
  • ‘El profesor de la Universidad de Sheffield logra cumpli-damente su propósito: describe los discursos críticos que han relegado e incluso negado esta dimensión y demuestra su relevancia mediante análisis textuales e intertextuales de una multiplicidad de materiales relacionados con la actividad intelectual del poeta (cartas, conferencias, diarios, ensa-yos, poemas, relatos, traducciones, etc.). Este logro es por sí mismo mo-tivo suficiente para recomendar la lectura de Memory and Utopia... Es preciso agradecer a Manus O’Dwyer que su lectura ponga de relieve la fascinante extrañeza que la singular extraterritorialidad cultural rastreable en la obra de José Ángel Valente puede llegar a producir.’ — Daniel Aguirre Oteiza, Prosemas 6, 2021, 232-38
  • ‘Memory and Utopia gravitates around the idea that Valente was not (or not just) a modern mystic who devoted his word to the ineffable, but a poet who found in mystic motifs the way to access his social context, in an attempt to resist the institutionalized, vain discourse of recent extremist political practices... A brave, innovative proposal that is able to look at Valente’s literary production as a whole, and to find in his verse the aim to construct, through “a paradoxical immanence of the transcendent” (115), a utopian space of memory and self-negation in the community.’ — María Vera Reyes, Theory Now 4.2, 2021, 249-53 (full text online)
  • ‘This new vision of the poet is constructed through concise and precise analysis that does not shy away from issues of great philosophical and aesthetic complexity... a ground-breaking and informative book that will change the way readers and scholars appreciate this towering figure of Spanish and Galician verse.’ — Ricardo Fernández Romero, Modern Language Review 118.1, 2023, 147

Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García
Studies in Hispanic and Lusophone Cultures 49•7 March 2022

Visual and Plastic Poetics: From Brazilian Concretism to the Chilean Neo-Avant-Garde
Rachel Elizabeth Robinson
Studies in Hispanic and Lusophone Cultures 53•7 March 2022

  • ‘A variegated assortment of attentive readings of individual poems that further enrich the reader’s appreciation of the three poets. Robinson’s book is well-written, and a wonderful addition to the library of any academic interested in contemporary poetry, for Latin-American literary critics, for enthusiasts of the Avant-Garde, but also for anyone who would like to learn about three magnificent Chilean artist-poets that toiled under adverse political conditions to create beauty.’ — Eduardo Ledesma, Bulletin of Spanish Studies 100.4, 2023, 611-13 (full text online)

Arthur Symons: Poet, Critic, Vagabond
Edited by Elisa Bizzotto and Stefano Evangelista
Studies In Comparative Literature 44•25 May 2018

  • ‘The MHRA's recent commitment to publishing works by or on Arthur Symons was sus=tained in 2017 with selections edited by Nicholas Freeman and by Jane Desmarais and Chris Baldick. That commitment continues with a volume of essays on Symons’s life and work, many of which discuss his personal, intellectual, and artistic relations with aspects of European culture... In their short but excellent introduction, Bizzotto and Evangelista argue that their collection, “the first ... entirely dedicated to Symons[,] ... aims to project a new, nuanced view of Symons into the twenty-first century.”’ — Ian Small, English Literature in Transition 1880-1920 62.3, 2019, 599-606
  • ‘Once consecrated by Pater as a successor to Browning, Symons ranged far beyond poetry to practise literary and art criticism, aesthetic theory, drama, travel writing and translation; and he wrote prolifically, if self-cannibalistically, until his death in 1945.’ — Ellen Crowell, Times Literary Supplement 7 June 2019, 35
  • ‘A book devoted to the work of Arthur Symons is timely and much needed; and this carefully fashioned and integrated collection of essays offers an excellent response to that need... This is a well-crafted collection; a thoughtful and integrated multi- authored study of a writer, and one that has been put together both to confirm his significance to many of our current scholarly preoccupations while simultaneously unsettling what it might mean to think of a writer as ‘central’ to any of those debates.’ — Marion Thain, Comparative Critical Studies 17.1, 2020, 161-64 (full text online)
  • ‘The book is clearly a timely contribution to our knowledge of Symons and represents a significant milestone in his ongoing critical retrieval.’ — Rob Harris, Studies in Walter Pater and Aestheticism 5, 2020, 140-44
  • ‘Gives Symons the meticulous attention that such a pivotal cultural figure deserves. One of the most insightful aspects... is its analysis of the wandering obliqueness of his Decadent perspective as it reflects his philosophical commitment to freedom of expression, experience, and lifestyle.’ — Dennis Denisoff, Victorian Studies 62.4, 2020, 686-88 (full text online)

Scenographies of Perception: Sensuousness in Hegel, Novalis, Rilke, and Proust
Christian Jany
Studies In Comparative Literature 45•14 May 2019

  • ‘Christian Jany’s Scenographies of Perception situates itself on well-traversed philosophical territory, but with a freshness unusual in a volume devoted to longstanding issues in the history of philosophy and theories of poetry and literature... A thought-provoking, cross-disciplinary account of the relationship between thought and perception that ought to appeal to students of German idealism and ro- manticism and their aftermath in the 20th century, and in a way that stays admirably close to the relevant texts and the concerns that animate them.’ — James D. Reid, Monatshefte 112.3, 2020, 555-57

Words Like Fire: Prophecy and Apocalypse in Apollinaire, Marinetti and Pound
James P. Leveque
Studies In Comparative Literature 50•28 April 2022

  • ‘This book is a welcome contribution to avant-garde studies in Europe and North America... Devoted primarily to poetry, it examines the early literary activities of three giants who helped shape our response to the twentieth century: Guillaume Apollinaire in France, F. T. Marinetti in Italy, and Ezra Pound in England and America. To my knowledge, this is the only book-length study of all three poets, each of whom—officially or unofficially—headed a major literary movement.’ — Willard Bohn, Modern Language Review 118.4, October 2023, 587-89 (full text online)

A Poetics of the Image: Paul Celan and André du Bouchet
Julian J. I. Koch
Studies In Comparative Literature 52•10 December 2021

Women, Men and Books: Issues of Gender in Yiddish Discourse
Edited by Gennady Estraikh and Mikhail Krutikov
Studies In Yiddish 16•30 December 2019

  • ‘The book presents the most recent research on the subject of gender in Yiddish literature and culture and paints a far more complex picture of gender roles in Eastern European Jewish life than is portrayed in traditional sources... As gender and sexuality are increasingly being understood as fluid, rather than determined categories, this kind of research is extremely significant for those of us who still speak, write and create in Yiddish, and want to hold on to it as a living language, capable of expressing all of our experiences.’ — Annabel Cohen, Forward 23 November 2020

Holocaust and Home: The Poetry of David Fram from Lithuania to South Africa
Hazel Frankel
Studies In Yiddish 18•10 September 2021

Adapting the Canon: Mediation, Visualization, Interpretation
Edited by Ann Lewis and Silke Arnold-de Simine
Transcript 1•28 September 2020

  • ‘A welcome addition to the thriving academic production in the field of adaptation studies; its chapters stimulate reflection on the adaptive process as a phenomenon which has always existed and that we must acknowledge as a main force in the production of new cultural prod- ucts, products that creatively engage with the sources and intermedially reactivate their vital force.’ — Maddalena Pennacchia, Journal of Adaptation in Literature and Performance 14.3, 2021, 345-47 (full text online)
  • ‘An impressively large range of media is examined from a number of theoretical and methodological perspectives, all contributions working hard to move forward the study of adaptation. Their authors share an understanding of what it means to be historical, dialogic, and intermedial. We learn a lot about the artefacts, artists, and phenomena in question, as well as about the shape of adaptation studies in the 2020s.’ — Michael Stewart, Translation and Literature 31, 2022, 136-41 (full text online)

Minding Borders: Resilient Divisions in Literature, the Body and the Academy
Edited by Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri and Matthew Reynolds
Transcript 5•1 November 2017

  • ‘The contributors not only bring to light the long history of border-making, but also the ways in which it is possible to construct a methodological framework by which to interrogate these practices.’ — Fariha Shaikh, Modern Language Review 114.4, October 2019, 845-46 (full text online)

Translating Petrarch's Poetry: L’Aura del Petrarca from the Quattrocento to the 21st Century
Edited by Carole Birkan-Berz, Guillaume Coatalen and Thomas Vuong
Transcript 8•17 February 2020

  • ‘Ranging through five centuries of translations, adaptations and imitations of Petrarch, the father of Humanism, this transcultural, transdisciplinary study considers the echoes of this major figure, whose reach goes beyond borders, eras and literary genres to resonate singularly into our times and in our own resonating ears.’ — Robert Sheppard, Pages 16 September 2020
  • ‘Translating Petrarch’s Poetry is a must-read book for anybody interested in the spread of Petrarch’s poetry in the Western world (and beyond) throughout modernity. It collects very thorough essays dealing with this theme in always original and engaging manners from a variety of modern critical standpoints.’ — Enrico Minardi, Annali d'Italianistica 38, 2020, 455-459
  • ‘As its title suggests, this volume covers both “translating” in a conventional sense and freer, sometimes distanced, responses that are nevertheless redolent of Petrarch’s “aura” or distinctive atmosphere and of his portrayal of his beloved. By integrating a wide gamut of approaches on the part of academics from different disciplines and of poets, the collection of case studies presented here illustrates very effectively the endlessly imaginative ways in which Petrarch’s poetry has been transformed and repurposed across time.’ — Brian Richardson, Speculum 96.4, October 2021, 1153-54 (full text online)
  • ‘This collection of fifteen essays by scholars and writers from a range of countries brings to bear on Petrarch recent interest not only in translation as normally conceived but also in reformulations and fragmentations of the original and its appropriation in other media, and in the roles translations and other responses play and have played socially and culturally.’ — Peter Hainsworth, Modern Language Review 117.3, July 2022, 505-07 (full text online)

Reading Dante and Proust by Analogy
Julia Caterina Hartley
Transcript 12•23 September 2019

  • ‘Hartley’s erudite, persuasive, and reader-friendly book is a powerful debut, an irresistible invitation to love literature. I confidently look forward to her future work.’ — Thomas Pavel, Modern Philology 24 August 2020 (full text online)
  • ‘Hartley’s book contributes significantly to the fields of Dante and Proust stu- dies. Moreover, it is persuasive in demonstrating the rich productive potential of this dynamic, interactive approach, setting an important example for literary comparisons to come.’ — Valentina Mele, Modern Language Review 115.4, October 2020, 891-92 (full text online)
  • ‘By practicing a meticulous close reading of selected passages from both the Commedia and the Recherche, Hartley’s intention is to read Dante in light of Proust and Proust in light of Dante, in a continuous change of perspective that keeps the interpreter’s attention receptive enough to uncover, in each author, thematic and stylistic aspects that would not otherwise have been noticed... A stimulating methodological contribution to the field of comparative literature.’ — Alessandra Aloisi, H-France 20.204, November 2020
  • ‘A scholar who grew up in a trilingual family (English, Italian, French) and who therefore can slip smoothly from one linguistic world to another, Julia Caterina Hartley performs an exquisitely comparatist analysis in Reading Dante and Proust by Analogy. Hartley’s conclusions are quite unexpected and shed new light on two authors who share more than one might think: Alighieri, as a medieval writer who anticipates modernity, and Proust, as a modern writer who engages with the weight of the past... In sum, this book is a meticulous comparative work at its best.’ — Ilaria Serra, Speculum 96.2, 2021, 509-10
  • ‘En plus d’être une brillante étude comparée de Proust et de Dante, ce livre offre un fin plaidoyer pour la littérature comparée considérée autant comme un art de la critique que comme une forme de critique littéraire... L’objectif est atteint, les deux œuvres sont lues ‘afresh’, dans une urgente réciprocité.’ — Hugues Azérad, French Studies 76.1, January 2022, 129–30 (full text online)
  • ‘An enlightening, original, and powerful book, addressed to Dante scholars and Proust scholars, as well as comparatists and scholars of literature in general... Besides the simple fact that Hartley’s work gives us the pleasure of looking at two masterpieces together, with an elegant and enjoyable style, this volume is an important example of how comparative literature, across space and time, can tell us something new even on texts about which everything has already been said, and on literary structures in general, by finely combining close and distant reading.’ — Serena Vandi, Italian Studies 77.2, 2022, 202-03 (full text online)

The Foreign Connection: Writings on Poetry, Art and Translation
Jamie McKendrick
Transcript 17•28 September 2020

  • ‘This book might have been written for my pleasure. Many readers of this journal will surely feel the same.’ — Chris Miller, PN Review 28.3, January/February 2022
  • ‘There is a natural clemency at work, throughout the entire volume, which has nothing to do with fuzzy-mindedness – quite the contrary, but it means that McKendrick will never deliver the frenzied hatchet-job some poets (whom he admires) can execute, apparently with sangfroid. This intelligence – by definition an ironic intelligence in that it can simultaneously entertain different positions – is what makes him such a trustworthy guide. One feels also that humour, that saving resource, is always within reach... His astute use of quotation to illustrate a point is a fiduciary of sound judgement. Above all, Jamie McKendrick reminds us that there is no substitute for patient looking and listening. This close attention, this authentic love of the art, is rare in our day. These writings are to be prized.’ — Stephen Romer, The London Magazine February/March 2022, 77-84
  • ‘A welcome marker to remind us, if we needed reminding, of how much human beings need, and gain from, dialogue with other cultures and languages. The apparently foreign, as Jamie McKendrick demonstrates so well here, in fact shows us a threshold, a door.’ — Hilary Davies, Times Literary Supplement 19 May 2023, p. 8
  • ‘What Jamie McKendrick so finely details about Tom Lubbock’s English Graphic is an entirely apt description for his own collection of brief reviews, introductions, and essays, on literature and art: ‘The constraints of the form proved exceptionally viable and liberating for his procedures. Providing a “wiry outline”, the form itself allowed for wit, aperçu, mental calisthenics, provocation, aphorism, meditation and surprisingly sustained argument’.’ — George Kalogeris, Essays in Criticism 73.1, 2023, 130-31 (full text online)

The Diasporic Canon: American Anthologies of Contemporary Italian Poetry 1945-2015
Marta Arnaldi
Transcript 20•13 September 2022

  • ‘The Diasporic Canon ha il merito di aver sistematizzato un fenomeno sino ad ora esaminato solo per compartimenti stagni e d’aver enucleato efficacemente i vettori dinamici e trasformativi che nutrono ed orientano il processo interculturale nella sua prismatica dimensione di pluralismo e transnazionalità.’ — 575-78, Annali d'Italianistica 2023, 41, Olimpia Pelosi

The Translingual Verse: Migration, Rhythm, and Resistance in Contemporary Italophone Poetry
Alice Loda
Transcript 21•13 December 2021

André Chénier: Poetry and Revolution 1792-1794
David McCallam
Transcript 24•26 July 2021

  • ‘What quickly becomes clear is the scholar’s own passionate devotion to the poet, but also his fascination for the terrible narrowing vortex of his life, caught in the teeth of a particular moment, in the machinery of the historical circumstance.’ — Stephen Romer, Modern Language Review 119.2, 2024, 270-71 (full text online)

Imagining Iberia in Medieval German Literature
Doriane Zerka 
Transcript 26•31 August 2023

Chaos and the Clean Line: Writings on Franco-British Modernism
Stephen Romer 
Transcript 28•19 February 2024

Crossings: Essays on Poetry and Translation from Hölderlin to Jaccottet
Charlie Louth 
Transcript 31•19 February 2024

Frontier Memory: Cultural Conflict and Exchange in the Romancero fronterizo
Sizen Yiacoup
MHRA Texts and Dissertations 87•1 October 2013

Constructing Feminine Poetics in the Works of a Late-20th-Century Catalan Woman Poet: Maria-Mercè Marçal
Noèlia Díaz Vicedo
MHRA Texts and Dissertations 90•1 March 2014

  • ‘Este libro de Noèlia Díaz-Vicedo constituye una apreciable aportación a los estudios sobre la obra de Maria-Mercè Marçal en general, y sobre su poesía en particular.’ — Javier Letrán, Bulletin of Spanish Studies 94, 2017, 1251-52

Mitos cristianos en la poesía del 27
Rocío Ortuño Casanova
MHRA Texts and Dissertations 96•1 May 2014