Series | Extent | Year | Author | Title |
NT 13 | — | 2018 | tr F. J. Lamport | Goethe, The Natural Daughter; Schiller, The Bride of Messina |
GL 16 | — | 2018 | Thomas C. Connolly | Paul Celan’s Unfinished Poetics |
AS 25 | — | 2018 | ed Florian Krobb, Deborah Holmes | Celebrations |
LGS | — | 2017 | ed Ardis Butterfield, Henry Hope, Pauline Souleau | Performing Medieval Text |
SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
GL 15 | — | 2017 | Richard Dove | Foreign Parts |
SE 1 | — | 2017 | Ritchie Robertson | Enlightenment and Religion in German and Austrian Literature |
AS 24 | — | 2017 | ed Deborah Holmes, Lisa Silverman | Jews, Jewish Difference and Austrian Culture |
GL 11 | — | 2016 | Joanna Neilly | E.T.A. Hoffmann’s Orient |
GL 10 | — | 2016 | Stephanie Bird | Comedy and Trauma in Germany and Austria after 1945 |
GL 9 | — | 2016 | Tara Beaney | Metamorphosis in Modern German Literature |
NT 12 | — | 2016 | tr Alexander Stillmark | Hugo von Hofmannsthal, An Impossible Man |
NT 11 | — | 2016 | tr Fred Bridgham | Georg Kaiser, After Expressionism |
ET 4 | — | 2016 | ed Barbara Burns | Wilhelm Meinhold, 'The Amber Witch' |
AS 23 | — | 2016 | ed Florian Krobb, Deborah Holmes | Translating Austria |
TD 100 | — | 2015 | Amy Fuller | Between Two Worlds |
AS 22 | — | 2014 | ed Allyson Fiddler, Karen Jürs-Munby | Elfriede Jelinek in the Arena |
ET 2 | — | 2014 | ed Hilary Brown | Luise Gottsched, Der Lockenraub/Alexander Pope, The Rape of the Lock |
AS 21 | — | 2014 | ed Judith Beniston, Deborah Holmes | Cultures at War |
NT 4 | — | 2013 | tr Michael Ritterson | Wilhelm Raabe, The Birdsong Papers |
BSD 41 TD 97 | — | 2013 | Catherine Smale | Phantom Images |
AS 20 | — | 2013 | ed Jon Hughes, Florian Krobb | Colonial Austria |
ET 3 | — | 2012 | ed Carol Tully | Pedro Calderón de la Barca, La devoción de la Cruz/August Wilhelm Schlegel, Die Andacht zum Kreuze |
BSD 40 TD 85 | — | 2012 | Sarah Bowden | Bridal-Quest Epics in Medieval Germany |
BSD 39 TD 84 | — | 2012 | Áine McMurtry | Crisis and Form in the Later Writing of Ingeborg Bachmann |