| Series | Extent | Year | Author | Title |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| CT 34 | — | 2017 | ed Julia Prest | Les Veuves créoles |
| LGS | — | 2017 | ed Jane Desmarais,
Alice Condé | Decadence and the Senses |
| RMFS 53 | — | 2017 | Huw Grange | Saints and Monsters in Medieval French and Occitan Literature |
| LGS | — | 2017 | ed Patrick McGuinness,
Emily McLaughlin | The Made and the Found |
| SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
| CT 58 | — | 2017 | ed Jessica Goodman | Commemorating Mirabeau |
| CT 50 | — | 2017 | ed Claire Moran | ‘Noa Noa’ by Paul Gauguin and Charles Morice |
| TST 16 | — | 2017 | ed Marie-Alice Belle,
Line Cottegnies | Robert Garnier in Elizabethan England: Mary Sidney Herbert’s Antonius and Thomas Kyd’s Cornelia |
| CT 63 | — | 2017 | ed Mark Darlow | Michel-Jean Sedaine: Théâtre de la Révolution |
| LGS | — | 2017 | Philippa Lewis | Intimacy and Distance |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope,
Pauline Souleau | Performing Medieval Text |
| LGS | — | 2017 | ed Adrian Armstrong,
Elsa Strietman | The Multilingual Muse |
| LGS | — | 2018 | Kate Rees | The Journalist in the French Fin-de-siècle Novel |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| RMFS 54 | — | 2018 | Sam Bootle | Laforgue, Philosophy, and Ideas of Otherness |