Series | Extent | Year | Author | Title |
SHLC 46 | — | 2021 | Brigid Lynch | Horizontalism and Historicity in Argentina |
RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
YES 35 | — | 2005 | ed Ronan McDonald | Irish Writing since 1950 |
IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
SHLC 23 | — | 2016 | Mark Sabine | José Saramago |
PS 30.2 | — | 2014 | ed Sara Brandellero | João Cabral de Melo Neto (1920-1999) |
TD 79 | — | 2011 | Christine Angela Knoop | Kundera and the Ambiguity of Authorship |
LGS | — | 2022 | Adam Watt | Labours of Attention |
YES 20 | — | 1990 | ed Andrew Gurr | Literature in the Modern Media |
YES 42 | — | 2012 | ed Alice Ferrebe, Tracy Hargreaves | Literature of the 1950s and 1960s |
T 19 | — | 2022 | ed Mohamed-Salah Omri, Philippe Roussin | Literature, Democracy and Transitional Justice |
RMFS 60 | — | 2020 | Ian Maclachlan | Louis-René des Forêts and Inner Autobiography |
MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
LGS | — | 2017 | ed Patrick McGuinness, Emily McLaughlin | The Made and the Found |
RMFS 69 | — | 2023 | Edward Welch | Making Space in Post-War France |
TD 99 | — | 2014 | Mariana Casale O'Ryan | The Making of Jorge Luis Borges as an Argentine Cultural Icon |
RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
SHLC 52 | — | 2023 | Karunika Kardak | Memory, Identity and the Historical Novel in Uruguay |
PS 36.2 | — | 2020 | ed Paulo de Medeiros, Rosa Maria Martelo | Modern Portuguese Poetry |
TD 88 | — | 2013 | Jenni M. Lehtinen | Narrative and National Allegory in Rómulo Gallegos's Venezuela |
SHLC 32 | — | 2018 | Maria Tavares | No Country for Nonconforming Women |
YES 25 | — | 1995 | ed Andrew Gurr | Non-Standard Englishes and the New Media |
SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |