Flesh, by Júlio Ribeiro
Translated by William Barne
New Translations 222 August 2011

Ovid in English, 1480-1625: Part One: Metamorphoses
Edited by Sarah Annes Brown and Andrew Taylor
Tudor and Stuart Translations 4/1 of 21 October 2013

  • ‘This volume is particularly useful for those interested in translation and adaptation culture in early modern England and could be especially valuable for scholars working on the specific myths highlighted.’ — unsigned notice, Forum for Modern Language Studies 50, 2014, 503
  • ‘This is a beautifully presented edition of a selection of early modern translations of Ovid’s Metamorphoses, which manages to be both student-friendly and a provocative resource to stimulate further research.’ — Tamsin Badcoe, Modern Language Review 110, 2015, 1110-11 (full text online)
  • ‘The comprehensibility, and thus accessibility, of each item is incomparably enhanced by the editors’ modernization of texts, by their full annotation (both in the form of marginal glosses and extensive on-the-page commentary), and by their lengthy and learned Introduction which sets each piece in context and points out its potential interest for students of both English and classical literature.’ — David Hopkins, Translation and Literature 23, 2014, 402-04
  • ‘Brown and Taylor provide a real service to the student not only of the reception of the Metamorphoses in the English Renaissance but also of the pervasive Ovidianism in Tudor and Stuart literary culture. This attractively produced volume should spur new interest in the Ovidian vogue in early modern England.’ — Alison Keith, Renaissance and Reformation 39, 2016, 214-17

Phosphorus Hollunder und Der Posten der Frau von Louise von François
Edited by Barbara Burns
Critical Texts 131 October 2008

  • ‘This handsome critical edition of two of François’s lesser-known short stories from 1857 offers a valuable reminder of the writer’s many merits as a storyteller.’ — Karen Leeder, Modern Language Review 105.3, 2010, 896-97 (full text online)

Thomas Elyot, The Image of Governance and Other Dialogues of Counsel (1533–1541)
Edited by David Carlson
Tudor and Stuart Translations 2412 November 2018

  • ‘This edition will be highly useful to scholars and ought to find its way onto a number of university reading lists.’ — J. S. Crown, Sixteenth Century Journal 50, 2019, 1271

Eugénie et Mathilde by Madame de Souza
Edited by Kirsty Carpenter
Critical Texts 261 June 2014

  • ‘I will be including Souza’s novel in my courses and am grateful to scholars such as Kirsty Carpenter for making these obscure but important texts available.’ — Antoinette Sol, Modern Language Review 111, 2016, 553 (full text online)
  • ‘Kirsty Carpenter’s edition of Madame de Souza’s 1811 novel ... contributes to the rediscovery, understanding and appreciation not just of a writer too often considered as a minor author, but also of an overlooked period in the history of French literature, between the Revolution of 1789 and the first Napoleonic campaigns (1798–1800s).’ — unsigned notice, Forum for Modern Language Studies 51, 2015, 87-88
  • ‘Réjouissons-nous donc que Mme Carpenter nous ait restitué ce roman parfaitement oublié, qui se trouve être, à la relecture, un des textes les plus lucides de son époque.’ — Paul Pelckmans, Dix-huitième siècle 47, 2015, 645-46
  • ‘"a valuable resource for students, professors, and researchers interested in the history of the French Revolution, eighteenth-century society, women's studies, or the development of literary genres in France."’ — Theresa Kennedy, New Zealand Journal of French Studies 36, 2015, 161-62

The Wallenstein Figure in German Literature and Historiography 1790-1920
Steffan Davies
Bithell Series of Dissertations 36 / MHRA Texts and Dissertations 7619 February 2010

Decadent and Occult Works by Arthur Machen
Edited by Dennis Denisoff
Critical Texts 53 / Jewelled Tortoise 411 July 2018

  • ‘What’s here will certainly enliven the reading lists of many undergraduate courses on the Victorian Gothic, but, hopefully, it will also allow Machen to be seen not simply as a writer of ‘shockers’ but as a significant and distinctive contributor to the wider literature of his day. The edition is bolstered by a helpful bibliography of secondary works and a chronology of Machen’s life and times. It is well produced and very competitively priced, meaning that it should find a home on university reading lists as well as on the hungry shelves of acquisitive Machenites such as myself.’ — Nick Freeman, Volupté 1.2, Winter 2018, 165-70
  • ‘This is an invaluable scholarly edition of Machen's work which makes a thoughtful case for his profound, but idiosyncratic contribution to Decadence.’ — Timothy J. Jarvis, Faunus 38, 2018, 56
  • ‘In taking the complexities of Machen’s relationship with the Decadent movement as its starting point, Denisoff’s volume is a significant intervention. ... There is an authentic sense of the volume as a carefully curated experience... a valuable teaching edition.’ — Jane Ford, Modern Language Review 115.3, July 2020, 712-13 (full text online)

Mathilde Blind: Selected Fin-de-Siècle Poetry and Prose
Edited by James Diedrick
Critical Texts 70 / Jewelled Tortoise 612 November 2021

  • ‘This book will be an indispensable new resource for students and scholars of Victorian women’s poetry, travel writing, decadence, Aestheticism, the New Woman, queer and feminist literature, and literature and science.’ — Barbara Barrow, Volupté 5.2, Autumn/Winter 2022, 149-53 (full text online)

Decadent Writings of Aubrey Beardsley
Edited by Sasha Dovzhyk and Simon Wilson
Critical Texts 78 / Jewelled Tortoise 1018 November 2022

  • ‘Sections of [Under the Hill] appeared, heavily edited, in The Savoy during Beardsley’s life, and it has been reissued several times since in varying degrees of expurgation. But it has never received the lavish scholarly attention that Sasha Dovzhyk and Simon Wilson bestow in Decadent Writings of Aubrey Beardsley.’ — Colton Valentine, New Yorker 13 February 2023
  • ‘Sasha Dovzhyk and Simon Wilson’s edition... offers a thorough and judicious introduction to a figure whose influence as an artist is uncontested while making a compelling case for reconsidering Beardsley’s significance as a writer... Their scrupulously scholarly edition strikes a deft balance between providing a rich resource for Beardsley scholars and making Under the Hill accessible to general readers. They provide able guidance to Beardsley’s densely allusive world, painstakingly tracking down and teasing apart the thicket of references threaded throughout Beardsley’s prose... One of the pleasures of the edition is the clear personal investments of the editors; this is clearly a labour of love and their admiration for their subject is – in a metaphor Beardsley himself would relish – contagious.’ — Nicole Fluhr, The Wildean 64, 2024, 206-09

E. T. A. Hoffmann and Alcohol: Biography, Reception and Art
Victoria Dutchman-Smith
Bithell Series of Dissertations 35 / MHRA Texts and Dissertations 7519 February 2010

  • ‘Clearly written in a jargon-free style, Dutchman-Smith’s study offers an illuminating discussion of a dimension of Hoffmann’s work that has received relatively little scholarly attention up until now, and which will be of interest to specialists and advanced students alike.’ — Birgit Röder, Modern Language Review 106, 2011, 904-05 (full text online)

Arthur Symons, Spiritual Adventures
Edited by Nicholas Freeman
Critical Texts 39 / Jewelled Tortoise 210 February 2017

  • ‘How gratifying it is, then, to have not one but two new volumes of Symons’ work published by the Modern Humanities Research Association’s Jewelled Tortoise imprint, thoroughly edited and placed in both a biographical and cultural context. The volumes’ editors are all wise enough to balance their informative footnotes with letting Symons’ work shine on its own.’ — Heather Marcovitch, Review of English Studies 2017
  • ‘These excellent critical editions of Symons’s poetry and prose… Symons emerges much clearer for their informative and well-judged notes.’ — Kate Hext, Times Literary Supplement 12 January 2018, 3-4
  • ‘The great service these two editions do to the study of Symons, and more broadly in developing our understanding of the contours and development of fin de siècle culture as it was negotiated during the period between Victorianism and modernism. We are left with the impression that the Jewelled Tortoise series is a vital scholarly project for researchers working on the period, and the hope that they will continue to publish such important scholarly editions.’ — Giles Whiteley, Notes & Queries September 2018, 459-61
  • ‘Freeman’s brilliantly researched Introduction makes a compelling case for these stories as an ‘intriguing example of early modernism, providing further evidence of that movement’s evolutionary development rather than implying a clean break from earlier conventions’... Freeman’s footnotes and introductions to each story are a model: concise, judicious, and enhancing the reading experience without imposing interpretation... Under the expert eye of Catherine Maxwell and Stefano Evangelista, this series is setting a new standard in fin-de-siècle textual scholarship... Just as importantly, these texts are very reasonably priced, which means they can be set in courses on Decadence and fin-de-siècle culture, bringing Symons’s work—enriched by rigorous scholarship—to a new generation of critics.’ — Alex Murray, Modern Language Review 113.4, October 2018, 867-70 (full text online)

Valentin Rasputin and Soviet Russian Village Prose
David C. Gillespie
MHRA Texts and Dissertations 221 January 1986

Hubert Crackanthorpe: Selected Writings
Edited by William Greenslade and Emanuela Ettorre
Critical Texts 71 / Jewelled Tortoise 719 October 2020

  • ‘This is an informative, comprehensive, and detailed introduction to Crackanthorpe for those who know little about him. It is an illuminating companion edition for those already familiar with his dark vision of life in the 1890s, which his own life trajectory so much resembled.’ — Jad Adams, Volupté 5.1, 2022, 98–102 (full text online)
  • ‘A much-needed edition that successfully presents the range and importance of Crackanthorpe’s writing... Overall, Selected Writings is an accessible introduction to Crackanthorpe that makes proper consideration of his work alongside others of the ‘Tragic Generation’ possible. Highly recommended.’ — Jessica Gossling, Modern Language Review 118.4, October 2023, 604-06 (full text online)

Aphra Behn's Emperor of the Moon and its French Source Arlequin, Empereur dans la lune
Edited by Judy A. Hayden and Daniel J. Worden
Critical Texts 6731 May 2019

La poética de Lorenzo de Zamora: una apología de la literatura secular
Edited by Ascensión Rivas Hernández
Critical Texts 5524 March 2020

  • ‘This edition will doubtless be of use to scholars of humanist and baroque poetic theory and, more generally, to anyone with an interest in the survival and tradition of classical authors in the Spanish language.’ — Jesús-M. Nieto Ibáñez, Modern Language Review 117.3, July 2022, 507-08 (full text online)
  • ‘Este nuevo volumen de la MHRA Critical Texts, el número 55, contribuirá, sin duda, a ampliar el conocimiento de un autor no demasiado atendido y de una obra que llegará a nuevos lectores a partir de esta cuidada edición, del detallado y explicativo estudio introductorio que la antecede y la bibliografía asimismo completa que aporta.’ — Carina Zubillaga, Bulletin of Spanish Studies February 2022 (full text online)

Kundera and the Ambiguity of Authorship
Christine Angela Knoop
MHRA Texts and Dissertations 7925 March 2011

Istoire de la Chastelaine du Vergier
Edited by Jean-François Kosta-Théfaine
Critical Texts 96 July 2009

Louis-Charles Fougeret de Monbron, Le Cosmopolite, ou le citoyen du monde (1750)
Edited by Édouard Langille
Critical Texts 2214 June 2010

Wilhelm Raabe, German Moonlight / Höxter and Corvey / At the Sign of the Wild Man
Translated by Alison E. Martin, Erich Lehmann, and Michael Ritterson
New Translations 31 April 2012

  • ‘A major accomplishment. Raabe’s is a voice which deserves to be heard, and an oeuvre which deserves to be appreciated across linguistic boundaries. These translations allow the reader with no knowledge of German and little appreciation of the context of the originals to hear an authentic version of that voice, to understand something of the world it can open up, and so to appreciate the writer’s achievement. They merit an enthusiastic response.’ — William Webster, Translation and Literature 24, 2015, 121

The Blind Bow-Boy by Carl Van Vechten
Edited by Kirsten MacLeod
Critical Texts 6231 August 2018

  • ‘Kirsten MacLeod’s new MHRA Critical Texts edition of The Blind Bow-Boy makes it possible and attractive to bring Van Vechten into both the undergraduate and graduate classroom by illuminating the novel’s complex recipe for hedonism... In every sense, then, MacLeod’s framing of the novel makes it feel at once more significant and more enjoyable, and its availability now in an affordable paperback form will hopefully bring more scholars, students, and general readers into contact with its pleasures.’ — Kristin Mahoney, Textual Cultures 12.2, 2019, 144-46
  • ‘If one were to add The Blind Bow-Boy to a class on modernism, New York literature of the 1920s, or even a twentieth-century literature survey, this edition would make the work accessible to a wide range of students because it serves in itself as an excellent introduction to modernist work. Highly recommended.’ — Michelle E. Moore, Modern Language Review 116.3, July 2021, 500-01 (full text online)

Breaking with Tradition: Belarusian Short Prose in the Early Twenty-First Century
Arnold McMillin
Publications of the Modern Humanities Research Association 2012 January 2018

  • ‘This book aims to show the powerful creative urges that continue to mark literature in Belarus, despite the continued denigration of the national language and culture. In this the author has succeeded magnificently.’ — Jim Dingley, Slavonic and East European Review 96.4, 2018, 770-71 (full text online)
  • ‘McMillin’s work makes an invaluable contribution to scholarship on Belarusian literature. Considering the difficulties with accessing the texts (often hard to find in print, as well as on the Internet), McMillin’s successful inclusion of these rare works in his analysis allows him to shed light not only on the writing of the more famous representatives of the Belarusian literary scene, but also on the subtle undercurrents of the literary process.’ — Palina Urban, Australian Slavonic and East European Studies 32, December 2018, 122-25

Michael Field, For That Moment Only and Other Prose Works
Edited by Alex Murray and Sarah Parker
Critical Texts 72 / Jewelled Tortoise 84 July 2022

  • ‘Alex Murray’s and Sarah Parker’s edition of Michael Field’s short prose, For That Moment Only, considers the small-scale, gem-like pieces that were either lifted from the diary or specifically composed for publication. These range from essays or even sermons to sketches, impressions, vignettes, croquis, short stories and pieces of memorably poetic prose. In their excellent and detailed introduction, the editors describe croquis or prose poems as “the fragmented and fleeting poetic forms we associate with modernism”, though this notional “modernity of form” goes back not only to the 1860s, with Baudelaire’s Petits Poèmes en prose and Pater’s early essays, but also to Novalis and Schlegel as well as Coleridge.’ — Angela Leighton, Times Literary Supplement 17 February 2023

Wilhelm Raabe, The Birdsong Papers
Translated by Michael Ritterson
New Translations 41 October 2013

  • ‘A major accomplishment. Raabe’s is a voice which deserves to be heard, and an oeuvre which deserves to be appreciated across linguistic boundaries. These translations allow the reader with no knowledge of German and little appreciation of the context of the originals to hear an authentic version of that voice, to understand something of the world it can open up, and so to appreciate the writer’s achievement. They merit an enthusiastic response.’ — William Webster, Translation and Literature 24, 2015, 121

Private Lives and Collective Destinies: Class, Nation and the Folk in the Works of Gustav Freytag (1816-1895)
Benedict Schofield
Bithell Series of Dissertations 37 / MHRA Texts and Dissertations 8130 May 2012

  • ‘Schofield’s unprecedented and skillful incorporation of the author’s entire oeuvre has made a real and lasting contribution to nineteenth-century scholarship.’ — Alyssa Howards, German Quarterly 86, 2013, 489-90
  • ‘Represents a valuable contribution to the field and enhances our understanding of Freytag’s strategy and agenda in no small measure.’ — Florian Krobb, Modern Language Review 109, 2014, 556-58 (full text online)
  • ‘This is the only comprehensive work on Freytag that I know of, at least in our time. It is thoroughly researched... The criticism is exacting and precise.’ — Jeffrey L. Sammons, Monatshefte 106, 2014, 312-15

Art and its Uses in Thomas Mann's Felix Krull
Ernest Schonfield
Bithell Series of Dissertations 32 / MHRA Texts and Dissertations 701 August 2008

  • ‘Concerning freedom, play, and Mann’s appeal to a community, Schonfield makes a persuasive case in his lucid and admirable study.’ — Steve Dowden, Modern Language Review 103, 2010, 905-06 (full text online)