| Series | Extent | Year | Author | Title |
| T 20 | 288pp | 2022 | Marta Arnaldi | The Diasporic Canon |
| T 11 | — | 2024 | Tovi Bibring | The Patient, the Impostor and the Seducer |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| T 6 | — | 2016 | Sara-Louise Cooper | Memory Across Borders |
| T 3 | — | 2020 | Kate Griffiths | Zola and the Art of Television |
| T 12 | 154pp | 2019 | Julia Caterina Hartley | Reading Dante and Proust by Analogy |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| T 4 | 186pp | 2015 | Xiaofan Amy Li | Comparative Encounters between Artaud, Michaux and the Zhuangzi |
| T 21 | 200pp | 2021 | Alice Loda | The Translingual Verse |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| T 32 | — | 2025 | Andrew Watts | Darwinian Dialogues |
| T 25 | — | 2024 | Peiyu Yang | Triangular Translation |
| T 26 | 186pp | 2023 | Doriane Zerka | Imagining Iberia in Medieval German Literature |