| Series | Extent | Year | Author | Title |
| T 2 | 192pp | 2015 | Armelle Blin-Rolland | Adapted Voices |
| T 1 | 272pp | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
| T 14 | — | 2022 | ed Adriana X. Jacobs, Claire Williams | After Clarice |
| T 24 | 156pp | 2021 | David McCallam | André Chénier |
| T 29 | 282pp | 2023 | ed Alison James, Akihiro Kubo,, Françoise Lavocat | Can Fiction Change the World? |
| T 28 | 384pp | 2024 | Stephen Romer | Chaos and the Clean Line |
| T 4 | 186pp | 2015 | Xiaofan Amy Li | Comparative Encounters between Artaud, Michaux and the Zhuangzi |
| T 31 | 332pp | 2024 | Charlie Louth | Crossings |
| T 32 | — | 2025 | Andrew Watts | Darwinian Dialogues |
| T 20 | 288pp | 2022 | Marta Arnaldi | The Diasporic Canon |
| T 22 | — | 2022 | ed Simona Corso, Florian Mussgnug,, Jennifer Rushworth | Dwelling on Grief |
| T 27 | — | 2024 | ed Francesca Rayner, Janice Valls-Russell | Engaging with Troy |
| T 7 | — | 2018 | ed Johannes D. Kaminski | Erotic Literature in Adaptation and Translation |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| T 23 | 196pp | 2024 | ed Jenny Haase, Joanna Neilly | German Romanticism and Latin America |
| T 16 | 264pp | 2021 | ed Márta Minier, Lily Kahn | Hamlet Translations |
| T 26 | — | 2023 | Doriane Zerka | Imagining Iberia in Medieval German Literature |
| T 19 | 294pp | 2022 | ed Mohamed-Salah Omri, Philippe Roussin | Literature, Democracy and Transitional Justice |
| T 6 | 174pp | 2016 | Sara-Louise Cooper | Memory Across Borders |
| T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri, Matthew Reynolds | Minding Borders |
| T 11 | — | 2024 | Tovi Bibring | The Patient, the Impostor and the Seducer |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| T 10 | — | 2020 | ed Matthew Reynolds | Prismatic Translation |
| T 12 | — | 2019 | Julia Caterina Hartley | Reading Dante and Proust by Analogy |