| Series | Extent | Year | Author | Title |
| SHLC 20 | — | 2019 | Elizabeth Ramírez-Soto | (Un)veiling Bodies |
| SHLC 7 | 148pp | 2015 | Katia Chornik | Alejo Carpentier and the Musical Text |
| SHLC 6 | 288pp | 2015 | Jane Elizabeth Lavery | The Art of Ana Clavel |
| LGS | 228pp | 1999 | Stephen Henighan | Assuming the Light |
| TD 59 | 208pp | 2004 | Claire Taylor | Bodies and Texts |
| LGS | 288pp | 2008 | ed J. A. G. Ardila | The Cervantean Heritage |
| TD 61 | 196pp | 2004 | Parvati Nair | Configuring Community |
| SHLC 39 | — | 2020 | Catherine Barbour | Contemporary Galician Women Writers |
| SHLC 25 | 280pp | 2019 | Nicholas Roberts | Cortázar and Music |
| NT 9 | 102pp | 2016 | tr Duncan Wheeler, with an introduction by Diana Holmes,
Duncan Wheeler,,
a prologue by Mario Vargas Llosa | Corín Tellado, Thursdays with Leila |
| LGS | 200pp | 2003 | ed Federico Bonaddio,
Xon de Ros | Crossing Fields in Modern Spanish Culture |
| SHLC 24 | 232pp | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| TD 42 | 164pp | 1995 | Helen Wing | The Dialectics of Faith in the Poetry of José Bergamín |
| TD 91 | 372pp | 2014 | Joanna Bardzińska | El camino inverso: del cine al teatro |
| SICL 31 | 192pp | 2014 | Kate Averis | Exile and Nomadism in French and Hispanic Women's Writing |
| SHLC 18 | 240pp | 2021 | Mar Diestro-Dópido | Film Festivals |
| CT 64 | — | 2021 | ed Komla Aggor | Francisco Nieva: Coronada y el toro |
| LGS | 144pp | 2011 | Sarah E. L. Bowskill | Gender, Nation and the Formation of the Twentieth-Century Mexican Literary Canon |
| SHLC 46 | 186pp | 2021 | Brigid Lynch | Horizontalism and Historicity in Argentina |
| SHLC 55 | — | 3000 | Delphi May | Hybrid Acts |
| LGS | 198pp | 2014 | Ursula Tidd | Jorge Semprún |
| TD 99 | — | 2014 | Mariana Casale O'Ryan | The Making of Jorge Luis Borges as an Argentine Cultural Icon |
| SHLC 52 | 186pp | 2023 | Karunika Kardak | Memory, Identity and the Historical Novel in Uruguay |
| TD 88 | 186pp | 2013 | Jenni M. Lehtinen | Narrative and National Allegory in Rómulo Gallegos's Venezuela |
| SHLC 29 | — | 2019 | Caragh Wells | The Novels of Carmen Laforet |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| LGS | 240pp | 2007 | Karen Peña | Poetry and the Realm of the Public Intellectual |
| MI 11 | — | 2022 | ed Ben Bollig,
David M. J. Wood | The Poetry-Film Nexus in Latin America |
| SHLC 37 | — | 2019 | Natasha Tanna | Queer Genealogies in Transnational Barcelona |
| LGS | 276pp | 2000 | Dominic Moran | Questions of the Liminal in the Fiction of Julio Cortázar |
| TD 45 | 288pp | 1997 | John London | Reception and Renewal in Modern Spanish Theatre |
| VC 1 | — | 2021 | Paul Julian Smith | Reimagining History in Contemporary Spanish Media |
| SHLC 13 | 186pp | 2017 | Benedict Hoff | Reprojecting the City |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| MI 1 | 176pp | 2012 | Paul Julian Smith | Spanish Practices |
| SHLC 51 | — | 2024 | Lucia Brandi | Tutunakú |
| SHLC 41 | 224pp | 2020 | Željko Jovanović | Twentieth-Century Sephardic Authors from the Former Yugoslavia |
| SHLC 11 | 176pp | 2015 | Maite Usoz de la Fuente | Urban Space, Identity and Postmodernity in 1980s Spain |
| T 15 | 212pp | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| SHLC 53 | — | 2022 | Rachel Elizabeth Robinson | Visual and Plastic Poetics |
| CT 54 | — | 3000 | ed Solymar Torres-García | Metáfora del cuerpo en fuga by Ángela Hernández Núñez |