Queer Genealogies in Transnational Barcelona: Maria-Mercè Marçal, Cristina Peri Rossi, and Flavia Company
Natasha Tanna
Studies in Hispanic and Lusophone Cultures 3730 December 2019

Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana
Luis Castellví Laukamp
Studies in Hispanic and Lusophone Cultures 387 January 2020

  • ‘Con este volumen, Castellví Laukamp presenta una nueva manera de estudiar la poesía del virreinato [...] Hispanic Baroque Ekphrasis: Góngora, Camargo, Sor Juana crea un museo de papel compuesto por poemas y por imágenes de la temprana edad moderna.’ — Conxita Domènech, Revista Iberoamericana 87.274, Spring 2021, 360-62
  • ‘Hispanic Baroque Ekphrasis […] es una obra excelente por el profundo y original estudio que ofrece sobre las posibilidades expresivas de la écfrasis, el sobresaliente conocimiento de la obra de los autores estudiados, la adecuada estructuración, la riqueza de fuentes y la claridad expositiva.’ — Lizbeth Souza-Fuertes, Hispania 104.1, March 2021, 125-126 (full text online)
  • ‘Castellví's book is extensively documented in the critical bibliography and is eruditely positioned between literature and art [...] The documentary and pictorial apparatus supports this work, which undoubtedly aims to position itself as a landmark on the subject.’ — Laura Yadira Munguía Ochoa, Hipogrifo 9.1, 2021, 1369-72 (full text online)
  • ‘The attention to detail and the bibliographical scope of this book is noteworthy. so is the ability to develop cogent arguments that gain momentum towards the final section of each chapter... this is a well-contextualized, generous book that proves how early modern poets in spanish, and the poetics they adhered to, were not hampered by geographical borders and cannot be by academic ones.’ — Antonio J. Arraiza-Rivera, Bulletin of the Comediantes 72.2, 2020, 163-65
  • ‘Hispanic Baroque Ekphrasis de Castellví Laukamp constituye una aportación de primer orden en el ámbito de la poesía barroca hispánica del que podrán disfrutar especialistas y aficionados. Su dimensión transatlántica y su diseño transgenérico [...] permiten al autor ofrecer una mirada fresca y erudita a un tiempo sobre los grandes poemas que analiza.’ — Martín Zulaica López, Rilce 37.2, 2021, 885-91
  • ‘Hispanic Baroque Ekphrasis is an exquisitely written and illustrated book […] Turning to a transatlantic vision of the baroque, this book clearly shows that Gongorism in Viceregal Latin America was an instrument to think and to create with liberty. Written with subtlety and enargeia, this thoughtful volume provides important new insights into Góngora, Camargo and Sor Juana.’ — Frederick de Armas, Revista Canadiense de Estudios Hispánicos 44.3, 2022, 784-87 (full text online)
  • ‘Hispanic Baroque Ekphrasis constitutes an outstanding contribution to the interpretation of the three poems it studies. Castellví Laukamp’s command of art history, visual studies, early modern poetics, and the classical tradition enable him to craft astute and compelling readings. He is a widely read, learned, and clear writer’ — Felipe Valencia, Colonial Latin American Review 31.3, 463-65 (full text online)
  • ‘A complex but rewarding study, Hispanic Baroque Ekphrasis recognizes Camargo and Sor Juana as both followers of Góngora and poetic innovators in their own right.’ — Elizabeth Blakemore, Forum for Modern Language Studies 58.3, 2022, 406 (full text online)

Contemporary Galician Women Writers
Catherine Barbour
Studies in Hispanic and Lusophone Cultures 3928 September 2020

  • ‘Contemporary Galician Women Writers is an engaging and informative study of Galician literature and identity and, especially, a valuable contribution to the scholarship on Galician narrative fiction by women.’ — Silvia Oliveira, Hispania 105.2, June 2022, 303-04 (full text online)
  • ‘A valuable contribution that presents a thorough picture of the Galician cultural landscape; at the same time, it stresses the need for academia to enquire beyond the national understanding of literary systems.’ — Lucia Cernadas, Bulletin of Spanish Studies 94.2, 2022, 379-80 (full text online)
  • ‘Presents a compelling, well-written textual analysis of six novels that adds substantially to our knowledge about three commercially successful writers who, except for Moure (the Galician-language writer), are yet to receive sustained attention. The book convincingly shows that much is learnt about the literary representation of Galician identities when the works under study are by authors who are located outside Galician national literature. The book will be of interest to scholars working on Hispanic Peninsular, particularly Galician, Literary Studies, but it also has much to offer to other literary scholars, especially those working on women’s writing.’ — María Liñeira, Galicia 21 2023, 124-27

The Marvellous and the Miraculous in María de Zayas
Sander Berg
Studies in Hispanic and Lusophone Cultures 4023 September 2019

Twentieth-Century Sephardic Authors from the Former Yugoslavia: A Judeo-Spanish Tradition
Željko Jovanović
Studies in Hispanic and Lusophone Cultures 4128 September 2020

  • ‘La investigación que presenta Željko Jovanović en su monografía Twentieth-Century Sephardic Authors from the Former Yugoslavia. A Judeo-Spanish Tradition era, yo creo, necesaria. El autor ofrece, en los tres capítulos que forman la parte palpitante del volumen, una reflexión muy finamente detallada de la evolución de la literatura oral en el ámbito de las comunidades sefardíes de la antigua Yugoslavia... Finalmente, sería injusto terminar esta reseña sin subrayar la riqueza de las notas que acompañan cada capítulo y que no son una simple añadidura, sino que aportan información útil e interesante; además,el gusto de esta monografía está enriquecido por las fotografías esparcidas en el volumen y que restituyen, a través del poderdela imagen, la vivacidad de los protagonistas que Željko Jovanović ha logrado retratar con inteligente maestría.’ — Paola Bellomi, Meldar 2, 2021, 61-64 (full text online)
  • ‘En su exposición, Jovanović aúna siempre el rigor positivista con la sutileza interpretativa: la riqueza de la información, el respeto a los hechos e incluso la atención a los mínimos detalles textuales no excluyen otras formas de análisis que, manejadas con cautela, permiten al autor construir un libro sólido y brillante, que arroja luz sobre muchas cuestiones: la oralidad y su relación con la escritura, la historia de las mujeres y de las minorías y, naturalmente, la pervivencia del legado hispánico más allá de los límites de la Península.’ — Álvaro Alonso, Boletín de literatura oral 11, 2021, 321-23 (full text online)
  • ‘This is a valuable book, well thought out, with an extensive bibliography (including many items in Serbo-Croat), illustrations and useful indices.’Bulletin of Spanish Studies February 2022 (full text online)
  • ‘Unburdened by jargon and meticulously researched, Jovanović’s study is a welcome resource for those working on the literary heritage of the Sephardim. The text will also be of interest to those writing on Spanish–Yugoslav relations, cultural history, transnational literary transmission and translation, and linguistic varia- tions of Ladino across the twentieth century.’ — Alma Prelec, Modern Language Review 118.2, 2023, 271-72 (full text online)
  • ‘El libro es una aportación importante al estudio de la cultura de los sefardíes de Serbia y Bosnia, al conocimiento de la cultura sefardí en general y su evolución en época contemporánea y, más ampliamente, a los estudios sobre las relaciones entre cultura popular y creación literaria culta y al análisis de la construcción de relatos sobre la identidad cultural y la memorialización del pasado de una minoría, tomando como base una tradición folklórica en proceso de desaparición.’ — Paloma Díaz-Mas, MEAH 70, 2022, 257-62

Memory and Utopia: The Poetry of José Ángel Valente
Manus O’Dwyer
Studies in Hispanic and Lusophone Cultures 4428 September 2020

  • ‘El título del trabajo de Manus O’Dwyer si breve y conciso da cierto vértigo por la amplitud de los temas críticos seleccionados y porque, como el autor reconoce en una elegante y brillante introducción, la crítica en torno al poeta español es prolija. La facilidad con que O’Dwyer soluciona dichas complicaciones en las primeras páginas para focalizar su labor en la cuestión social y política de la poesía de José Ángel Valente es tan encomiable como lapropia edición del libro... Una cuidada publicación de tremenda utilidad tanto para hispanistas como para comparatistas, que por añadido es disfrutable.’ — Juan Blázquez Cuena, Bulletin of Spanish Studies 98.10, 2021, 1733-34
  • ‘El profesor de la Universidad de Sheffield logra cumpli-damente su propósito: describe los discursos críticos que han relegado e incluso negado esta dimensión y demuestra su relevancia mediante análisis textuales e intertextuales de una multiplicidad de materiales relacionados con la actividad intelectual del poeta (cartas, conferencias, diarios, ensa-yos, poemas, relatos, traducciones, etc.). Este logro es por sí mismo mo-tivo suficiente para recomendar la lectura de Memory and Utopia... Es preciso agradecer a Manus O’Dwyer que su lectura ponga de relieve la fascinante extrañeza que la singular extraterritorialidad cultural rastreable en la obra de José Ángel Valente puede llegar a producir.’ — Daniel Aguirre Oteiza, Prosemas 6, 2021, 232-38
  • ‘Memory and Utopia gravitates around the idea that Valente was not (or not just) a modern mystic who devoted his word to the ineffable, but a poet who found in mystic motifs the way to access his social context, in an attempt to resist the institutionalized, vain discourse of recent extremist political practices... A brave, innovative proposal that is able to look at Valente’s literary production as a whole, and to find in his verse the aim to construct, through “a paradoxical immanence of the transcendent” (115), a utopian space of memory and self-negation in the community.’ — María Vera Reyes, Theory Now 4.2, 2021, 249-53 (full text online)
  • ‘This new vision of the poet is constructed through concise and precise analysis that does not shy away from issues of great philosophical and aesthetic complexity... a ground-breaking and informative book that will change the way readers and scholars appreciate this towering figure of Spanish and Galician verse.’ — Ricardo Fernández Romero, Modern Language Review 118.1, 2023, 147

Quim Monzó and Contemporary Catalan Culture (1975–2018): Cultural Normalization, Postmodernism and National Politics
Guillem Colom-Montero
Studies in Hispanic and Lusophone Cultures 4526 July 2021

  • ‘Con una prosa nítida que nada tiene que ver con la infumable y obtusa jerga académica de tantos textos universitarios, Colom aborda el personaje, la obra y la trayectoria de Monzó de un modo integral, desde sus inicios como enfant terrible contracultural que actuaba desde los márgenes del sistema cultural hasta su posición de centralidad en el panorama cultural y mediático y en el canon literario catalán... Lean el libro de Guillem Colom sobre Quim Monzó, un hombre que — en esto tampoco ho cambiado nada en cinco décadas — siempre se ha tomado muy en serio esto de escribir y muy burlonamente lo de ser escritor.’ — Pere Antoni Pons, Última Hora 19 December 2021
  • ‘Confessa que sempre ha llegit Quim Monzó, que sempre l’ha fascinat, però en cap cas amaga que algunes de les contradiccions de l’escriptor català li produïen tensió.’ — Cristina Ros, Ara interview, 5 January 2022
  • ‘Given the importance (cultural, social and political) that Monzó has in current Catalan culture, we must celebrate the publication of a study as fundamental as the one we are reviewing... Conceived as a study of Quim Monzó’s literary and cultural trajectory, Guillem Colom-Montero’s monograph offers a broad frieze of Catalan culture between 1975 and 2018, linking it to the debates, anxieties and tensions generated by the development of counterculture, libertarian thought and postmodernity. In this way, much of the interest and value of the book – which is highly readable, well-documented and rich – is due to its focus as an interdisciplinary cultural study.’ — Maria Dasca, International Journal of Iberian Studies 35.1, 1 March 2022, 96-98 (full text online)
  • ‘El llibre s’inicia, l’any 2018, amb la distinció que Òmnium Cultural feia a l’escriptor català atorgant-li el premi d’Honor de les Lletres Catalanes. La captació d’aquell moment i el repàs del discurs que Monzó va fer durant la gala, on vinculava passat i present de la història de la repressió i l’exili a Catalunya, tenint en compte que el president de l’entitat, Jordi Cuixart, ja estava empresonat, produeixen un efecte de narrativa circular, d’obra rodona, que s’obre i es tanca tan coherentment, que ja des del principi hom pot copsar la direcció de les tesis de Colom-Montero... El fet que el llibre recuperi gran part de l’obra oblidada de Monzó posa en evidència els efectes mateixos de la normalització sobre el camp d’estudis culturals i literaris català pràcticament fins a l’actualitat. I alhora, permet connectar les tesis de Colom-Montero amb altres treballs crítics d’àmbit hispànic (Martínez 2012; Delgado 2014) que també han revisat qüestions relacionades amb la cultura en general, i les seves relacions a’ — Júlia Ojeda Caba, Caplletra 72, 2022, 315-19

Horizontalism and Historicity in Argentina: Cultural Dialogues of the Post-Crisis Era
Brigid Lynch
Studies in Hispanic and Lusophone Cultures 4610 December 2021

  • ‘An engaging study that offers an innovative perspective, with lively case studies, on recent Argentine cultural history.’ — Ben Bollig, Bulletin of Spanish Studies 94.2, 2022, 383-84 (full text online)

The Visualization of a Nation: Tàpies and Catalonia
Emily Jenkins
Studies in Hispanic and Lusophone Cultures 4710 September 2021

  • ‘This monograph provides a clear and well-pondered approach to Tàpies’ work and analyses some of its key characteristics in a concise and approachable manner. Of particular interest are Jenkins’ enlightening insights into the ways Catalan democratic institutions co-opted Tàpies’ work for their own political interests... Jenkins offers a solid, insightful and positive appraisal of the artist’s work, and her book will certainly spark further interest in Tàpies’ paintings.’ — Jordi Cornellà-Detrell, Bulletin of Spanish Visual Studies 7.1, 143-45 (full text online)

Naturalism Against Nature: Kinship and Degeneracy in Fin-de-siècle Portugal and Brazil
David J. Bailey
Studies in Hispanic and Lusophone Cultures 4821 January 2020

  • ‘Naturalism against Nature considerably expands our understanding of how the international literary movement known as Naturalism manifested itself in selected but fully representative writers in Portugal and Brazil... A very useful study and one that should be regarded as required reading for all students and scholars interested in Naturalism and its importance to the Lusophone world.’ — Earl E. Fitz, Bulletin of Spanish Studies 97.9, October 2020, 1559-1560 (full text online)
  • ‘The transnational dimensions of literary Naturalism operating between Brazil and Portugal are explored in this excellently written book by David Bailey.’ — Richard Cleminson, Modern Language Review 116.4, October 2021, 667-68 (full text online)
  • ‘Contribui o estudo, portanto, para uma melhor compreensão da particularidade da expressão literária naturalista em Portugal e no Brasil.’ — Patrícia H. Baialuna de Andrade, Journal of Lusophone Studies 6.1, Spring 2021

Queering Lorca’s Duende: Desire, Death, Intermediality
Miguel García
Studies in Hispanic and Lusophone Cultures 497 March 2022

Memory, Identity and the Historical Novel in Uruguay: Opening up the Archive 1985-2010
Karunika Kardak 
Studies in Hispanic and Lusophone Cultures 5231 August 2023

Visual and Plastic Poetics: From Brazilian Concretism to the Chilean Neo-Avant-Garde
Rachel Elizabeth Robinson
Studies in Hispanic and Lusophone Cultures 537 March 2022

  • ‘A variegated assortment of attentive readings of individual poems that further enrich the reader’s appreciation of the three poets. Robinson’s book is well-written, and a wonderful addition to the library of any academic interested in contemporary poetry, for Latin-American literary critics, for enthusiasts of the Avant-Garde, but also for anyone who would like to learn about three magnificent Chilean artist-poets that toiled under adverse political conditions to create beauty.’ — Eduardo Ledesma, Bulletin of Spanish Studies 100.4, 2023, 611-13 (full text online)

The Experience of Colour in Lorca's Theatre
Jade Boyd
Studies in Hispanic and Lusophone Cultures 5413 September 2022

  • ‘Boyd is sensitive to what is left out as well as what is explicit. She thus underlines the absence in this tragedy of stage directions regarding lighting. She also reads ‘verbal colour’ into objects, food and animals, so the mention of frogs, chocolate, earth, fire and goldfinches becomes part of an imagined canvas of images, sometimes as potent as what we can see on stage.’ — John London, Bulletin of Spanish Studies 100.6, 2023, 930-32 (full text online)

Matilde de la Torre: Sex, Socialism and Suffrage in Republican Spain
Deborah Madden
Studies in Hispanic and Lusophone Cultures 5620 October 2022

Fiction as History: Resistance and Complicities in Angolan Postcolonial Literature
Dorothée Boulanger
Studies in Hispanic and Lusophone Cultures 588 October 2022

The Catalonian Journey of American Drama 1909-2000: From Jimmy Valentine to The Vagina Monologues
Ramón Espejo 
Studies in Hispanic and Lusophone Cultures 5919 February 2024