| Series | Extent | Year | Author | Title |
| LGS | 148pp | 2013 | Lucia Aiello | After Reception Theory |
| SICL 23 | 210pp | 2011 | Catherine Brown | The Art of Comparison |
| SICL 47 | 148pp | 2019 | Olga G. Voronina | Depicting the Divine |
| LGS | 160pp | 2014 | Paul Fung | Dostoevsky and the Epileptic Mode of Being |
| SICL 10 | 184pp | 2006 | Claire Whitehead | The Fantastic in France and Russia in the Nineteenth Century |
| LGS | — | 2005 | Philip Bullock | The Feminine in the Prose of Andrey Platonov |
| TD 51 | 288pp | 2000 | Philip Cavendish | Mining for Jewels |
| LGS | — | 2018 | Claire Whitehead | The Poetics of Early Russian Crime Fiction 1860-1917 |
| TD 86 | 158pp | 2013 | Elena Kravchenko | The Prose of Sasha Sokolov |
| LGS | 174pp | 2021 | Margarita Vaysman | Self-Conscious Realism |
| TD 32 | 272pp | 1990 | Stephen Hutchings | A Semiotic Analysis of the Short Stories of Leonid Andreev (1900-1909) |
| TD 39 | 196pp | 1995 | Irena Maryniak | Spirit of the Totem |
| SICL 18 | 172pp | 2010 | Emily Finer | Turning into Sterne |
| TD 22 | 106pp | 1986 | David C. Gillespie | Valentin Rasputin and Soviet Russian Village Prose |
| LGS | 148pp | 2005 | Carol Adlam | Women in Russian Literature after Glasnost |