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Pascal Quignard: Towards the Vanishing Point
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The Truth of Realism: A Reassessment of the German Novel 1830-1900
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Blanchot and the Moving Image: Fascination and Spectatorship
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Darwinian Dialogues: Adaptation, Evolution, and the Nineteenth-Century Novel
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Gadda and Beckett: Storytelling, Subjectivity and Fracture
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Making Space in Post-War France: The Dreams, Realities and Aftermath of State Planning
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A Taste for the Negative: Beckett and Nihilism
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The Novels of Carmen Laforet: An Aesthetics of Relief
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The Vorau 'Moses' and 'Balaam': A Study of Their Relationship to Exegetical Tradition
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Sublime Conclusions: Last Man Narratives from Apocalypse to Death of God
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Studies In Comparative Literature 4329 September 2017

Narrative Structure and Philosophical Debates in Tristram Shandy and Jacques le fataliste
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MHRA Texts and Dissertations 951 January 2014

Space in Theodor Fontane's Works: Theme and Poetic Function
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Bithell Series of Dissertations 38 / MHRA Texts and Dissertations 8230 May 2012

French Divorce Fiction from the Revolution to the First World War
Nicholas White
Legenda (General Series) 23 February 2013

The Poetics of Early Russian Crime Fiction 1860-1917: Deciphering Stories of Detection
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The Fantastic in France and Russia in the Nineteenth Century: In Pursuit of Hesitation
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Studies In Comparative Literature 1024 May 2006

Aestheticism and the Philosophy of Death: Walter Pater and Post-Hegelianism
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Oscar Wilde and the Simulacrum: The Truth of Masks
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The Syllables of Time: Proust and the History of Reading
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Unidentified Narrative Objects and the New Italian Epic
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Italian Perspectives 4225 February 2019