| Series | Extent | Year | Author | Title |
| SICL 58 | — | 2025 | Jacobo de Camps | Walter Benjamin’s Calderón |
| VC 6 | — | 2024 | Clodagh Brook, Florian Mussgnug, Giuliana Pieri | Intermedia in Italy |
| SICL 40 | — | 2022 | Georgia Panteli | From Puppet to Cyborg |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| T 3 | 182pp | 2020 | Kate Griffiths | Zola and the Art of Television |
| SE 9 | — | 2020 | David Trotter | Brute Meaning |
| IP 44 | — | 2019 | ed Guido Bonsaver, Alessandro Carlucci, Matthew Reza | Italy and the USA |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| LGS | 212pp | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
| SHLC 14 | 230pp | 2016 | ed Dylan Brennan, Nuala Finnegan | Rethinking Juan Rulfo’s Creative World |
| IP 35 | 186pp | 2016 | Emanuela Patti | Pasolini after Dante |
| MI 5 | 234pp | 2014 | ed Lizelle Bisschoff, David Murphy | Africa's Lost Classics |
| IP 30 | 236pp | 2014 | Laura Rorato | Caravaggio in Film and Literature |
| LGS | 162pp | 2012 | ed Margaret Atack, Diana Holmes, Diana Knight, Judith Still | Women, Genre and Circumstance |
| LGS | — | 2009 | Kate Griffiths | Emile Zola and the Artistry of Adaptation |