| Series | Extent | Year | Author | Title |
| LGS | 218pp | 2007 | ed Nathalie Aubert, Pierre-Philippe Fraiture,
Patrick McGuinness | From Art Nouveau to Surrealism |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| VC 6 | — | 2024 | Clodagh Brook, Florian Mussgnug,
Giuliana Pieri | Intermedia in Italy |
| SLS 2 | 46pp | 1999 | Peter Brooks | History Painting and Narrative |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| SICL 36 | 276pp | 2018 | Michael Charlesworth | The Modern Culture of Reginald Farrer |
| SICL 25 | 206pp | 2013 | Caroline Corbeau-Parsons | Prometheus in the Nineteenth Century |
| SE 10 | 230pp | 2022 | Peter Dayan | For the Love of Art |
| LGS | 258pp | 2017 | ed Jane Desmarais,
Alice Condé | Decadence and the Senses |
| LGS | 312pp | 2008 | ed Rachel Dickinson | John Ruskin's Correspondence with Joan Severn |
| LGS | 406pp | 2011 | ed Steffen Dix,
Jerónimo Pizarro | Portuguese Modernisms |
| YES 40.1/2 | 336pp | 2010 | ed Stefano Evangelista,
Catherine Maxwell | The Arts in Victorian Literature |
| LGS | 316pp | 2007 | ed Birgitte Grundtvig, Martin McLaughlin,
Lene Waage Petersen | Image, Eye and Art in Calvino |
| LGS | — | 2018 | Andrea Gullotta | Intellectual Life and Literature at Solovki 1923-1930 |
| LGS | — | 2016 | ed Keith Hanley,
Caroline S. Hull | John Ruskin's Continental Tour 1835 |
| LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
| LGS | 264pp | 2015 | Caroline Ings-Chambers | Louisa Waterford and John Ruskin |
| TD 36 | 168pp | 1994 | Shirley A. Jordan | The Art Criticism of Francis Ponge |
| LGS | 216pp | 2007 | James Kearns | Théophile Gautier, Orator to the Artists |
| LGS | 250pp | 2008 | Stephen Kite | Adrian Stokes |
| RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
| SICL 52 | 194pp | 2021 | Julian J. I. Koch | A Poetics of the Image |
| SE 11 | 362pp | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| LGS | 222pp | 2011 | Áine Larkin | Proust Writing Photography |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |
| SICL 53 | 128pp | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| LGS | 300pp | 2015 | Sara Lyons | Algernon Swinburne and Walter Pater |
| LGS | 202pp | 2000 | ed Martin McLaughlin | Britain and Italy from Romanticism to Modernism |
| CT 1 | 156pp | 2005 | ed Claire Moran | Odilon Redon |
| CT 50 | 106pp | 2017 | ed Claire Moran | ‘Noa Noa’ by Paul Gauguin and Charles Morice |
| VC 3 | 244pp | 2022 | Lucy O’Sullivan | Diego Rivera and Juan Rulfo |
| TD 65 | 210pp | 2007 | Giuliana Pieri | The Influence of Pre-Raphaelitism on Fin-de-Siècle Italy |
| RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
| IP 30 | 236pp | 2014 | Laura Rorato | Caravaggio in Film and Literature |
| SICL 16 | 140pp | 2009 | Aaron Rosen | Imagining Jewish Art |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| IP 36 | — | 2017 | ed Sascha Bru, Luca Somigli,,
Bart Van den Bossche | Futurism |
| SICL 43 | 590pp | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 20 | 188pp | 2010 | Giles Whiteley | Aestheticism and the Philosophy of Death |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| LGS | 182pp | 2001 | Edgar Wind | Experiment and Metaphysics |
| VC 2 | — | 2024 | Peter Zusi | The Integrity of the Avant-Garde |