| Series | Extent | Year | Author | Title |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| MI 7 | — | 2018 | Patrick ffrench | Thinking Cinema with Proust |
| MI 8 | — | 2017 | Calum Watt | Blanchot and the Moving Image |
| MI 9 | — | 2019 | ed Marion Schmid,
Emma Wilson | Chantal Akerman |
| MI 12 | — | 2022 | Tom Cuthbertson | Autobiographical Reenactment in French and Belgian Film |
| MI 13 | — | 2021 | Alice Blackhurst | Luxury, Sensation and the Moving Image |
| RMFS 1 | 100pp | 1996 | Anne Green | Privileged Anonymity |
| RMFS 2 | 276pp | 1998 | ed Lloyd James Austin, Bertrand Marchal,
Nicola Luckhurst | Stéphane Mallarmé. Correspondance |
| RMFS 3 | 138pp | 1999 | Meryl Tyers | Critical Fictions |
| RMFS 4 | 172pp | 1999 | Amy Wygant | Towards a Cultural Philology |
| RMFS 5 | 118pp | 1999 | Janet Hiddleston | George Sand and Autobiography |
| RMFS 6 | 134pp | 2000 | Johnnie Gratton | Expressivism |
| RMFS 8 | 160pp | 2000 | Catherine Léglu | Between Sequence and Sirventes |
| RMFS 9 | 198pp | 2001 | Walter Redfern | All Puns Intended |
| RMFS 10 | 104pp | 2002 | Denys Potts | Saint-Evremond |
| RMFS 11 | 180pp | 2002 | ed Matthew Bardell | La Cort d'Amor |
| RMFS 12 | 124pp | 2002 | Celia Britton | Race and the Unconscious |
| RMFS 13 | 158pp | 2003 | Nathalie Aubert | Proust |
| RMFS 14 | 230pp | 2003 | Susanna Phillippo | Silent Witness |
| RMFS 15 | 124pp | 2003 | Martin Crowley | Robert Antelme |
| RMFS 16 | 154pp | 2003 | Christopher Prendergast | For the People, by the People? Eugène Sue's 'Les Mystères de Paris' |
| RMFS 17 | 154pp | 2004 | Seán Hand | Alter Ego |
| RMFS 18 | — | 2005 | ed Daron Burrows | Two Old French Satires on the Power of the Keys |
| RMFS 19 | — | 2005 | Janice Carruthers | Oral Narration in Modern French |
| RMFS 20 | 112pp | 2006 | Sarah Cooper | Selfless Cinema? |
| RMFS 21 | 122pp | 2006 | Emily Butterworth | Poisoned Words |
| RMFS 22 | — | 2007 | Alex Hughes | France/China |
| RMFS 23 | 126pp | 2007 | Katherine MacDonald | Biography in Early Modern France 1540-1630 |
| RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
| RMFS 25 | — | 2008 | Jennifer Yee | Exotic Subversions in Nineteenth-Century French Fiction |
| RMFS 26 | — | 2009 | Teresa Whitington | The Syllables of Time |
| RMFS 27 | — | 2010 | Sonia Wilson | Personal Effects |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| RMFS 29 | — | 2010 | Anna Kemp | Voices and Veils |
| RMFS 30 | — | 2011 | Mairi McLaughlin | Syntactic Borrowing in Contemporary French |
| RMFS 31 | — | 2010 | Sylvia Huot | Dreams of Lovers and Lies of Poets |
| RMFS 32 | — | 2012 | Eva Sansavior | Maryse Condé and the Space of Literature |
| RMFS 33 | — | 2012 | Anne Freadman | The Livres-Souvenirs of Colette |
| RMFS 34 | — | 2012 | Craig Moyes | Furetière's Roman bourgeois and the Problem of Exchange |
| RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
| RMFS 36 | 175pp | 2014 | Mary Noonan | Echo's Voice |
| RMFS 37 | 142pp | 2013 | Maria C. Scott | Stendhal's Less-Loved Heroines |
| RMFS 38 | — | 2017 | Shirley Jordan | Marie NDiaye |
| RMFS 39 | 172pp | 2015 | Stephen Forcer | Dada as Text, Thought and Theory |
| RMFS 40 | 186pp | 2014 | Anna Tristram | Variation and Change in French Morphosyntax |
| RMFS 41 | 135pp | 2014 | Cécile Bishop | Postcolonial Criticism and Representations of African Dictatorship |
| RMFS 42 | 154pp | 2015 | Catherine Emerson | Regarding Manneken Pis |
| RMFS 43 | — | 2016 | Katherine Shingler | The French Art Novel 1900-1930 |
| RMFS 44 | — | 2018 | Roger Pensom | Accent, Rhythm and Meaning in French Verse |
| RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
| RMFS 46 | — | 2016 | Hannah Scott | Broken Glass, Broken World |
| RMFS 47 | — | 2016 | Damien Mooney | Southern Regional French |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 49 | — | 2018 | Maria Flood | France, Algeria and the Moving Image |
| RMFS 50 | — | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
| RMFS 51 | — | 2020 | Margaret Atack | Jean-François Vilar |
| RMFS 52 | — | 2016 | Ewa Szypula | Balzac's Love Letters |
| RMFS 53 | — | 2017 | Huw Grange | Saints and Monsters in Medieval French and Occitan Literature |
| RMFS 54 | — | 2018 | Sam Bootle | Laforgue, Philosophy, and Ideas of Otherness |
| RMFS 55 | — | 2019 | Victoria Turner | Theorizing Medieval Race |
| RMFS 56 | — | 2019 | Kathryn Robson | I Suffer, Therefore I Am |
| RMFS 57 | — | 2020 | Rosalind Silvester | Ying Chen’s Fiction |
| RMFS 58 | — | 2020 | Ruth Hemus | The Poetry of Céline Arnauld |
| RMFS 59 | — | 2020 | Peter Haidu, edited by Matilda Tomaryn Bruckner | The Philomena of Chrétien the Jew |
| RMFS 60 | — | 2020 | Ian Maclachlan | Louis-René des Forêts and Inner Autobiography |
| RMFS 61 | — | 2022 | Joanne Brueton | Geometry and Jean Genet |
| RMFS 62 | — | 2020 | Steven Wilson | The Language of Disease |
| RMFS 63 | — | 2021 | Dorothy Kelly | The Living Death of Modernity |
| RMFS 64 | — | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
| RMFS 65 | — | 2021 | Daisy Sainsbury | Contemporary French Poetry |
| RMFS 66 | — | 2022 | Jane Hiddleston | Frantz Fanon |
| RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |
| RMFS 69 | — | 2023 | Edward Welch | Making Space in Post-War France |
| RMFS 71 | — | 2024 | Melissa Pawelski | Languages of Punishment |
| SE 2 | — | 2017 | Michael Sheringham | Perpetual Motion |
| SE 4 | — | 2018 | Celia Britton | Perspectives on Culture and Politics in the French Antilles |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| SE 13 | — | 2021 | Keith Reader | Across Texts |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SICL 3 | 238pp | 1999 | Fiona Cox | Aeneas Takes the Metro |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| SICL 7 | 248pp | 2002 | Richard Serrano | Neither a Borrower |
| SICL 8 | 192pp | 2005 | ed Toby Garfitt, Edith McMorran,
Jane Taylor | The Anatomy of Laughter |
| SICL 9 | — | 2006 | Richard Hibbitt | Dilettantism and its Values |
| SICL 10 | — | 2006 | Claire Whitehead | The Fantastic in France and Russia in the Nineteenth Century |
| SICL 11 | — | 2007 | Dimitris Papanikolaou | Singing Poets |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| SICL 28 | — | 2013 | Sotirios Paraschas | The Realist Author and Sympathetic Imagination |
| SICL 31 | — | 2014 | Kate Averis | Exile and Nomadism in French and Hispanic Women's Writing |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 45 | — | 2019 | Christian Jany | Scenographies of Perception |
| SICL 50 | — | 2022 | James P. Leveque | Words Like Fire |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| SIL 3 | 160pp | 2006 | David Hornsby | Redefining Regional French |
| SIL 4 | 254pp | 2007 | ed Wendy Ayres-Bennett,
Mari C. Jones | The French Language and Questions of Identity |
| SLS 1 | 38pp | 1998 | Julia Kristeva | Proust |
| SLS 2 | 46pp | 1999 | Peter Brooks | History Painting and Narrative |
| SLS 3 | 34pp | 1999 | Jacqueline Cerquiglini-Toulet | L'écriture testamentaire à la fin du Moyen Age |