| Series | Extent | Year | Author | Title |
| GL 1 | — | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
| GL 15 | — | 2017 | Richard Dove | Foreign Parts |
| IP 7 | 274pp | 2002 | Maggie Günsberg | Playing with Gender |
| IP 15 | 282pp | 2006 | Lisa Sampson | Pastoral Drama in Early Modern Italy |
| IP 17 | — | 2007 | Donatella Fischer | Il teatro di Eduardo De Filippo |
| IP 18 | 240pp | 2009 | ed Pierpaolo Antonello,
Alan O'Leary | Imagining Terrorism |
| IP 26 | 252pp | 2013 | ed Paolo Chirumbolo,
John Picchione | Edoardo Sanguineti |
| IP 27 | 230pp | 2013 | ed Donatella Fischer | The Tradition of the Actor-Author in Italian Theatre |
| IP 29 | — | 2014 | Katrin Wehling-Giorgi | Gadda and Beckett |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| LGS | 224pp | 2005 | Shane Weller | A Taste for the Negative |
| LGS | — | 2005 | Catherine O'Rawe | Authorial Echoes |
| LGS | 200pp | 2003 | ed Federico Bonaddio,
Xon de Ros | Crossing Fields in Modern Spanish Culture |
| LGS | 216pp | 2005 | ed Guido Bonsaver,
Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| LGS | 336pp | 1999 | James Simpson | Goethe and Patriarchy |
| LGS | 320pp | 2000 | ed Edith Hall, Fiona Macintosh,
Oliver Taplin | Medea in Performance 1500-2000 |
| LGS | 196pp | 2002 | Linda Renton | Pinter and the Object of Desire |
| LGS | 546pp | 2000 | ed Letizia Panizza | Women in Italian Renaissance Culture and Society |
| LGS | — | 2007 | Robert Pyrah | The Burgtheater and Austrian Identity |
| LGS | 154pp | 2007 | ed William Poole,
Richard Scholar | Thinking with Shakespeare |
| LGS | 410pp | 2007 | ed Edith Hall,
Amanda Wrigley | Aristophanes in Performance 421 BC-AD 2007 |
| LGS | — | 2007 | Derek Connon | Identity and Transformation in the Plays of Alexis Piron |
| LGS | 352pp | 2010 | ed Heike Bartel,
Anne Simon | Unbinding Medea |
| LGS | — | 2010 | Clare Connors | Force from Nietzsche to Derrida |
| LGS | 294pp | 2013 | Cláudia Pazos Alonso,
Stephen Parkinson | Reading Literature in Portuguese |
| LGS vol 2 | 350pp | 2013 | Malcolm Bowie | Selected Essays of Malcolm Bowie II |
| LGS | 352pp | 2015 | ed T. F. Earle,
Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
| LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| RMFS 4 | 172pp | 1999 | Amy Wygant | Towards a Cultural Philology |
| RMFS 14 | 230pp | 2003 | Susanna Phillippo | Silent Witness |
| RMFS 28 | 154pp | 2010 | Julie Townsend | The Choreography of Modernism in France |
| RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
| RMFS 36 | 175pp | 2014 | Mary Noonan | Echo's Voice |
| RMFS 50 | — | 2023 | Mairéad Hanrahan | Genet's Genres of Politics |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| SHLC 59 | — | 2024 | Ramón Espejo | The Catalonian Journey of American Drama 1909-2000 |
| SICL 4 | 384pp | 2000 | Peter D. Smith | Metaphor and Materiality |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| SICL 17 | — | 2011 | Phoebe von Held | Alienation and Theatricality |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SIY 8 | 286pp | 2010 | ed Gennady Estraikh,
Mikhail Krutikov | Yiddish in Weimar Berlin |
| SIY 10 | 232pp | 2012 | ed Gennady Estraikh, Jordan Finkin, Kerstin Hoge,
Mikhail Krutikov | Translating Sholem Aleichem |