| Series | Extent | Year | Author | Title |
| RMFS 35 | 152pp | 2012 | Marieke Dubbelboer | The Subversive Poetics of Alfred Jarry |
| SIY 10 | 232pp | 2012 | ed Gennady Estraikh, Jordan Finkin, Kerstin Hoge,
Mikhail Krutikov | Translating Sholem Aleichem |
| IP 26 | 252pp | 2013 | ed Paolo Chirumbolo,
John Picchione | Edoardo Sanguineti |
| IP 27 | 230pp | 2013 | ed Donatella Fischer | The Tradition of the Actor-Author in Italian Theatre |
| LGS | 294pp | 2013 | Cláudia Pazos Alonso,
Stephen Parkinson | Reading Literature in Portuguese |
| LGS vol 2 | 350pp | 2013 | Malcolm Bowie | Selected Essays of Malcolm Bowie II |
| RMFS 36 | 175pp | 2014 | Mary Noonan | Echo's Voice |
| IP 29 | — | 2014 | Katrin Wehling-Giorgi | Gadda and Beckett |
| LGS | 352pp | 2015 | ed T. F. Earle,
Catarina Fouto | The Reinvention of Theatre in Sixteenth-Century Europe |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| SHLC 24 | — | 2017 | ed Xon de Ros,
Daniela Omlor | The Cultural Legacy of María Zambrano |
| GL 15 | — | 2017 | Richard Dove | Foreign Parts |
| LGS | — | 2018 | Susana Cory-Wright | Maud Beerbohm Tree |
| GL 1 | — | 2018 | Matthew McCarthy-Rechowicz | Franz Grillparzer’s Dramatic Heroines |
| IP 40 | — | 2018 | Enza De Francisci | A 'New' Woman in Verga and Pirandello |
| LGS | — | 2019 | ed Charlie Louth,
Patrick McGuinness | Gravity and Grace |
| SHLC 12 | — | 2019 | Paul Humphrey | Santería, Vodou and Resistance in Caribbean Literature |
| T 13 | — | 2020 | Suzanne Jones | The First English Translations of Molière |
| T 16 | — | 2021 | ed Márta Minier,
Lily Kahn | Hamlet Translations |
| T 18 | — | 2022 | Lucy Rayfield | Poetics, Performance and Politics in French and Italian Renaissance Comedy |
| SHLC 49 | — | 2022 | Miguel García | Queering Lorca’s Duende |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |