| Series | Extent | Year | Author | Title |
| GL 3 | 176pp | 2013 | Pamela Currie | Goethe's Visual World |
| GL 22 | — | 2020 | Franz R. Kempf | Poetry, Painting, Park |
| IP 2 | 168pp | 1999 | Silvia Gavuzzo-Stewart | Nelle Carceri di G. B. Piranesi |
| IP 30 | 236pp | 2014 | Laura Rorato | Caravaggio in Film and Literature |
| IP 36 | — | 2017 | ed Sascha Bru, Luca Somigli,, Bart Van den Bossche | Futurism |
| IP 50 | — | 2021 | Ronnie Ferguson | Venetian Inscriptions |
| LGS | 202pp | 2000 | ed Martin McLaughlin | Britain and Italy from Romanticism to Modernism |
| LGS | 200pp | 2003 | ed Federico Bonaddio, Xon de Ros | Crossing Fields in Modern Spanish Culture |
| LGS | 216pp | 2005 | ed Guido Bonsaver, Robert Gordon | Culture, Censorship and the State in Twentieth-Century Italy |
| LGS | 256pp | 2003 | ed Antonella Braida, Giuliana Pieri | Image and Word |
| LGS | 320pp | 2000 | ed Edith Hall, Fiona Macintosh, Oliver Taplin | Medea in Performance 1500-2000 |
| LGS | 284pp | 2000 | Ian James | Pierre Klossowski |
| LGS | 546pp | 2000 | ed Letizia Panizza | Women in Italian Renaissance Culture and Society |
| LGS | 218pp | 2007 | ed Nathalie Aubert, Pierre-Philippe Fraiture, Patrick McGuinness | From Art Nouveau to Surrealism |
| LGS | 216pp | 2007 | James Kearns | Théophile Gautier, Orator to the Artists |
| LGS | 410pp | 2007 | ed Edith Hall, Amanda Wrigley | Aristophanes in Performance 421 BC-AD 2007 |
| LGS | 316pp | 2007 | ed Birgitte Grundtvig, Martin McLaughlin, Lene Waage Petersen | Image, Eye and Art in Calvino |
| LGS | 312pp | 2008 | ed Rachel Dickinson | John Ruskin's Correspondence with Joan Severn |
| LGS | 250pp | 2008 | Stephen Kite | Adrian Stokes |
| LGS | 182pp | 2001 | Edgar Wind | Experiment and Metaphysics |
| LGS | 206pp | 2012 | Katja Haustein | Regarding Lost Time |
| LGS | 406pp | 2011 | ed Steffen Dix, Jerónimo Pizarro | Portuguese Modernisms |
| LGS | — | 2016 | ed Keith Hanley, Caroline S. Hull | John Ruskin's Continental Tour 1835 |
| LGS | 222pp | 2011 | Áine Larkin | Proust Writing Photography |
| LGS | 538pp | 2013 | ed Ingo Gildenhard, Andrew Zissos | Transformative Change in Western Thought |
| LGS | — | 2015 | Sara Lyons | Algernon Swinburne and Walter Pater |
| LGS | — | 2018 | Andrea Gullotta | Intellectual Life and Literature at Solovki 1923-1930 |
| LGS | 264pp | 2015 | Caroline Ings-Chambers | Louisa Waterford and John Ruskin |
| LGS | — | 2017 | ed Jane Desmarais, Alice Condé | Decadence and the Senses |
| LGS | — | 2017 | ed Ardis Butterfield, Henry Hope, Pauline Souleau | Performing Medieval Text |
| LGS | 140pp | 2017 | Marco Faini | Pietro Bembo |
| LGS | 150pp | 2017 | ed Michel Jeanneret, Nicolas Ducimetière | The Italian Renaissance |
| MI 4 | 240pp | 2013 | ed Axel Bangert, Robert S. C. Gordon, Libby Saxton | Holocaust Intersections |
| MI 6 | — | 2017 | ed Marie-Claire Barnet | Agnès Varda Unlimited |
| RMFS 24 | 160pp | 2007 | Diana Knight | Balzac and the Model of Painting |
| RMFS 45 | 132pp | 2015 | Timothy Raser | Baudelaire and Photography |
| RMFS 48 | — | 2016 | Léa Vuong | Pascal Quignard |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| SE 11 | — | 2019 | Jo Labanyi | Spanish Culture from Romanticism to the Present |
| SHLC 6 | 288pp | 2015 | Jane Elizabeth Lavery | The Art of Ana Clavel |
| SHLC 11 | 176pp | 2015 | Maite Usoz de la Fuente | Urban Space, Identity and Postmodernity in 1980s Spain |
| SHLC 21 | — | 2019 | Dominika Gasiorowski | Photographing the Unseen Mexico |
| SHLC 47 | — | 2021 | Emily Jenkins | The Visualization of a Nation |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| SICL 5 | 214pp | 2000 | Nigel Saint | Marguerite Yourcenar |
| SICL 16 | 140pp | 2009 | Aaron Rosen | Imagining Jewish Art |
| SICL 20 | — | 2010 | Giles Whiteley | Aestheticism and the Philosophy of Death |
| SICL 22 | 196pp | 2010 | Shun-Liang Chao | Rethinking the Concept of the Grotesque |
| SICL 25 | 206pp | 2013 | Caroline Corbeau-Parsons | Prometheus in the Nineteenth Century |
| SICL 26 | 238pp | 2014 | Anne Hultzsch | Architecture, Travellers and Writers |
| SICL 35 | 374pp | 2015 | Giles Whiteley | Oscar Wilde and the Simulacrum |
| SICL 36 | — | 2018 | Michael Charlesworth | The Modern Culture of Reginald Farrer |
| SICL 43 | — | 2017 | Robert K. Weninger | Sublime Conclusions |
| SICL 52 | — | 2021 | Julian J. I. Koch | A Poetics of the Image |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| SICL 56 | — | 2021 | Elisa Segnini | Fragments, Genius and Madness |
| SIY 2 | 190pp | 2000 | ed Gennady Estraikh, Mikhail Krutikov | The Shtetl |
| SLS 2 | 46pp | 1999 | Peter Brooks | History Painting and Narrative |
| T 1 | — | 2020 | ed Ann Lewis, Silke Arnold-de Simine | Adapting the Canon |
| T 2 | — | 2015 | Armelle Blin-Rolland | Adapted Voices |
| T 5 | — | 2017 | ed Nicola Gardini, Adriana X. Jacobs, Ben Morgan, Mohamed-Salah Omri, Matthew Reynolds | Minding Borders |
| T 17 | — | 2020 | Jamie McKendrick | The Foreign Connection |
| VC 2 | — | 2024 | Peter Zusi | The Integrity of the Avant-Garde |
| VC 3 | — | 2022 | Lucy O’Sullivan | Diego Rivera and Juan Rulfo |
| VC 6 | — | 2024 | Clodagh Brook, Florian Mussgnug, Giuliana Pieri | Intermedia in Italy |