| Series | Extent | Year | Author | Title |
| IP 48 | — | 2023 | Eugenio Refini | Staging the Soul |
| T 19 | — | 2022 | ed Mohamed-Salah Omri,
Philippe Roussin | Literature, Democracy and Transitional Justice |
| RMFS 67 | — | 2022 | Layla Roesler | Essay as Enabler in Yves Bonnefoy |
| RMFS 64 | — | 2022 | Helena Duffy | The Holocaust in French Postmodern Fiction |
| SHLC 56 | — | 2022 | Deborah Madden | Matilde de la Torre |
| SE 10 | — | 2022 | Peter Dayan | For the Love of Art |
| LGS | — | 2022 | Georgina Barker | SPQR in the USSR |
| IP 55 | — | 2022 | Richard Andrews | Classical Comedy 1508-1786 |
| IP 54 | — | 2022 | ed Adele Bardazzi, Francesco Giusti,,
Emanuela Tandello | A Gaping Wound |
| T 15 | — | 2022 | Sophie Stevens | Uruguayan Theatre in Translation |
| SHLC 58 | — | 2022 | Dorothée Boulanger | Fiction as History |
| GL 26 | — | 2022 | Joanna Raisbeck | Karoline von Günderrode |
| T 20 | — | 2022 | Marta Arnaldi | The Diasporic Canon |
| T 14 | — | 2022 | ed Adriana X. Jacobs,
Claire Williams | After Clarice |
| SHLC 54 | — | 2022 | Jade Boyd | The Experience of Colour in Lorca's Theatre |
| RMFS 66 | — | 2022 | Jane Hiddleston | Frantz Fanon |
| LGS | — | 2022 | ed Jessica Goodman | Last Scene of All |
| LGS | — | 2022 | Oliver Pickering | The Poems and Songs of Henry Hall of Hereford |
| LGS | — | 2022 | Adam Watt | Labours of Attention |
| IP 57 | — | 2022 | Francesca Southerden | Dante and Petrarch in the Garden of Language |
| IP 53 | — | 2022 | Katherine Powlesland | Narrative Strategies for Participation in Dante's Divine Comedy |
| IP 51 | — | 2022 | Alessandra Diazzi | Psychoanalysis, Ideology and Commitment in Italy 1945-1975 |
| T 22 | — | 2022 | ed Simona Corso, Florian Mussgnug,,
Jennifer Rushworth | Dwelling on Grief |
| SICL 53 | — | 2022 | Lin Li | Residual Figuration in Samuel Beckett and Alberto Giacometti |
| RMFS 68 | — | 2022 | Robert Lethbridge | Zola's Painters |