Published December 1999

Assuming the Light: The Parisian Literary Apprenticeship of Miguel Angel Asturias
Stephen Henighan
Legenda (General Series)

  • ‘The combination of close textual analysis of Asturias's own work, both fictional and journalistic, with that of other discourses, including the work of his contemporaries as well as his critics, is, in my view, one of the many strengths of Assuming the Light. Frequently provocative and meticulously researched, this book will be of interest therefore not only to Asturias specialists but also more generally to scholars engaged in Latin American cultural studies, particularly those interested in questions of cultural identity.’ — Claire Lindsay, Modern Language Review 97.3, 2002, 742-3 (full text online)
  • ‘Lucid, sophisticated, beautifully written, it provides a valuable and thought-provoking introduction to the writer's extraordinary sojourn in Paris... Stephen Henighan seems destined to make an outstanding contribution to Asturias studies.’ — Gerald Martin, Bulletin of Hispanic Studies 79, 2002
  • ‘Valuable, problematic insights for those conversant with Asturias's work and its criticism.’ — Paul Jordan, Bulletin of Spanish Studies LXXIX, 2002, 826-8

Published July 2000

Language, the Novelist and National Identity in Post-Franco Catalonia
Kathryn Crameri
Legenda (General Series)

  • Modern Language Review 97.3, 2002, 741-42) (full text online)
  • ‘The global rebirth of nationality studies in the humanities, now well into its second decade, has largely coincided with attempts in Catalonia to flesh out the decentralizing provisions of Spain's 1978 Constitution... Crameri provides us with a valuable new tool for enhancing our understanding of these important and ongoing processes.’Bulletin of Spanish Studies LXXX, 2003, 385-7)

Pierre Klossowski: The Persistence of a Name
Ian James
Legenda (General Series)

  • ‘Klossowski is presented here as a key contributor to post-modern thought and aesthetics.’ — unsigned notice, Forum for Modern Language Studies xxxix/1, 2003, 106
  • Antonella Arrigoni, Studi francesi XLVI, 2002, 2
  • ‘The appearance of the first monograph in English on Klossowski is welcome, all the more so as James's study provides such a scrupulous and thoughtful account of Klossowski's diverse output, its intellectual inheritance and its contemporary resonances.’ — Ian Maclachlan, French Studies LVII.2, 2003, 270-1

Published November 2000

Roger Laporte: The Orphic Text
Ian Maclachlan
Legenda (General Series)

  • ‘Maclachlan admirably pulls off the difficult task of maintaining a just tension between the demands of critical exegesis and the demands of the work itself... succeeds in opening a space for their reading and indicating the importance of this reading.’ — Patrick ffrench, French Studies LVI.3, 2002, 432-3
  • Elisa Bricco, Studi francesi XLVI, 2002, 2

Published December 2000

Questions of the Liminal in the Fiction of Julio Cortázar
Dominic Moran
Legenda (General Series)

  • ‘An ambitious attempt to improve the level of sophistication of Cortázar criticism and, at the same time, to nudge the existing consensus about the meaning of Cortázar's work in a specific direction... What is important is not that Moran shows us yet again that Cortázar's fiction emphasizes the ambiguity and mystery surrounding reality and the human psyche. It is that he offers a way to put that ambiguity and mystery into the context of some modern thinking.’ — Donald L. Shaw, Bulletin of Spanish Studies LXXIX, 2002, 670-1

Published October 2002

Closer to the Wild Heart: Essays on Clarice Lispector
Edited by Cláudia Pazos Alonso and Claire Williams
Legenda (General Series)

  • ‘Given the relative paucity of work in English on Clarice Lispector, Pazo's and William's collection of English-language writing on this author is welcome, not just for its mere presence, but especially for its attention to newer critical thinking on race, gender and nation. Most especially welcome is the turn indicated in this volume toward an examination of the several kind of writing in which Lispector engaged - letters, cronicas, semi-autobiography, fiction - a turn that indicates a more comprehensive way of thinking both about her fiction and about her life-work as a whole.’ — Tace Hedrick, Luso-Brazilian Review 41:1, 2004, 203-5
  • ‘From the start Clarice Lispector, despite the South American sun, lives in the clouds and in cloudiness. She was to the public a charismatic obscurity, a witch, a recluse, a mystery - the Brazilian sphinx.’ — Lorrie Moore, The New York Review of Books 26 September 2009, 2-3

Published December 2003

Artful Seduction: Homosexuality and the Problematics of Exile
Karl Posso
Legenda (General Series)

Crossing Fields in Modern Spanish Culture
Edited by Federico Bonaddio and Xon de Ros
Legenda (General Series)

  • ‘Federico Bonaddio and Xon de Ros have put together a very useful series of short and punchy articles which span over a hundred and fifty years of Spanish culture, from the 1860s to the present day... Without doubt this collection would make an excellent addition to any university library. The essays on canonical texts may very well prove invaluable to undergraduate students while those on lesser-known writers, artists, and cinematographers will surely fulfil the same function for postgraduates and the academic community in general.’ — Jean Andrews, Modern Language Review 101.3, July 2006, 876-77 (full text online)

Published January 2004

Contemporary Greek Fiction in a United Europe: From Local History to the Global Individual
Edited by Peter Mackridge and Eleni Yannakakis
Legenda (General Series)

  • ‘The essays collected here add up to a great deal more than a shop window for recent Greek fiction. Both the editor's introduction, and the long keynote chapter by Dimitris Tziovas which follows, thoughtfully situate the new developments in the context of what has gone before. ... All the contributions, in complementary ways, explore one or more of these developing fields of interest on the part of Greek writers.’ — Roderick Beaton, The Anglo-Hellenic Review Autumn 2004, 23-4

Published February 2005

Authorial Echoes: Textuality and Self-Plagiarism in the Narrative of Luigi Pirandello
Catherine O'Rawe
Legenda (General Series)

  • ‘A short review cannot do justice to this arresting critical work. A combination of bold ideas with a meticulous attention to detail and a broad theoretical foundation characterizes O'Rawe's critical approach. Insights are always well substantiated with abundant evidence... Both a major contribution to Pirandello scholarship and a seminal challenge to narrative criticism.’ — Jennifer Lorch, Modern Language Review 103.4, October 2008, 1140-41 (full text online)

Published September 2005

Culture, Censorship and the State in Twentieth-Century Italy
Edited by Guido Bonsaver and Robert Gordon
Legenda (General Series)


Published September 2006

Defective Inspectors: Crime Fiction Pastiche in Late-Twentieth-Century French Literature
Simon Kemp
Legenda (General Series)

  • ‘A detailed and compelling analysis... This is a lucidly executed, perceptive and celebratory exploration of postmodern pastiche that clearly demonstrates the wealth of interest for narrative analysis that lies implicit within its comic absurdities, and Kemp assembles his own readings with the kind of rigour and conviction (and occasionally, humour) of which any great master detective could be proud.’ — Victoria Best, French Studies 505-06

Published February 2007

Journeys of Remembrance: Memories of the Second World War in French and German Literature, 1960-1980
Kathryn N. Jones
Legenda (General Series)

  • ‘A fascinating and well-structured approach to a complex subject, and its transnational focus not only provides an original insight into a range of European writers, but also shows how profitable it is to go beyond the more usual national studies of memory and war.’ — Hilary Footitt, Modern Language Review 103.3, July 2008, 817-17 (full text online)
  • ‘The study is about memories and impressions of the later years' holocaust... The striking photograph shows us an empty world with a bleak railway line and its sidetracks, making their way into the fearful forested world that was Auschwitz, practically a symbol of the Final Solution. And with this in mind, Kathryn Jones's study is a success.’ — John Dunmore, New Zealand Journal of French Studies 29.2, 2008, 65-66
  • ‘Jones departs unequivocally from Adorno's dictat on the incompatibility of art and atrocity and, through her deft presentation of a succession of more or less metaphorical journeys, she makes a good case. This valuable book for all scholars of post-war French and Ger man culture will enhance the reader’s understanding of what Paul Ricoeur once termed 'l'événement fondateur négatif' of the last century.’ — David Platten, French Studies 63.3 (2009), 370-71
  • ‘An ambitious study that succeeds in bearing out its claims about diverse yet contemporaneous literary responses to WWII. Journeys of Remembrance is a valuable introduction to a body of post-WWII French and German writing concerned with the intergenerational transmission of memory and the relation between personal identity and cultural legacy.’ — Susan Derwin, Monatshefte 102.1, 2010, 118-20
  • ‘An illuminating comparative analysis... Offers much to consider concerning the development and transmission of memory, generational continuity and rupture, and fictional representation in Holocaust literature.’ — Homer B. Sutton, French Review 82.5, April 2009, 1066-67

Published August 2007

Contemporary Italian Women Writers and Traces of the Fantastic: The Creation of Literary Space
Danielle E. Hipkins
Legenda (General Series)

  • ‘In her captivating first book, Danielle E. Hipkins assumes the challenging task of applying feminist literary theory to a complex form and attendant writing practice.’ — Lynn Makau, Contemporary Women's Writing 2:2, December 2008, 181-82
  • ‘Rimane aperta la discussione, extratestuale, sullo spazio occupato dalle scrittrici contempo- ranee nel canone letterario. Non sono sicura che, come suggerisce Hipkins, la marginalità della Ombres sia legata al fatto che la scrittrice ‘points to a literature beyond a claustrophobic space of epigonality’ (p. 168), e non, semplicemente, a un mercato letterario dai ritmi di produzione e consumo di durata sempre più breve. Ma questa considerazione nulla toglie all’interesse dello studio proposto: abbiamo bisogno di letture puntuali e teoricamente ponder- ate dei percorsi letterari della post-modernità per arrivare a una migliore comprensione delle dinamiche culturali, di genere ma non solo, che attraversano la società in cui viviamo.’ — Gigliola Sulis, Italian Studies 64.1, Spring 2009
  • ‘Plenty of new wine and new research... a new interdisciplinarity in Italian gender and sexuality studies.’ — Carol Lazzaro-Weis, Journal of Romance Studies 10.2, Summer 2010, review article, 97-106

Published December 2007

Poetry and the Realm of the Public Intellectual: The Alternative Destinies of Gabriela Mistral, Cecília Meireles, and Rosario Castellanos
Karen Peña
Legenda (General Series)

  • ‘By bringing together three of the principal Latin-American authors of the twentieth century, Poetry and the Realm of the Public Intellectual contributes enormously to our understanding of what inspired and motivated them as authors. Peña proves to have a very thorough understanding of poetry, providing a painstakingly close readings of the three poets analysed. She also demonstrates a great deal of familiarity with both Spanish and Portuguese bibliographical sources in her studies of each of the writers... A valuable contribution to the field of Latin-American poetry, especially in its discussion of the question of gender and the place of female intellectuals in Latin America.’ — Vivaldo Santos, Bulletin of Spanish Studies 87.7, 2010, 1020-21
  • ‘Resumiendo, se trata de una contribución valiosa e importante sobre la conflictividad americana mediada por las voces femeninas. Por encima de todo, Peña nos muestra que la poesía es más vital y resonante en sus momentos de rebeldía.’ — Roland Spiller, Iberoamericana 43, 2011, 200-01

Making the Personal Political: Dutch Women Writers 1919-1970
Jane Fenoulhet
Legenda (General Series)

  • ‘Fenoulhet's project is exciting and original. It is a well-researched and informative account of how women writers in the Netherlands shaped the self at a time when self-realization was a male prerogative. And it makes you want to reread Carry van Bruggen, and that is surely a good thing.’ — Henriëtte Louwerse, Modern Language Review 104.3, 2009, 929-31 (full text online)
  • ‘Eight excellent case studies... that explore how through their work individual writers reflect upon and challenge the role of women in society.’The Year's Work in Modern Language Studies 69, 2007, 853)

Published December 2008

The Cervantean Heritage: Reception and Influence of Cervantes in Britain
Edited by J. A. G. Ardila
Legenda (General Series)

  • ‘Resulta reconfortante para cualquier investigador interesado en los textos de Miguel de Cervantes comprobar que, tras la explosión de estudios surgidos en torno a las celebraciones del año 2005, cuarto centenario de la publicación del Quijote, el cervantismo está más vivo que nunca. De hecho, es precisamente ahora, tras el paso del ciclón de publicaciones que trajo consigo dicho aniversario, cuando surge la oportunidad de realizar análisis nacidos más al calor de la curiosidad real y el rigor y menos de la oportunidad o el oportunismo. Este libro supone una muy valiosa aportación para el campo de los estudios cervantinos pero también para el estudio de la literatura británica, y especialistas de ambos campos encontrarán en él material ineludible y original con el que ganar en conocimiento y sobre todo, una herramienta con la que continuar avanzando en el no siempre bien conocido ni estudiado campo de las relaciones literarias y culturales hispano-británicas.’ — Ana M. Rodríguez-Rodríguez, Iberoamericana IX.36, 2009, 189-91
  • ‘Rather than emanating from the Cervantesmania that has informed most of the book-length studies on Cervantes's influence on English-speaking writers [since the 2005 anniversary year], the present volume benefits from the fact that its contributors come from among the pre-2005 generation of critics, who have drawn on their experience of digging out Cervantes's actual influence on British literature.’ — unsigned notice, Forum for Modern Language Studies 47.1, January 2011

Published July 2009

The Power of Disturbance: Elsa Morante's Aracoeli
Edited by Sara Fortuna and Manuele Gragnolati
Legenda (General Series)

  • ‘The chapters avail themselves of the entire arc of twentieth-century theories and models of subjectivity and sexuality, to try to unravel Manuele's search for freedom from his all-consuming passion for his mother Aracoeli, and include Freud, Jung, Klein, Bowlby, Stern, Sander, Winnicott, Laplanche and Pontalis, Kristeva, Lacan, Cavarero, Muraro, Silverman, (Jessica) Benjamin, and Butler. These theories serve the novel very well, illuminating the many strands and aspects of Manuele's 'condition' and of the novel... An invaluable teaching tool and thus an incentive to include Aracoeli in advanced university courses in Italian and European literature.’ — Adalgisa Giorgio, Italian Studies 66.1, March 2011, 144-46

Published February 2010

Ismail Kadare: The Writer and the Dictatorship 1957-1990
Peter Morgan
Legenda (General Series)

  • ‘Morgan shows convincingly why Kadare experienced this change of direction [from attempting to influence Hoxha to a more subversive approach], explaining the zigs and zags of Albanian politics which shaped the environment in which the writer worked, and in particular Hoxha’s ambiguous role as protector and persecutor... Thorough, erudite, and readable, with interesting photographs. Both Kadare and the Albanian Communist regime remain mysterious in many ways, but Morgan’s book sheds considerable light on both, and will be an invaluable companion to the novels.’ — Anne White, Modern Language Review 106.4, 2011, 1203-05 (full text online)

Published April 2010

The Spirit of England: Selected Essays of Stephen Medcalf
Stephen Medcalf, edited by Brian Cummings and Gabriel Josipovici
Legenda (General Series)

  • ‘One of the more extraordinary scholars of the late twentieth century... The range of these essays is the more astonishing at a time when most critics prided themselves on their specialisms rather than their diversity. Medcalf wanted us to see things that could only be understood against the whole gamut of European literary history... Brian Cummings and Gabriel Josipovici are to be congratulated.’ — Stephen Prickett, Times Literary Supplement 26 November 2010
  • ‘A modern parable of birth and death, miraculous encounter and mysterious return, makes a fitting and beautiful conclusion to a book of which we can say, as we rarely can with such confidence, that it was written by a good and wise man.’ — Paul Dean, The New Criterion October 2010, 69-72
  • ‘Cummings and Josipovici have performed a 'mitzvah', a good deed, in editing these essays, which display a brilliant, humane mind at work. It is to be hoped that more Medcalf will be collected for the benefit of subsequent generations.’ — William Baker, Modern Language Review 106.3, July 2011, 871-73 (full text online)
  • ‘The value of this posthumous collection is that it acts as both a lament and a lantern of hope. All we have by way of a memorial are these esoteric essays – but what essays. They show a liberal humanism at its best, expansive learning worn lightly and a belief in teasing out the particularities of a panoply of works... In our bleak climate of fees and looming instrumentality for the humanities, such a voice as Medcalf’s, singing the value of thought and the non-paraphrasable nature of poetry, is as insightful as it is heartening.’ — unsigned notice, Forum for Modern Language Studies 48.1, 2012, 115
  • ‘Von solchen und literarischen Wundern berichtet das Buch, es sollte in vielen Inklings-Bibliotheken stehen und durch die Hände vieler Freunde der englischen Kultur gehen.’ — Elmar Schenkel, Inklings-Jahrbuch 29, 2011, 378-79
  • ‘Medcalf’s reflections throw great light upon Kipling, Horace, and translation.’ — unsigned review, The Year's Work in English Studies 91, 2012, 765

Published March 2011

Post-War Jewish Women’s Writing in French
Lucille Cairns
Legenda (General Series)

Reading Games in the Greek Novel
Eleni Papargyriou
Legenda (General Series)


Published July 2011

Saturn's Moons: W. G. Sebald — A Handbook
Edited by Jo Catling and Richard Hibbitt
Legenda (General Series)

  • ‘An erudite and deeply engrossing Sebald compendium. It fits his oeuvre that in place of a formal biography we have this border-crossing miscellany in which comment may be free but facts are indeed sacred. Michael Hulse, his equally gifted translator before Anthea Bell, reprints the correspondence in which he asked Sebald to confirm that the quartet of exiles' testimonies so artfully braided into The Emigrants tell real stories about real people... The wonderful alchemy via which Sebald transmuted the found material of actual biography and history into fiction that kept faith with truth explains much of his appeal.’ — Boyd Tonkin, The Independent 2 December 2011, Books of the Week
  • ‘More than two-hundred pages are dedicated to a stunning bibliographic survey of Sebald... If the reader wants to see what Sebald said about, say, Theodor Adorno, Jane Austen, Henry Ford, Jean Genet, Gruppe 47, Ernest Hemingway, Adolf Hitler, Herman Melville, Virginia Woolf, animals, butterflies and moths, depression, irony, the Treblinka trials, or countless other names or topics, the index will direct you to the appropriate interviews. Two of my favorite topics in the index were: 'surgery, fear of' and 'greatest wish: to live outside of time'. Hats off to the crew who have given us this monumental bibliographic record!’ — Terry Pitts, Vertigo 24 September 2011
  • ‘Para aficionados como yo, es una Biblia.’ — William Chislett, El Imparcial 10 December 2011
  • ‘Un somptueux volume collectif – une somme de près de sept cents pages, la bible (plutôt que le modeste handbook annoncé) sur Sebald.’Norwich: du temps et des lieux 28 September 2011)
  • ‘Special mention should be made of Sheppard’s ‘index to interviews with Sebald’ and his chronology of Sebald’s life, which reconstructs in as much detail as possible the writer’s movements. As with so much of this volume (characterized by how many of its contributors knew Sebald personally), it is clear that these indexes and bibliographies are labours of love; they will stand scholarship in good stead in years to come... An invaluable resource for future research.’ — Ben Hutchinson, Modern Language Review 107.2, April 2012, 659-61 (full text online)
  • ‘Saturn’s Moons is the most significant publication on W. G. (Max) Sebald in recent time. Offering a quasi-Sebaldian reading experience of that peculiarly unorthodox kind to the general reader, it is also a tome of considerable scholarship, most particularly in the provision of two remarkable bibliographies which make it a sine qua non resource for scholars of Sebald’s work... A book which will underpin further work on his writing for decades to come.’ — Deane Blackler, German Quarterly 85.2, Spring 2012, 233-34
  • ‘How much to reveal about 'W. G. Sebald' is not a simple question. The degree to which he incorporated not just the texts, but also the lives of others into his fictions is greater than we can now... Although Sebald suggests that finding the solutions would be worthwhile, he is suspiciously vague about the effort involved. The Handbook's great value is that it does an immense amount of work for us without revealing too much.’ — Scott Bartsch, Journal of European Studies 42.2, June 2012, 210-11
  • ‘By far the most authoritative and complete guide to the literature owned, written and inspired by Sebald, and testament to some extraordinary detective work. It should immediately become the first port of call for anyone setting out to write on Sebald.’ — J. J. Long, Journal of European Studies 42.3, 2012, 17-18
  • ‘Besides essays in which Michael Hulse and Anthea Bell address the subject of translating Sebald's work and of collaborations between author and translator, readers of this journal should be intrigued by a hitherto unpublished interview conducted by Jon Cook... [Sebald] reflects on his decision to write in German rather than English.’ — Iain Galbraith, Translation and Literature 22.1 (Spring 2013), 137-42
  • ‘Und dennoch ist es nicht nur ein Buch von Freunden über einen verstorbenen Autor, sondern ein Handbuch im besten Sinne des Wortes. Auf höchstem Niveau gibt es Auskunft über Sebalds Kindheit im Allgäu und seinen akademischen Werdegang; über seine Arbeitsweise als Universitätslehrer und die polemische Stoßrichtung seiner wissenschaftlichen Veröffentlichungen; über Sebalds Umgang mit Photographien, die einen integralen Teil seines Werkes bilden; es bietet einen profunden Einblick in seine private Bibliothek und den Stellenwert, den bestimmte Autoren in ihr halten; führt in den Nachlass ein, der in Marbach liegt und verschwiegen ist wie Sebald selbst es war; gibt Schriftstellern und Dichtern das Wort, die Texte über Sebald geschrieben haben; druckt unveröffentlichte Stücke aus Sebalds Nachlass ab; enthält Bibliographien zu seinem Gesamtwerk und der dazu erschienenen internationalen Sekundärliteratur, die bis ins Jahr 2011 Anspruch auf Vollständigkeit erheben dürfen und 170 große, dichtbedruckte Se’ — Jakob Hessing, Arbitrium 34.2, 2016, 246-50
  • ‘The volume offers an abundance of previously unpublished textual and visual material — much of it from Sebald's literary estate but also photographs, letters, syllabi, and personal testimonies provided by friends and others — to offer glimpses into the author's personal and professional life and to contextualize and historicize further his work as a writer, teacher, academic, and critic.’ — Markus Zisselsberger, Monatshefte 104.4, 2012, 685-88

Gender, Nation and the Formation of the Twentieth-Century Mexican Literary Canon
Sarah E. L. Bowskill
Legenda (General Series)

  • ‘Its coherent, well-sustained, and highly persuasive argument is likely to inspire others to take on this and the other challenges outlined in the conclusion. Indeed, as much as Bowskill’s book delves into the archives of reviews of the past, this is also a forward-looking study.’ — Amit Thakkar, Modern Language Review 110.1, January 2015, 273-74 (full text online)
  • ‘Sarah E. L. Bowskill’s study on gender, nation and canon-formation is a groundbreaking treatment of Mexican literature. She dissects a series of canonised and uncanonised novels to prove how the former were privileged by the state and how critics (un)consciously rewarded certain works while ignoring others... Bowskill makes us wonder why no one had deconstructed such critical happenings before, given that nation-building was the overpowering impulse to put Mexico in the literary map of modernity.’ — Francisco A. Lomelí, Bulletin of Latin American Research 34.1, 2014, 106-07

Published June 2012

Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize
Edited by Margaret Atack, Diana Holmes, Diana Knight and Judith Still
Legenda (General Series)

  • ‘Like the woman to whom it pays tribute, and whose haunting gaze looks out at us from its cover, this volume of essays combines intellectual rigour with humanity, serious purpose with humour, depth of insight with lightness of touch.’ — Julia Waters, Modern and Contemporary France 20.4 (November 2012), 505-06
  • ‘A powerful and moving reminder of the lineaments and achievements of [Elizabeth Fallaize's] scholarly work. Equally, as critical explorations of a variety of nineteenth- and twentieth-century narrative artefacts and practices, [these essays] are a pleasure to read, combining to create a collection that is an academic delight and would certainly have delighted the woman to whom it is dedicated.’ — Alex Hughes, French Studies 67.2 (April 2013), 294-95
  • ‘The chapters which form this scholarly homage... keep the dialogue open with a scholar, teacher, feminist and mentor who spent her life engaging with French literature. Yet, each contribution, particularly those of Michèle le Doeuff, Ursula Tidd and Diana Holmes, offers intellectual stimulation in its own right.’ — France Grenaudier-Klign, New Zealand Journal of French Studies 34.2, 2014, 130-32