Published May 2002
Victor Hugo, romancier de l'abîme: New Studies on Hugo's Novels
Edited by J. A. Hiddleston
Legenda (General Series)
- ‘This is a fascinating collection, revealing complexities and shifting sands in place of the stark dichotomies once associated with Hugo's novels... clearly demonstrates a rich seam of interest for the twenty-first-century reader. A thought-provoking volume indeed!’ — Monica Nurnberg, Modern Language Review 99.1, 2004, 204-5 (full text online)
Published September 2006
Phrase and Subject: Studies in Literature and Music
Edited by Delia da Sousa Correa
Legenda (General Series)
- ‘Largely devoted to questions of narrativity, a disputed area within musicology... An interesting but uneven collection.’ — Julian Rushton, Modern Language Review 103.3, July 2008, 810-11 (full text online)
- ‘Well-structured and coherent... Building on the important, innovative work of one of the volume’s contributors, Lawrence Kramer, the excellent studies collected here represent a vital overview of fruitful lines of inquiry within a vibrant emerging discipline.’ — Forum for Modern Language Studies April 2009, 220)
Published July 2007
From Art Nouveau to Surrealism: Belgian Modernity in the Making
Edited by Nathalie Aubert, Pierre-Philippe Fraiture and Patrick McGuinness
Legenda (General Series)
- ‘Discerning insights typify this volume, that sensitively examines sixty years of visual, literary, musical, and political avant-garde expression.’ — Silvano Levy, Modern Language Review 103.4, October 2008, 1130-31 (full text online)
- ‘A welcome and wide-ranging picture of Belgian Modernity up to the Second World War.’ — Lénia Marques, Journal of Romance Studies 8.3, Winter 2008, 77-87
- ‘This collection of fifteen essays is the first in English to present a wide-ranging overview of Belgian modernity between 1880 and 1950. The result is a richly detailed assessment of specifically Belgian cultural production and of its European context, divided into two sections, the first spanning 1880-1918, and the second the inter-war years... an invaluable study of a period whose cultural production the editors describe as "awkward and intractable, but also enriching and full of unexpected possibilities".’ — unsigned, Forum for Modern Language Studies 46.1, January 2010, 113
Published December 2007
In(ter)discipline: New Languages for Criticism
Edited by Gillian Beer, Malcolm Bowie and Beate Perrey
Legenda (General Series)
- ‘Emerging from conferences organized between 2002 and 2006 within a research project New Languages for Criticism: Cross Currents and Resistances, this compendium addresses the question of the search within the modern humanities for new languages for criticism in the light of a broadening awareness of the increasingly interdisciplinary or intermedial nature of cultural production and research.’ — David Scott, French Studies 514-15
- ‘The ambition, expertise and disciplinary breadth of this collection are exhilarating... Malcolm Bowie’s celebration of the ‘wonderfully impure acts of translation, of provocation, of risk-taking, and of abyssmanship that musical experience involves’ (p. 72) might equally describe this collection of essays. Often lyrical and innovative in their critical style, these essays by distinguished contributors... are also an important contribution to the definition and exploration of interdisciplinarity itself.’ — unsigned notice, Forum for Modern Language Studies 48.1, 2012, 112
Published December 2008
The Strange M. Proust
Edited by André Benhaïm
Legenda (General Series)
- ‘Reminding us again of the importance of close reading in Proust, Malcolm Bowie concludes that ‘it is perhaps in his handling of little local things that he is the most strange’. Certainly, in their attentiveness to detail, all of the articles in this volume provide exciting new insights into a much-studied text.’ — Sarah Tribout-Joseph, Modern Language Review 105.2, 2010, 569-70 (full text online)
- ‘The eminent Proust scholars contribiting to this volume all propose readings of the Search that tease out paradoxes, the uncanny, and the subversive hidden in Proust's text through a variety of critical perspectives. Although the theme of 'strangeness' is broad, the chapters cohere remarkably well and are of a uniformly high caliber.’ — Patrick M. Bray, French Review 85.2, 2012, 168-69
Pre-Histories and Afterlives: Studies in Critical Method
Edited by Anna Holland and Richard Scholar
Legenda (General Series)
Published July 2011
Textual Wanderings: The Theory and Practice of Narrative Digression
Edited by Rhian Atkin
Legenda (General Series)
Published June 2012
Women, Genre and Circumstance: Essays in Memory of Elizabeth Fallaize
Edited by Margaret Atack, Diana Holmes, Diana Knight and Judith Still
Legenda (General Series)
- ‘Like the woman to whom it pays tribute, and whose haunting gaze looks out at us from its cover, this volume of essays combines intellectual rigour with humanity, serious purpose with humour, depth of insight with lightness of touch.’ — Julia Waters, Modern and Contemporary France 20.4 (November 2012), 505-06
- ‘A powerful and moving reminder of the lineaments and achievements of [Elizabeth Fallaize's] scholarly work. Equally, as critical explorations of a variety of nineteenth- and twentieth-century narrative artefacts and practices, [these essays] are a pleasure to read, combining to create a collection that is an academic delight and would certainly have delighted the woman to whom it is dedicated.’ — Alex Hughes, French Studies 67.2 (April 2013), 294-95
- ‘The chapters which form this scholarly homage... keep the dialogue open with a scholar, teacher, feminist and mentor who spent her life engaging with French literature. Yet, each contribution, particularly those of Michèle le Doeuff, Ursula Tidd and Diana Holmes, offers intellectual stimulation in its own right.’ — France Grenaudier-Klign, New Zealand Journal of French Studies 34.2, 2014, 130-32
Published May 2013
Method and Variation: Narrative in Early Modern French Thought
Edited by Emma Gilby and Paul White
Legenda (General Series)
- ‘Overall, this is an engaging volume that usefully emphasizes the narrative methods and less scientific genres which underlie early modern French thought and its philosophical fictions.’ — unsigned notice, Forum for Modern Language Studies 50.2, April 2014, 230-31
- ‘This timely and important volume addresses the role of narration in revealing early modern French belief patterns... In demonstrating the range of ways in which early modern authors reconfigure and renegotiate narrative’s relationship to thought, argument, and proof, the contributors to this volume together add critical understanding to the complex articulation of fable, history, and argument in the early modern period.’ — Allison Stedman, French Studies 68.4, October 2014, 542-43
Published December 2013
Language and Social Structure in Urban France
Edited by Mari C. Jones and David Hornsby
Legenda (General Series)
- ‘From a variationist’s perspective, this is an insightful volume, methodical in its approach to the subject matter, and careful to consider existing research from across the social sciences. Its overarching aims are very well addressed, and the proposals outlined by the contributors will undoubtedly form an important part of future research on Metropolitan French. The volume’s undoubted strength and significant contribution comes from the break in the ‘reciprocal ignorance pact’ (Fishman 1991) that characterises the relationship between sociology and sociolinguistics. As Pooley rightly suggests (p. 209), it is this break in tradition that must now spearhead new avenues of research.’ — Jonathan R. Kasstan, Journal of French Language Studies 26.2, July 2016, 209-11
Published June 2015
The Reinvention of Theatre in Sixteenth-Century Europe: Traditions, Texts and Performance
Edited by T. F. Earle and Catarina Fouto
Legenda (General Series)
- ‘Sem dúvida, uma perspectiva rica e bastante abrangente do fenómeno teatral na Europa do séc. XVI.’ — Manuel José De Sousa Barbosa, Euphrosyne 45, 2017, 658-60
Politics and the Individual in France 1930-1950
Edited by Jessica Wardhaugh
Legenda (General Series)
- ‘This collection offers stimulating insights into mid-twentieth century political life... More important, the contributions illustrate how the political polarization that preceded and followed the Second World War compelled many people to commit to a party or cause, even when this resulted in disrupted family life and professional life or class and ethnic identities, producing the competing memories of the period that persist today.’ — Rebecca Scales, European History Quarterly 46.2, May 2016, 413-15
- ‘With its wide range of case studies, embracing a large number of different aspects of political engagement during the period between the 1930s and the 1950s, this book offers an interesting perspective on relationships between the individual and political movements, how this has been portrayed both at the time and in more recent analyses, and the limits of individual agency during these decades. As the conclusion states, much work remains to be done in this area. This book makes an important contribution towards achieving this aim.’ — William H. E. Rispin, French History 30.2, June 2016, 276-77
Published September 2016
Lucidity: Essays in Honour of Alison Finch
Edited by Ian James and Emma Wilson
Legenda (General Series)
- ‘This carefully crafted volume offers subtle and sustained reflections on the theme of lucidity as it is manifested in a range of cultural forms and media... This volume of fine schol- arship is dedicated to Alison Finch. As such, it pays tribute to her writing, teaching, and personal qualities, and constitutes a fitting tribute to her own lucidity.’ — Shirley Jordan, French Studies 74.1, January 2020, 157 (full text online)
Published December 2016
Montaigne in Transit: Essays in Honour of Ian Maclean
Edited by Neil Kenny, Richard Scholar and Wes Williams
Legenda (General Series)
- ‘Montaigne in Transit proves one of the finest volumes on this overworked author... In a reflective Afterword, Ian Maclean celebrates the scholarly exchanges out of which this volume grew and the generosity inherent in intellectual work. Another aspect that ties these contributions together lies in how the authors foreground the practice of close reading. Such patience with ‘slow’ reading is a welcome change from more ambitious quantifiable, contextualizing, and politicizing forms of criticism that currently dominate the field. The contributors intelligently defend their choice not as an antidote or alternative to these other approaches but as a needed counterweight and complement.’ — George Hoffmann, Modern Language Review 113.3, July 2018, 658-59 (full text online)
- ‘In a reading of Montaigne’s classical allusions in ‘Sur des Vers de Virgile’, Terence Cave finds the essayist resurrecting the dead: ‘The quotations from Virgil and Lucretius are haptic, erotic; they come to life, become bodies. And their life flows palpably over into Montaigne’s prose.’ Cave’s is the first of several essays in the wonderful collection Montaigne in Transit to explore metaphors for Montaigne’s thought and quotation practice, and to evaluate how we study Montaigne’s relation to other texts.’ — Peter Auger, Translation and Literature 27, 2019, 353-60 (full text online)
- ‘In sum, the journey through these essays is well worth the effort and strongly recommended to seasoned specialists and fellow travelers interested in the historical development of learned culture in Europe from the Renaissance to the nineteenth century. This reviewer wishes them a bon voyage!’ — Michael Wolfe, Sixteenth Century Journal 49.3, 2018, 885-87
Published May 2017
Decadence and the Senses
Edited by Jane Desmarais and Alice Condé
Legenda (General Series)
- ‘I found Maxwell’s discussion of the tuberose, and more speci cally Walter Pater’s conscription of that flower to describe his own rarefied prose style, to be particularly interesting, as Pater’s writing is so often considered the acme of Decadent prose. It seems that the orchid that famously reminded Dorian Gray of the seven deadly sins should, perhaps, have been a tuberose. Equally interesting is Angela Dunstan’s suggestion that Theodore Watts-Dunton’s roman-à-clef Aylwin became for readers a means of owning the celebrity of Dante Gabriel Rossetti, or the notion extended by Liz Renes that John Singer Sargent’s Madame X should be considered a meditation on the white, sculptural body and its changing role in modern art.’ — Jamie Horrocks, English Literature in Translation 61.4, 2018, 525-28
- ‘It is perhaps fitting that the unity of a book on Decadent literature should be best experienced ‘decomposed’ to give place to the independence of each chapter. There is no doubt, however, that the high quality of its constituent parts forms a significant contribution to Sensory Studies and that the collection is a ‘must-read’ for any student of Decadence at the fin de siècle and beyond.’ — Patricia Pulham, Modern Language Review 114.1, January 2019, 128-29 (full text online)
- ‘Desmarais and Condé have done an enormous service by opening up this can of repulsive worms.’ — Dennis Denisoff, Victorian Studies 61.2, Winter 2019, 554-56
The Made and the Found: Essays, Prose and Poetry in Honour of Michael Sheringham
Edited by Patrick McGuinness and Emily McLaughlin
Legenda (General Series)
- ‘Micky’s words return here in all their felicity. His appetite, brilliance, and distinct sensibility are intensely present. The editors speak of Micky ‘drawn by what was accidental, unsystematic, eccentric’ (p. ix). They see him glorying in ‘the overspill of things’. They speak of Micky as their ‘friend and colleague’ and this book is a beautiful act of camaraderie.’ — Emma Wilson, French Studies 72.3, July 2018, 485-86 (full text online)
- ‘This starry roster of writers, working in English and French, often operate along lines of creative interplay between chance and choice, the map and serendipity, walking and writing, celebrating the transition from noticing to noting and from there maybe even into actually making poetry.’ — unsigned notice, Forum for Modern Language Studies 54.3, July 2018, 375
- ‘The Made and the Found is a rich volume that will be of interest to friends of the late Michael Sheringham as well as to all those wanting to study the relation between French culture, language and the everyday.’ — Verena Andermatt Conley, H-France 18.214, November 2018
Published November 2017
Performing Medieval Text
Edited by Ardis Butterfield, Henry Hope and Pauline Souleau
Legenda (General Series)
- ‘Collectively, these studies effectively demonstrate the necessity for, and advantage of, an understanding of performance that transcends traditional academic boundaries and the volume, overall, serves as a solid exemplar of how to approach doing so.’ — unsigned notice, Forum for Modern Language Studies 55.2, April 2019, 248 (full text online)
- ‘An ambitious and wide-ranging exploration of performance in medieval European culture. Recognizing the ‘complex terminological web’ spun round the terms performance and performativity, the volume acknowledges and accepts performance as a ‘contested concept’. It also, importantly, recognizes the historical contingency of performance as an idea... The contributing essays illustrate both the ubiquity of performance in medieval culture and the very different ways it manifests in and through text, itself broadly conceived as manuscript, image, written word, and musical note.’ — Clare Wright, Modern Language Review 114.3, July 2019, 525-526 (full text online)
- ‘This thought-filled and thought-provoking volume offers a polyphony of perspectives on, and examples of, medieval performance.’ — Blake Gutt, French Studies 73.4, October 2019, 622-23 (full text online)
- ‘While these essays are likely to be read individually by specialists in their various fields, a reader of the whole volume will be rewarded with an enriched and nuanced understanding of the concepts of “performance” and “text,” and of the explanatory reach of the field of performance studies.’ — Anne Stone, Speculum 96.2, 2021, 482-84
The Multilingual Muse: Transcultural Poetics in the Burgundian Netherlands
Edited by Adrian Armstrong and Elsa Strietman
Legenda (General Series)
- ‘This forward-thinking collection is part of an emerging and significant trend towards analysing medieval literature in the multilingual context in which it was written... this collection has a much wider significance beyond this geographical setting insofar as it provides a splendid model for future research into the multilingualism of medieval literature.’ — unsigned notice, Forum for Modern Language Studies 55.2, April 2019, 247-48 (full text online)
- ‘Through the viewpoint of transcultural exchange, and by giving voice to cases in their contemporary contexts, the editors successfully present an enriching new picture of multilingualism in the fifteenth-century Low Countries.’ — Bram Caers, French Studies 73.2, April 2019, 284-85 (full text online)
- ‘Largely refuses clichés and tired assumptions about translation and other interlingual-literary engagements, preferring instead to turn new ground for specific analyses of less obvious intertextual, interdiscursive, and intermedial contacts. Armstrong and Strietman have gathered a fine collection that puts on display the richly provocative multilingualism of the early modern Low Countries. Anyone interested in early modern literary culture will be delighted by the insights and methods of these fine essays.’ — Anne E. B. Coldiron, Early Modern Low Countries 3.1, 2019, 145–148 (full text online)
- ‘This essay collection offers an excellent point of entry for reflection and further research on the impressive literature of the Low Countries under the dukes of Burgundy, and shows how the multilingualism and multiculturalism of the region energized and enriched its poetry.’ — unsigned notice, Medium Aevum 88, 2019, 191-92
- ‘The Multilingual Muse est un ouvrage important qu’il faut saluer. En effet, il éclaire dans le détail la manière dont se forme culturellement, socio-économiquement et même politiquement--malgré notre remarque ci-dessus--un espace commun bilingue au 15e siècle et au début du 16e siècle. Nombre d’enseignements sont à retenir pour l’historien.ne du politique : la nécessité de repenser les modèles de diffusion culturelle et donc idéologique « top-down » pour privilégier des processus en réseaux interpénétrés, et surtout abandonner cette idée issue du 19e siècle, et pourtant encore bien présente chez nombre de collègues, que l’État dynastique tardo-médiéval et renaissant se construirait nécessairement par l’unification linguistique. L’exemple de la mosaïque étatique bourguignonne dément tout à fait ce postulat.’ — Jonathan Dumont, H-France 19, November 2019, 220
- ‘This is an exciting volume which sheds important light on multilingualism in the world of the Burgundian Netherlands during the late Middle Ages.’ — Albrecht Classen, Mediaevistik 31, 2018, 465-67
Published February 2019
Gravity and Grace: Essays for Roger Pearson
Edited by Charlie Louth and Patrick McGuinness
Legenda (General Series)
- ‘A core series of contributions offers a remarkably sustained and rich reflection on the interplay between the aesthetic and ethical notions of gravity and grace.’ — Scott M. Powers, H-France 20, June 2020, no. 92
- ‘Works of art function by allowing something to happen, rather than by making something happen, and are nothing without our active participation. The prescriptive weightiness of words in practical discourse is not what poetry, especially, puts in play. That certainly makes this book a fitting tribute to the wonderful work of Roger Pearson, whose own writing is never heavy, never pedantic, but always invites and inspires the reader to continue thinking beyond the page.’ — Peter Dayan, Modern Language Review 116.1, 2020, 188-89 (full text online)
Published April 2019
Freedom and the Subject of Theory: Essays in Honour of Christina Howells
Edited by Oliver Davis and Colin Davis
Legenda (General Series)
Published September 2022
Labours of Attention: Work, Class and Society in French and Francophone Literature and Culture
Adam Watt
Legenda (General Series)
Last Scene of All: Representing Death on the Western Stage
Edited by Jessica Goodman
Legenda (General Series)