Published April 2024

Cover of Modern Language Review 119.2

Modern Language Review 119.2 

including:

Review of Juliet Guzzetta, The Theater of Narration: From the Peripheries of History to the Main Stages of Italy; Juliet Guzzetta, Il teatro di narrazione: dalle periferie della storia ai grandi teatri italiani
Joseph Farrell
doi:10.1353/mlr.2024.a923577

Published September 2017

Cover of Modern Language Review 112.4

Modern Language Review 112.4

including:

Review of Carlo Goldoni, Giancarlo Rizzo and Michael Hackett, Brittany Asaro, Cesare de Michelis, Five Comedies
Joseph Farrell
doi:10.5699/modelangrevi.112.4.1009

Published May 2017

Cover of Cultural Reception, Translation and Transformation from Medieval to Modern Italy

Cultural Reception, Translation and Transformation from Medieval to Modern Italy: Essays in Honour of Martin McLaughlin
Edited by Guido Bonsaver, Brian Richardson, and Giuseppe Stellardi
Legenda (General Series)

including:

Chapter 13 Goldoni and Gozzi: Disquisition On A Statue That Walks
Joseph Farrell
doi:10.2307/j.ctv16kkxtz.19

Published September 2013

Cover of The Tradition of the Actor-Author in Italian Theatre

The Tradition of the Actor-Author in Italian Theatre
Edited by Donatella Fischer
Italian Perspectives 27

including:

The Actor and the Author: Renaissance Theatre in England and Italy
Joseph Farrell

Published October 2007

Cover of Modern Language Review 102.4

Modern Language Review 102.4

including:

The Ethics of Science: Leonardo Sciascia and the Majorana Case
Joseph Farrell
doi:10.2307/20467548

Published October 1998

Modern Language Review 93.4

including:

Review of Michelangelo, Christopher Ryan, The Poems
Joseph Farrell
doi:10.2307/3736327

Published October 1996

Modern Language Review 91.4

including:

Review of Carmelo Spalanca, Da Regalpetra a Parigi: Leonardo Sciascia tra critica italiana e critica francese
Joseph Farrell
doi:10.2307/3733583

Published July 1996

Modern Language Review 91.3

including:

Review of Tom O'Neill, Nicole Prunster, Quaderni dell' Istituto Italiano di Cultura
Joseph Farrell
doi:10.2307/3734160